Yamaha QY300

FEATURES

The QY300 is simple quune squenceur. The QY300 is a system that music production
squenceur complete with 16 tracks, a 128-gnrateur his voice and possibility daccompagnement
Automatic advance, all with a command of interface Intgr perfected. It
possde also a floppy drive in order to save and give and rcuprer
Intgr a micro-keyboard for easy programming without external MIDI keyboard.

UTILIZATION

Features squenceur

The QY300 is squenceur the team of 16 tracks that normal squenceur
you can assign each individual internal voices to record this
you want the intermdiaire the micro-keyboard or QY300 an external keyboard
MIDI IN connector of the QY300. You can use the recording mode
in real time so that the QY300 records exactly what you play and
The fawn that you play or not the recording mode in which no
Notes can be between one. The recording mode "multi" in real time
simultanment allows you to record all 16 tracks and squenceur
recording mode in real-time punch-in allows you to renregistrer any
Specifies section of a track record dj. The recording mode no no
allows you to record extremely fast or complex passages that would
impossible to play in real time. It is also useful to bring a touch
registered with the final tracks in real time. The QY300 provides a wide range of
edition features advances that make the publishing process and give a registered
easy and efficient.

Arranger accompaniment

A function that differs significantly from other squenceurs the QY300 is its function
arranger accompaniment. The accompaniments are produced in a spcifiant
squence plutt patterns play in recording individual notes or chords.
A pattern is in itself a spare squence consisting of a combination of 8
phrases, such as a sentence of percussion, a bass phrase, and several
agreements or phrases harmonics. The QY300 provides phrases prslectionnes 2000
you can combine To create a variation on virtually unlimited designs and one
memory for up to 100 user phrases that you can save br /> from scratch. Each shape can have eight variations - introduction, main A, main B, fill
AA, BB fill, fill AB, Fill BA, and a final - you can set squence with
changes agreed to fast track CRER compltes support.
The chord changes are programmed simply by entering the name of
agreement - the Systm advanced auto accompaniment ABC (from English Auto
Bass Chord and bass chords automatic) Yamaha rharmonise automatically
give the reason as modified. With the functions of the QY300 arranger,
CRER you can complete support in a fraction of the time
ncessaire, simplifying and acclre the process of global production
Manir significant.

VOICE AND EFFECTS

The internal tone gnrateur the QY300 uses memory Wave Feed (AWM)
128 and provides voice quality and 8 drum kits complete with DIFFERENT
percussion or rhythmic assigned to diffrent notes. You can
assign any of the voice tracks and phrases or squenceur
play directly from an external keyboard or other MIDI device raccordbr /> by the MIDI interface. The QY300 also includes an internal processor signals
numriques high quality internal DSP (Digital Signal Processor) which provides a
range of effects and delay of rverbration Manir that you can produce
her a warm refined without the need for an external equipment.

SOUNDS

SOUND BANK

Acoustic Grand Piano
Bright Acoustic Piano
Electric Grand Piano
Honky-tonk Piano
Electric Piano 1
Electric Piano 2
Harpsichord
Clavi
Celesta
Glockenspiel
Music Box
Vibraphone
Marimba
Xylophone
Tubular Bells
Dulcimer
Drawbar Organ
Percussive Organ
Rock Organ
Church Organ
Reed Organ
Accordion
Harmonica
Tango Accordion
Acoustic Guitar (nylon)
Acoustic Guitar (steel)
Electric Guitar (jazz)
Electric Guitar (clean)
Electric Guitar (muted)
Overdriven Guitar
Distortion Guitar
Guitar Harmonics
Acoustic Bass
Electric Bass (finger)
Electric Bass (pick)
Fretless Bass
Slap Bass 1
Slap Bass 2
Synth Bass 1
Synth Bass 2
Violin
Viola
Cello
Contrabass
Tremolo Strings
Pizzicato Strings
Orchestral Harp
Timpani
String Ensemble 1
String Ensemble 2
Synth Strings 1
Synth Strings 2
Choir Aahs
Voice Oohs
Synth Voice
Orchestra Hit
Trumpet
Trombone
Tuba
Muted Trumpet
French Horn
Brass Section
Synth Brass 1
Synth Brass 2
Soprano Sax
Alto Sax
Tenor Sax
Baritone Sax
Oboe
English Horn
Bassoon
Clarinet
Piccolo
Flute
Recorder
Pan Flute
Blown Bottle
Shakuhachi
Whistle
Ocarina
Lead 1 (square)
Lead 2 (sawtooth)
Lead 3 (calliope)
Lead 4 (Chiff)
Lead 5 (Charang)
Lead 6 (voice)
Lead 7 (fifth)
Lead 8 (bass + lead)
Pad 1 (new age)
Pad 2 (warm)
Pad 3 (Polysynth)
Pad 4 (choir)
Pad 5 (Bowed)
Pad 6 (metallic)
Pad 7 (halo)
Pad 8 (sweep)
FX 1 (rain)
FX 2 (soundtrack)
FX 3 (crystal)
FX 4 (atmosphere)
FX 5 (brightness)
FX 6 (goblins)
FX 7 (echoes)
FX 8 (sci-fi)
Sitar
Banjo
Shamisen
Koto
Kalimba
Bagpipe
Fiddle
Shanai
Tinkle Bell
Agogo
Steel Drums
Woodblock
Taiko Drum
Melodic Tom
Drum Synth
Reverse Cymbal
Guitar Fret Noise
Breath Noise
Seashore
Bird Tweet
Telephone Ring
Helicopter
Applause
Gunshot

PERCUSSION

Click L
Click H
Brush Tap
Brush Swirl L
Brush Slap
Brush Swirl H
Snare Roll
Castanet
Snare L
Sticks
Bass Drum L
Open Rim Shot
Bass Drum M
Bass Drum H
Side Stick
Snare M
Hand Clap
Snare H
Floor Tom L
Closed Hi Hat
Floor Tom H
Pedal Hi-Hat
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
Crash Cymbal 1
High Tom
Ride Cymbal 1
Chinese Cymbal
Ride Cymbal Cup
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
High Agogo
Low Agogo
Cabassa
Maracas
Samba Whistle H
Samba Whistle L
Guiro Short
Long Guiro
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
Triangle Mute
Triangle Open
Shaker
Jingle Bell
Bell Tree
Hi Q

OVERALL OPINION

My personal opinion

I use this device for ten years. I am a MODEL pass the other, staying in that range. I like the ease of use and fast that it offers.

Today, I do not use more of scne for purely artistic reasons, since I dsormais training five musicians with whom we want to play live as much as possible. A rock formation in which squence mlangent do wrong. Nevertheless, I still use my QY700 (the same as the QY300 but with 32 tracks instead of 16) to dial. IDAL is for Fast Fashion! It allows, trs quickly, ask one ide and one Premire debauchery of a song. It's perfect for working a single directory, in addition rptitions group. And if you're training without a drummer, IDAL is to "replace" a battery or scne rptitions, trs and really handy. It does not feel restrained by a squence. One can, with this tool, scne improvise, to the extent it has prpar these patterns. It remains that the start when you want, with a switch pedals, for example.

Finally, before turning into a rock band I played in piano bars, alone with my squence, a MIDI keyboard and a microphone for voice. It is very easy, and for reasonable prices, squence (soundtracks prprogrammes) classics of French song, English standards of rock, etc ... This allows you to mount a directory of trs times faster, and able to constantly renew to play piano bar. Scne alone, with the hardware really easy to transport ..... It quickly gained a living making music! What appears normally difficult ...

Finally, the last little longer ... The QY300 can run batteries (without be a factory ... It uses little gas.). And personally, I take a lot on the train, which becomes enjoyable with this unit trs. The QY300 on his knees, headphones walk-man branch above the ears, and go! PERFECT! ! ! . . .

Conclusions: This device does not age. It is so convenient that all levels do not get tired. Especially considering what it costs! This means half of the equivalent among competitors. You'll understand. I highly recommend this unit, my taste just perfect. So yes, if c'tait again, I would reiterate this unit. This is what I actually done by passing the QY700 !!!...