All user reviews for the Line 6 Dr. Distorto

Good evening all,
Here is a review of the new distortion pedals of Line6 Dr Distorto.
Out of the box, like all ToneCore pedals, solid cest!!
Doc least dispensable but given the simplicity of rglages.
Leffet distortion alone is common, it does its job from a Boss DS-1 and a Marshall JH-1 (for the depth of the grave frquences).

UTILIZATION

L o has not started ringing, when you activate cest the effects of distortion pedals dmarquent this dune simple distortion pedals, I mexplique: leffet sustain is trsraliste but beware, as the technology used is a simulation, you are in ABSOLUTE lobligation keep your dernire note played (see your agreement) without moving your fingers under penalty of dtuner sustain serious!
Regarding the sustain loctave suprieure (deuxime effect of the pedals), ditto, if you play your rod or vibrato effect trmolo dun with your fingers, L EST excrable!

SOUND QUALITY

Without comment, disto happening everywhere.

OVERALL OPINION

In short, the pedals jai reu (Total order with Music on the net) on Tuesday morning last Wednesday, I was buying this drawback.
In résumé if like me you expect that same feedback pedals dobtenir a low volume on your amp, go your way, if you want to live the User, FORGET, P. Eng EST Saddle !!!!!!!
This did not intrts pedals, Line6, however good we are accustomed to trs products (jen uses) but for this purpose, the cest carrment M.

It's a good pedal Tone Core series: very sturdy, well finished, very intensive battery ...
There is a distortion and, most importantly, a simulated feedback / sustainer (+ octave) in order to fleurter with feedback, even the headphones! Finally, in theory ...

UTILIZATION

Simple and fun: you get no manual to find the function of each knob.

SOUND QUALITY

Alas, there I totally joined the previous opinion: as soon as the feedback starter, no control over: it does not follow at all if the note bend or vibrato! We can not play with.
Distortion remains, honest ... without a point for her.

OVERALL OPINION

After listening to the demo Line6, I was hooked! But after half hour of testing guitar in hand (thanks to the staff of Total Guitar for putting up with my search feedback last as long) my impression is quite different: priori, we can not use this pedal to replace the interaction of the amp and guitar, at least not in a musical ... I am left without.

PDAL robust, there's no photo.
Rglages classical level, tone, drive
Feed back: sustain, octave noise gate 2 levels

UTILIZATION

In line uses a Peavey Classic 30 amp, for a bone distortion, dirtier than the amp. The rglages are good. The record is clear the top.

SOUND QUALITY

The distortion is warm, drive the bottom one is limited metal. dpend all with what we play. unless I was looking for a Marshall type sound, it sounds good. over the noise gate makes my Start sound much less (see simple microphones = background) so it's good

OVERALL OPINION

Used for 2 months. Although for the distortion but actually worse for the effect or sustain octave. I think you have other pedals for that.
CHRE certainly a little tough but super (e)!

Pedal mass (and therefore robust) which provided a distortion of good qualities and there are three more knobs (rise / fall / blend) that produce a feedback in other digital

UTILIZATION

The settings are simple and the interface is good ..... but plustot a ride on the official website can be useful ...[/ url] https://line6.com/tonecore/drdistorto.html uber metal that is very good) for less once seen it will buy the module is interchangeable, however ... but it empute an effect ... and it is not a snap therefore unusable live." rel="ugc noopener" target="_blank">

SOUND QUALITY

The distortion is nickel (.... same time fortunately) the sustain is good ... however the "wrong" is not really helpful feedback

OVERALL OPINION

I use that for 10 days .. but I'm satisfied I'm satisfied because I paid a third of nine on an auction site ... for more than 100 euros for an average pedal c is a bit excessive ...
This can ratrapé a little blow is that the pedal part of the mechanical effects DISOC the part (module) and therefore is not "easily" switch to another effect (like the uber metal that is very good) for less once seen it will buy the module is interchangeable, however ... but it empute an effect ... and it is not a snap therefore unusable live.

This is a distortion with adjustable noisegate plus extra generator boss gt5 kind of feedback (for messing around 2minutes).
Drive to the rate of distortion, level for the output volume and tone for tone but not the type of distortion you want (fuzz left balanced in the middle and tuck it in right, all possible intermediate).
Feedback is completely bypass, phew.
Zero background noise, but accepts full of alims not share pain of buzz, so its own power supply just for him (like broads and panties).

Note for the bypass, which avoids the codec, very good (no additional latency).

UTILIZATION

Ultra-simple, it is fun once. Lack of equalization does not interfere with it absolutely perfect on all my amps (it's going to bassman 4x12 harley benton hb80r plus small), very strong line6.
The noisegate is exquisite, is automatically set (you can choose two levels plus bypass) and works very well, eat without sound. Indispensable with all those credit-noise stamped F. ..

Feedback, um, fun but no more huh. The octave that is added to feedback is nice, but hey it's a special effect should not be forgotten.

SOUND QUALITY

Good distortion, hot and crisp, ultra-balanced, and mix it plays great. I find myself all the time with the gain 3hr minimum, and I control the volume guitar is effective without being shrewd. The result is there, no history, no headaches.
It's a pedal that goes well live, while in the headphones I prefer the subtlety of Crunchtone (which she spends less live ...).
Very good sound quality, it is far from the boss and digitech.
She pressed my tube factor as that ditch to say.
So if you love your warm white tubes the output level of these line6 (Distorto and Crunchtone) Dante is, without exaggeration. Suddenly the sound gets even better.

OVERALL OPINION

I have quite distos, two dozen, and with the original SansAmp and her sister Crunchtone the trio that is truly usable everywhere with everything. Regardless of the amp, the box, the guitar, it works great with no hair pulling.
All other damage control GP20 bad monkey etc are so dependent on a high-amp config-box as it is quite frustrating and tiring, especially none actually sounds better than the aforementioned trio.

In short, it is a very good product, the feedback is extra z'auraient could do without and so do we.
For three buttons plus a switch I do not see how we could do better in the genre disto ...