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Wurlitzer 200A
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keti keti
Published on 08/03/07 at 16:29
I never mock a song with a sound of the synth wurli imit. A soon as I install my 200A in my home studio I was recording the accompaniment of a pop ballad, a little swing in California. When you have the REAL instrument under the fingers, it's another world ...
Ray Charles (What I'd say), Supertramp (half of their hits including Goodbye stranger), the Eagles (I think that this is a wurly on i can t tell you-why), short, c ' is the piano pop-rock-blues (by Rhodes, which is more jazz? may be good ...)

Exprience with, oh yes I do it again this election, and even more tt in my life!
A Wurlitzer is full of Posie, sensations, musical groove. It is both inevitable and kitsch, fragile and lgitime, dpouill and rich.
The "fat" sound, which DLIC! And trmolo, mmmh!

At the same time, still has a Wurlitzer, a poor electric piano a little gadget! This is not a Steinway, so do not be lulled by the sellers would have you believe that rhyme vintage forcment with exceptional quality.
Beware, beware the price increase, you do not have: a must ngocier around 1300 euros max (if full) And then you have prvoir a budget for the re-state, then the maintenance.
I will sell one or two IMMEDIATE synths now that I have my 200A (why no rdite electric pianos, Rhodes or Wurli? There would be a small market I think ...)