All user reviews for the Vox Tonelab LE

The characteristics t have much dfinies in prcdents opinion, even when I can cite some info ...

The Tonelab has a beautiful prampli has lights, it gives a fucking sound! o_O

There are a lot of effects available, such as the Wah-Wah, some types of overdrive, pitch, delay, reverb ...

The effects, presets, amp types of cab ... everything is editable via a Midi connectors. The app is available for PC and MAC!

So I put 10/10 in characteristics, great friends!

USE

Nothing is easier! You just know a little effect types, try a little while, quibble, and you learn quickly! I never read the manual, and frankly, I do not think I need to read, all is very simple and well indicated on the ToneLab. The edition of the sounds should be a little in advance ... be not too improvise his live sounds: p

10/10 again!

SOUND QUALITY

The sound quality is really perfect a condition of use of the good stuff!
I use a Fender Tlcaster is really impeccable.

The ToneLab course must plug into an amp or sound like "Tech21 Power Engine". If used alone, well not hear you very much =)

10/10 for the sound quality!

NOTICE GLOBAL

I use it for ... Mme not a week! And frankly this famous ToneLab surprised me! I had bought a little like that, without much documentation on me, and chance has it right! This is really what I needed: p
Before ToneLab, I Amplitube 2 on Mac, ca not bad either throw! But I much prefers the ToneLab.
I would do well on this choice.

And another 10/10 in global opinion!

Guys, ruez at you!

The characteristics remain the same. Frankly fabulous ... Weakness? You put some ffects on the same selector (whawha and fuzz ...)
A single pedal over its prdceceur. 5kg also doing his sore arm when you take the cable bag right arm, left arm VOX Ae ... !! In addition there is no small (large) holsters to put the crankset.

The rest remains on top.

USE

Can easier be done? Surely. But after his becoming a little box ffect the kind boss that everyone had (or not). To have a sound of thunder, it's not hard, but you need to know what we do. Having read the manual once will not be the luxury to take full advantage of this machine. Opportunities within both the multiple, we do not pleindra consquent number of possible schedules.
The manual is very clear. Sufis, but I think I remember (it was a while since I have not read it) that there qulques missing explanations on MIDI or SPDIF

SOUND QUALITY

The ffects are ... How to say ... Fabulous! The clean is too, but you have to do it, because, in addition, I who used a very bad Squier Calit the clean saturating VERY fdacilement, but when we find her is pleasant xtrement play and hear. The saturs sounds are simply divine with a tale by default on the presence of noise when you put the guitar volume to a minimum. There is indeed a mute noiser but if you have a bad guitar, this feature really lower the risk of gaming Calit (decrease the intensity of the notes, do not let it ring long enough and for fans Larcen the end of the song, it died for you). There are no sounds I prfere saw that it was me who the boards crs, those I dteste is those I have not created that are vraiments, my ear horrible (not all eh!).

NOTICE GLOBAL

I've had some nearly seven months and I play guitar than its presence. When I go to my guitar yard, I Ramne, moreover my teacher is going to buy it, how to say it's good. The sound is never gach by ffects chorus kind or another. It is only option and feels about other crankset that the ffects are impregnated in sound and gives a fairly electronics, which will please not my style of music. I play punk band but I like to blues, classical and metal see it is really versatile. I even SUCCESSFUL make a sound to be able to plug my acoustic guitar for the sound to be not gach and unlike what I atendais, the sound is amlior (I use a folk guitar Ibanez Serie V).
The guy who sold me this crankset make music pubs and bassist mtier, he'm a bass demonstration with vox, the rendering is qu'affolent so it is well. A guitar amp simulator? Only? I also ssayer a synth vieu (casio, as bad as I do pus) and looks very good. After do the abyss the hardware, I do not know her, that's her that I do not abuse it.

Using both the original guitar, I think I'm not get scammed, the other guitarist in my group bought the same and it is not the .dropoff window
This is the price: lowest in its field, it is a good brand, the sounds are good. What more for 400? A SECOND pedal to xpression a few sparation ffects (but must not ask too much knowing that his will be a big thing full of buttons ...) Otherwise, I do not know what to ask for other. Voila! Thank you for reading!

A good little crankset, coupling effects and amp simulators, very good quality distortion (from the most vintage Mtal), a wah-wah filter effects with original QUALITY, of chorus, phaser, flanger, and other modlisation effects, delays, reverbs ... everything a guitarist needs. It is of course not forget the famous 12AX7 Vox own technology, of course, between one and stro outputs, MIDI and voil work!

USE

It's Vox is vintage, so it is very simple to use and it is pleasant. And of course, the sounds are very good quality and very warm, you do the Led Zep, jazz, ska or progressive Mtal!

SOUND QUALITY

I get my Tonelab on electroacoustic amp SR Technology Jam 150, hence the importance of amp simulators for sounds with distortion and overdrive ... and I'm far from being the.
A little more for phaser and wah, which are very good quality.

NOTICE GLOBAL

A report qualitprix very very good ... even better than its predecessor the SE Tonelab (even if it was sold with a cover): the sound is warmer, the r simple settings, all for a infrieur price. This crankset will very well meet the expectations of the most discerning guitarists rfractaires sounds too modliss, artificial (like me).
A choice I would do the same eyes closed and hands fasteners (?!) ...

Amp modeller
Simulation of HP
Compressor
Modulation effects (Chorus, Phaser, Flanger, Univibe, Tremolo)
Distortion pedals (TS9, RTW, DS1, Fuzzface, Octavia)
Delays
Reverb
Expression pedal
Noise Reduction

UTILIZATION

- The general configuration is it simple?
Configuration is very simple.

- Publishing of sound effects or is it easy?
Editing of effects could not be easier, we select an effect, we look at the matrix, turn the knobs is played.

- The manual is clear and sufficient? ...
The manual is very clear and French
I just struggled to find the noise gate but otherwise fine.

SOUND QUALITY

- Effects are they effective, responsive and realistic enough?
The effects are very effective, very appropriate.
The amp models are excellent, distortion pedals as well.
We can all play with (JAZZ, ROCK, POP, METAL).

- Which instruments do you use?
I use it with a guitar and a bass.

- Which ones you prefer, you hate?
I have a preference for Univibe and the phaser that are very well modeled.
The whammy is very suitable.
A small problem for the octave and fuzz that are not top.
Most is that you can bypass the amp simulations and HP and serve only the effects section.

OVERALL OPINION

- How long have you use it?
I have been using 2 joours before but I had a Tonelab.

- What is so special that you like most and least?
+: Easy to edit sounds, amp models, delays and reverbs the
-: The octave, the fuzz. The present facade is no longer available, but via a hidden feature, too bad.

- Have you tried many other models before buying it?
I tried a POD XT.

- How would you rate the quality / price?
The price / quality ratio is excellent considering all the effects available and their quality.

- With experience, you do again this choice? ...
Yes, of course.

See the website of Vox

UTILIZATION

Simpler than that you die not need any manual is very clear on the pedals

SOUND QUALITY

I find the effects very well although I prefer to reverbs when m ^ me my Boss RV3 I find more chaude.mais the pedals are very good as well as the amp simulators I think it sounds very vintage.Mais it there is still a downside for distos, let me explain I like to play some songs from Gary Moore bin with the distortion that can not THE sound is bad far from it but are not making long even with the gain and drive bottom pas.Bon it does not work I have to say that before buying the vox, I worked with two pedals at once a tec 21 and Boss Metal Zone, I know many will say metal zone pedal ben shit that's true because I've had + -5 years and I found a shit and then one day I combined with my tec 21 and then magically I get super sound good c ' What is true to a large default it blows a lot but only when the strings do not sound, then when the bin strings do not sound bin I have a volume pedal and hop out of breath.

OVERALL OPINION

I use it for two days
I tried the GT8 I think that sounds a bit too synthetic without saying that this is bad but it's not the same that's it!!
too early to know if I would do the same choice but I think that yes

All the effects that a guitarist can apply a multi purpose are in boiboite
The lamp provides a little extra that will not really if you use a tube amp
The connection is complete enough for me, I do not use the South ...

UTILIZATION

Trs easy to use, just read the manual is clear on the whole, boring ... only thing one must guess the models of pedals and amps as they are described in the form of riddles .. .
Last negative: the scope of the wha-wha we can not use simultaneously with the fuzz, ca fout the balls if you want to be a tit Hendrix ... but it's not a major default .

SOUND QUALITY

From this the cot nothing to say ... the Tonelab covers a very wide range of sounds: modern, vintage Blues, Jazz, Rock, everything is there and the quality effects such as amp models or baffles are very good.

OVERALL OPINION

This is a great multi purpose, the quality is to go, good price quality ratio
If it again, yes I would do

For a list of effects, the connection ... see data sheets.

Basically, there is what one would expect from a device of this type, at least
enough for me who am not a fan trs sounds hyper-worked.

The prsence a light reassures me that I not afraid of the dark, but I dread the cold at all numrique.

I would have AIM a PC via USB connection and software edition patches.

UTILIZATION

Many buttons and potentiomtres ... but I had to prfre menus and submenus to dfile on a mini screen 15 features and buttons. With the Tonelab, all rglages are easily accessible and provide a fairly intuitive use. It's not as simple as aligning individual effects pedals, but it raproche.

Ct manual, nothing wrong. Only small BMOL as dj said by someone else: the names of effects and amp simulation is not clear cit although it can easily guess what it is. Rights issue, I guess ...

SOUND QUALITY

Question her, I am a bit more mixed ...

The use of effects connected to the loop of an amplifier is quite convincing. Similarly, I am satisfied with the trs made to the headphone. For cons, I'm a bit of the rsultat when the Tonelab is plugged into a mixer connected speakers. I'm testing the ability to connect and diffrent DIFFERENT rglages (very numerous), I'm still on my hunger. Overall the sound always seems a bit messy and tends to saturate too easily. I have trouble getting a clear sound and powerful time. I can not find the Ractive and expressiveness of a guitar simply plugs into an amp. Finally, the lamp is really useful?

However, even when it is necessary perspective:

The Tonelab is an amp simulator. For the simulation, it is generally quite russi. In addition, in the case of a connection table, the quality of this dernire play a lot and I think still working my rglages things need to be able s'amliorer. Finally, we must admit that before the multitude of possible rglages, I always have a sense of "can do better" that stirs my dissatisfaction ...

OVERALL OPINION

I use the Tonelab for about three weeks.

Assets:
- The ease of use.
- The sound in the headphones and the effects connected to an amplifier.
- The possibility to assign a parameter of the effect of expression pedals (a big plus easy to caller on a tempo that not all devices forcment race condition).
- Design nortro ... I know, has no importance for the sound but it's always more enjoyable to play on the hardware that we find beautiful!

Cons:
- The rendering of the trs diffrent following the fawn which is connected Tonelab which requires rework sounds when moving the headset amplifier or mixer.
- The lack of "expression" of sounds clear.
- The fact that the Wha Wha is treated in the group of effects pedals: you can not use a Fuzz Wha (it's either one or the other).
- The ct "I spend more time thinking rgler my stuff to get better sound that play!" (All common multi effects)

I tried other models of amp simulators, but in the end, the Tonelab Strongly believes me most, even if not perfect. Depending on the mode of use, navigates between trs good and not evil, which is ultimately a pretty good view.

I bought the Tonelab for a test shoot and finally, I think to keep it. Even if I'm not completely satisfied, I find all of the same over its competitors.

Friends scratch: sr Although we each have our gots, our style and subjective, I just want to give such notice by my impressions as I felt: I play since I was 16, and j ' in I 51 / I dtest the mountains of gear complicated, heavy and bulky / I had several guitars and several amps, several effects pedals, etc ... I play include the Toto, Queen, U2's from Dire Straits, and after 5 beers a Van Halen ... In short: for those looking for versatility, Tonelab LE is almost perfect (default key: a single expression pedals). For those who want more versatility sound reasonable budget, I say great, for my part, I finally found a form of happiness in marriage as follows: <strong>US Fender> Tonelab LE> 2 x Tech 21 Power Engine (with a DJ is good), by transplanting SM 57 <span style="font-weight: normal;">I do not sell anything, I do not work for Fender, Vox or to or for Tech 21, or for Shure. If a certain and may help some. Good riffs Geolegx59</span></strong>

UTILIZATION

Manuel trsdtaill prcis trs, trs clear.
The edition of sounds is a breeze.

SOUND QUALITY

Trs impressive, but your exact dpend Systm of TLE in which the branch will: DIFFERENT paramtres are prvus (amp, sound system)

OVERALL OPINION

Choice again, less than winning the lottery ...

A default: a single expression pedals, which means you can not assign volume and wah at the same time, I recommend using an external wah.

The usual range for this type of material, many amps, speaker cabinets, effects pedals, reverb and delay modulations ... ECC83 preamp into a lamp. Special mention for the very convincing disto metal, I also preferred to hi gain amplifiers emulated (the latter being, however, very good quality in their field).
Pc is a publisher, but is connected by noon (so requires interface), we would have liked a USB connection for editing presets.

UTILIZATION

The setup is clear, just a few problems finding the noise gate Apart from this detail everything is nicely arranged in a metal case involving confidence from the start.

SOUND QUALITY

Special mention for the very convincing disto metal, I also preferred to hi gain amplifiers emulated (the latter being, however, very good quality in their field). This plugged into my peavey windsor tube amp, the rendering is superb!

OVERALL OPINION

Only problem, rendering the headphones, I could forgive the expression, nothing to do with the rendering of light amplifier, a shame lorqu'on is moving. Dand any case do not rely on the headphone made completely false.
That said I think this pedal is one of the best products in its class alongside the line 6 and another zoom less convincing.
A buy eyes closed!
(Thomann 444euros bought in 2008 with matching flight case)
-1 To render the headphone.

Lots of effects, amp simus and sound banks.

UTILIZATION

Usage is very simple. The manual is useful for adjusting the subtleties of gender assignment effects pedal.

SOUND QUALITY

I took hours and hours listening, try molding ...

I am currently working on Fender Stratocaster U.S. + 60W lamps. The result is very nice especially since the ToneLab limits the power of the amplifier while pushing the lamps (it acts as a limiting power (the amp is pushed to 6 / 7 but it limits the guitar signal Tonelab.)

Ideally, again to be tested is to connect 2 amp to enjoy stereo effects (modulations)

Quick overview of sounds in amp simulators, the Vox are nice + the fender, not bad for Mesa.

Level effects, I got Exellent combis, distos, chorus, flanger, wah, octave, reverb (some are excellent, delay ...)

OVERALL OPINION

Very versatile pedal that sounds really want the road. I added a wah pedal for other combis. I ToneLab for over a year and I play in groups. I am very satisfied!

multi effects + amp simulator, expression pedal, preamp tubes mono or stereo headphone jack MIDI connectors optical ... level is full level in effect as distos toutb kind, More chorus, flanger, phaser, octave, wah, Univibe, leslie simulation octafuuzzz fuzz, acoustic simulation, full of delay and reverb in cons ...... no loop or rhythm box has damage! especially when the alleged concurence worse proposes to cheaper ....
the difference is the sound here is the selling point.
In any case he has a mouth with its push mxr ehx way.

UTILIZATION

Ben's strong point is that it is quite clear, bought OCCAZ (nine is way too expensive for the made in china) it took me some time to understand everything no button has 50 functions. .. really saves time, while the multi in general, is much loss of gst.
but in return it is impossible to mix some effect, many mouths in relation to the possible association of the wah and the fuzz and they are right and I'll add AC stinks not combine pedal distortion / fuzz with an octave or wah / octave ... what they gain in simplicity, they lost in potential damage .... again !!!!!!!!!
The really good thing about it is the ability to assign anything and everything has the expression pedal that turns the multi effect a kind of multi whammy wha space !!!!!!!!

SOUND QUALITY

the (so-called?) strength of the ToneLab: I mixed the good or very good, and bad very bad
Octave is terrible, I like some delay, the metal distortion is not bad, the simulation is rather good even if it must go after some adjustment ... well it depends the U.S. hi-gain medium, the Fender through, vox and marshall and cons uk modern and very nice ... really fuzzz hierar ...
In general I would say it is really o above what I've seen before, its level, but it is really more expensive !!!!!!!!!

OVERALL OPINION

I recently and I sell it, whatever be its quality I perceive that my stuff sounds better without, if I want one (or several) I pick up an effect (of) electro harmonix pedals! !
I play on the lamp (fender / orange) with good guitar (Fender Mustang w / DiMarzio, and gibson) and I could say yes to the lowest gear type transistor ... well considering the price of machin .. . I saw small lights in all of big brand that was cheaper: QED!
not a bad product in absolute terms, but it's expensive gadget!
after a mixing desk or on a sound system for running a lot and does not have an amp AC its interest, and that's all bad!

For specifications, see the previous opinions.

In general, it is not bad at all level effects and stuff, it happens to have good sounds. For cons, I do not like the default settings, but its only my opinion.

Versatile (ska, punk, metal, blues, pop ...)

UTILIZATION

The manual is very nice shape and needed to take control of the foot perfectly. Otherwise, we zoom too much.

I have a little trouble to edit all the sounds to be exactly what I want so I dont know if it's not that I'm wrong or if it is not hollow but complex enough to take hand when you start completely with this kind of pedals.

SOUND QUALITY

The effects are good. In any case, the amp models (although imitations are averages see bad) have a good sound and you can almost have its own sound by adding effects and by touching a little bit of everything the big buttons ...

I use it with an Ibanez S670FM and recently with a VOX Valvetronix amp 100W.
Before buying the amp, I used it on live sound systems or all-tube amp that I borrowed in concert. The sounds went from time to time but it happened quite often that's enough on some crappy amps and therefore must repeat, but in this case, we come not to find his sound we had. Better to edit the sounds on his amp and did not change.

The effects I use are the large distortion in general (I play punk so ...) that are pretty good.
I use sounds that cleans thousands of expressions when you edit them properly (it is for the ska)
By telling, I was disappointed Wahwah. It's not fluid enough for my taste.

OVERALL OPINION

I use it for about 3 years (maybe more) I used some low-end models before making that one. I cons by trying other models (I do not remember the brands and models) that I was not fooled at all, on the contrary, I was proud of my VOX.

I love lamp ... Its been styled xD
No, more seriously, I like the warmth of his that I have not found on other pedals like this ...

Report qualitée price level, I had purchased 300 € used at the time (it came out if I'm not mistaken), it costs 400 € new. Too expensive for my taste but now, 300 € new, its me parrait not too bad.

Note that the pedal tends to creak after a certain time (fast way) a little penetrating oil and is perfect.

With the experiance, I would do this choice because I am not disappointed with this pedal that I use everywhere (studio, concert, rehearsal, beef ...)

That, in hopes to have help in voting choice.

any and related in the preceding review!

UTILIZATION

very easy to use you can not do better.
the manual and super, it is not only manual as it explains why the how of things, I learned something with and full of humor and more!

SOUND QUALITY

then Wouh vamp!
Incredibly, the sound I was looking for, the amps are modeled very well, AC crunch is very hot musicale.rien to do with its direct competitor that sound cold and synthétique.tout effects are good except maybe the fuzz that is the limit I think.
is simple with the ToneLab I let go my guitar, a genuine happiness to plug in this machine!

OVERALL OPINION

I use it for a month and a half at the beginning I had a little trouble in mastering it must manage the gain and the gain of amplifiers vr modelisé.mais after rolling!

what I like most: all
minimum: nothing, if the fuzz can be but there are ways to do without.

I would do without hesitation that choice!

This pedal is very comprehensive foremost a multi-effects modeling is a bit of modeling technology found in Vox amplifiers DA with a lot of additional opportunities and a 12AX7 tube to warm the sound, particularly disto.

It has a substantial bank of amp simulators: Fender, Vox, Marshall, Mesa, etc. ... and several cabinet simulator, which makes it very convenient to play a sound.

The effects are numerous: Reverb, Delay, Chorus galore, wah, Tremolos, etc. ...

Connectors classic for this kind of device I / O standard, midi, etc. ... but not a big fan of PC applications I did not look into the matter ... I guess it must be connected without worries.

UTILIZATION

So let's be clear right away: it is not easy at first ... it's a pedal that requires a lot of research to find its own sound banks, beginning first with the type of amp, then adding the desired effects as well as any necessary adjustments based on the config in which it is rotated.

Personally I use a bank of 4 pedals sound: clean, crunch, distortion, Lead, on every channel I add the possibility to trigger a delay through the last connector, to finish the pedal I use only pedal volume, all this to explain that I use probably 20 to 25% of the possibilities of the machine, but it suits me perfectly as I use this pedal only in rehearsals in order to avoid having to take a configuration too heavy.

The manual is complete, no worries on that side.

SOUND QUALITY

The sounds are generally good, some simulations seem unsuccessful, but others are enormous: the config Mesa is monstrous, the rather nice crunch on the side of Vox and Marshall, cons by the cleans are pretty disappointing ... they sound a bit too synthetic for my taste, unfortunately.

Effects while impressive at first, become quite pervasive in the long and not easy to properly adjust ... should not be abused and cententer limit their impact on the basic sound by mixing approx 30/40% not well, unless like the sounds very busy indeed.

OVERALL OPINION

I use it for 1 year only in rehearsals, plugged in the Marshall MG100 or Vox, although this is not the ultimate pedal, I must admit that sending distos really strong and OD, as I play mainly from hard and heavy it's perfect!

The quality / price is more than excellent on occasion, very correct in nine.

I remake that choice without hesitation, because few can boast of cranks make distos "lights" for a fee as competitive.