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Little jimmy
Published on 07/31/03 at 09:21
*** The pedal is up to date conversion issue A / D and D / A (24 bit), has a digital output for recording direct to disk.
*** Connectors: INPUT jack (6.35mm)
OUTPUT jacks L (MONO) / R
Jack Phones
Jacks SEND / RETURN
DIGITAL OUT (coaxial)
Jacks SUB PEDALS (CTL and EXP)
MIDI IN and OUT
*** LCD with backlight 16 characters, 2 lines.
*** Dimensions 515 * 261 * 75 mm
*** Sample rate 44.1 KHz
*** Dynamic Range> 100 dB
*** Expression pedal assignable to the box at will!
UTILIZATION
*** Settings direct frontage analogically (knobs ....)
*** It has 200 presets that give an idea of the performance and versatility of the beast!
*** Then There are 140 user programs or its sounds are produced:
Question edition is powerful because everything is customizable (from the millisecond for Ambience placement of microphones in front of the HP to the type of wha wha not forget about placement effects ...)
*** The effects are quality Roland (for me the best given the price range ...)
*** Another expression pedal is very pleasant to use and wha wha are terrible!
*** A careful reading of the manual is necessary to understand the logic ... Roland
SOUND QUALITY
*** The effects are really effective due to the quality thereof and the flexibility of settings.
*** The preamps are effective and different from the logic "Line 6" In the sense that they are more neutral and are crushed at will in every way.
We can cover all styles (from jazz to rockabilly through to the good old metal trash) simulations are realistic (in my taste, I had a Line 6 POD and I changed because I find that POD with you always even a grain of sound is something near and equalization are not very effective, and after testing the GT6 I found it more flexible and versatile SO close to that level of quality preamp. This is My personal opinion based on my tastes ....)
*** To make comparisons, I used my Gibson Les Paul (Standard and Studio) a '82 GS, a GS 1275, an explorer, a flying V, A stratospheric rise Luckater Steve (2 singles, a double EMG) a Strato Deluxe, a Telecaster, a Peavey Wolfgang USA; to see the limits of each side devices and versatility sounds.
OVERALL OPINION
Having been an owner at the time when GT5 is released, I found that there was a marked increase in quality of sound on the GT6, the effects still legendary and my personal opinion on those who say that it sounds bad Preamps level is that they do not know how to use it.
I advise those who want to make the scene as the studio.
I sold my POD has limited the use of the studio and it gave me not only the surge of creativity that you can have on a GT6 (^ For one program while ...)
Try before you buy it because everyone will not agree with me ....
*** Connectors: INPUT jack (6.35mm)
OUTPUT jacks L (MONO) / R
Jack Phones
Jacks SEND / RETURN
DIGITAL OUT (coaxial)
Jacks SUB PEDALS (CTL and EXP)
MIDI IN and OUT
*** LCD with backlight 16 characters, 2 lines.
*** Dimensions 515 * 261 * 75 mm
*** Sample rate 44.1 KHz
*** Dynamic Range> 100 dB
*** Expression pedal assignable to the box at will!
UTILIZATION
*** Settings direct frontage analogically (knobs ....)
*** It has 200 presets that give an idea of the performance and versatility of the beast!
*** Then There are 140 user programs or its sounds are produced:
Question edition is powerful because everything is customizable (from the millisecond for Ambience placement of microphones in front of the HP to the type of wha wha not forget about placement effects ...)
*** The effects are quality Roland (for me the best given the price range ...)
*** Another expression pedal is very pleasant to use and wha wha are terrible!
*** A careful reading of the manual is necessary to understand the logic ... Roland
SOUND QUALITY
*** The effects are really effective due to the quality thereof and the flexibility of settings.
*** The preamps are effective and different from the logic "Line 6" In the sense that they are more neutral and are crushed at will in every way.
We can cover all styles (from jazz to rockabilly through to the good old metal trash) simulations are realistic (in my taste, I had a Line 6 POD and I changed because I find that POD with you always even a grain of sound is something near and equalization are not very effective, and after testing the GT6 I found it more flexible and versatile SO close to that level of quality preamp. This is My personal opinion based on my tastes ....)
*** To make comparisons, I used my Gibson Les Paul (Standard and Studio) a '82 GS, a GS 1275, an explorer, a flying V, A stratospheric rise Luckater Steve (2 singles, a double EMG) a Strato Deluxe, a Telecaster, a Peavey Wolfgang USA; to see the limits of each side devices and versatility sounds.
OVERALL OPINION
Having been an owner at the time when GT5 is released, I found that there was a marked increase in quality of sound on the GT6, the effects still legendary and my personal opinion on those who say that it sounds bad Preamps level is that they do not know how to use it.
I advise those who want to make the scene as the studio.
I sold my POD has limited the use of the studio and it gave me not only the surge of creativity that you can have on a GT6 (^ For one program while ...)
Try before you buy it because everyone will not agree with me ....