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Vox V847 Wah-Wah Pedal [1994-2006]
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Vox V847 Wah-Wah Pedal [1994-2006]
ooyeah ooyeah
Published on 04/14/07 at 23:05
This Wah is a joint mcanique crmaillre + potentiomte - The Difference of Morley, based on the technology now, rvolutionnaire (as indestructible as perptuelle) optics.

Note the prsence the switch on the upper part of the bte, allowing of course, to activate the filter, variable thanks your dear little feet.

Moreover, it is only powered by a battery rectangular (9V), the accommodation is from below via a screw cap with four corners.

UTILIZATION

Obvious good guards = plug and play!

Points (-):

- The amplitude of travel of the pedals is not fabulous, far from it.
- The switch is actually trs hard drive for our ballerina feet.
- No evidence of a bright tmoin ON workforce - prjudiciable in the hot environment or overheating of a gig.
- Paramtrage not possible via any knob.
- No autoswitch dclenchement ds = No movement of the feet = Vox requires a gimmick Get You Started with the high pass filter, because (and thanks) to the footswitch
- Background non ngligeable especially with the MD-2 knobs visss starboard

Points (+):

- Impeccable stability.
- Robustness attests except for crmaillre will clog strength to take to the Voodoo chile (rest assured, after several years all of the same, since the Systm mcanique is far from being cheap)
- Pedals for turning out large enough (45 passes Ni)

SOUND QUALITY

The note itself is enough.

OVERALL OPINION

The modern makes you totally dsabus?
An urge to go back to the future subjunctive of 60's-70's?
Full vintage sound of the pickups?
Need a value sre, an FX mythical legends who kills in his pretty little pouch?
To scream his hatred to an audience of mainstream listeners?

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No hsitation POSSIBLE!

Why?
* Sublime expressiveness (my guitar sings)
* Sound of a color CHARACTERISTICS \ morley (rhymes with too ugly or so Let's add two small bars to become the brand morney) - Cry diffrent the same (the more "heavy" mean aggressive)
* Trs fun to use as a filter in the soli tappin '(position, nan ????)

The James Marshall, which lies dormant in all of us can only emerge from hibernation APRS you be Madeinusa gives this little wonder.

Last point: expectations regarding the placement of this effect in your loop.
Express them are ncessaires - dixit Zappa (roughly violate RULES makes you grow. But for this must still be familiar with these same rules ...)

So you will watch just put the VoX APRS guitar. Understand BEFORE distortion.
Why did not the 'core hit the brain (surment the harmonic distortion produced by the saturated, in the case of say, our good old wah or something of the kind lectronik)

A word to the
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