There are many pre-amps in this configuration, but the Q-5 is trssduisant because in addition to its quality-price ratio that I Defines a beat, the sound quality is largely the height of other similar products which I will not say the brand.
The Q-5 work in my homestudio three years now and it rpond Fully what is asked: return !!!!! with the possibility to go deaf or greatly or modestly apprcier the incoming signal. The interface is probably by far its greatest strength, no need to leave St-Cyr to use the Q-5. It is regrettable that the entries are in 6.35mm jack like the carcass of the half-rack module which seems a bit ... lgre however, a fact and this is absolutely not the musicians with whom we have become accustomed to working with who would say otherwise.
In this range of products there are not thousands. I used to be a Behringer, then I tried a Lem to finally opt for a Q-5 I knew well before and who are all doing dj unanimously.
Should I repeat that choice? Well if I had not enough of "tunes" to change the speed suprieure that costs as we know much more expensive, then''Yes'', the Q-5 fareit new party of my PRIORITIES s purchase.

Morales "Samson Grave!" (C) copyrignt of course (smile)

CHARACTERISTICS:
Module pre-amp headphones compact half-rack 5-channel stereo
Dlivre up to 500 mW per channel output
Voltage double circuit that provides a quality audio trs Fidler.
Each user gre volume respectively
Level of control of the individual
Output "Balanced" stro can chain multiple Q-5 after
Switch: Global mono / stereo
6.35mm jack inputs 1 / 4 "balanced
Level of control volume between