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4.0/5(3 reviews)
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Anonymous Published on 07/13/07 at 06:36 (This content has been automatically translated from French)
- How long have you use it?
I have 6 years, and it's not bad at all.
- What is the particular feature you like best and least?
The +: trs Fidler reproduces the sound of the instrument on the table, it does everything right, and forwards.
I use it on acoustic instruments, style fiddle, bouzouki.
It is powered with a plug ghost.
The -: the cable between the microphone and the XLR TRS is fragile, the long, the cable is dnude the microphone, be careful using it.
- How do you report qualitprix?
WELL
- With the exprience, you do again this choice?
To have sound with an acoustic instrument by entering live on the mixer YES …
I have 6 years, and it's not bad at all.
- What is the particular feature you like best and least?
The +: trs Fidler reproduces the sound of the instrument on the table, it does everything right, and forwards.
I use it on acoustic instruments, style fiddle, bouzouki.
It is powered with a plug ghost.
The -: the cable between the microphone and the XLR TRS is fragile, the long, the cable is dnude the microphone, be careful using it.
- How do you report qualitprix?
WELL
- With the exprience, you do again this choice?
To have sound with an acoustic instrument by entering live on the mixer YES …
Read more
- How long have you use it?
I have 6 years, and it's not bad at all.
- What is the particular feature you like best and least?
The +: trs Fidler reproduces the sound of the instrument on the table, it does everything right, and forwards.
I use it on acoustic instruments, style fiddle, bouzouki.
It is powered with a plug ghost.
The -: the cable between the microphone and the XLR TRS is fragile, the long, the cable is dnude the microphone, be careful using it.
- How do you report qualitprix?
WELL
- With the exprience, you do again this choice?
To have sound with an acoustic instrument by entering live on the mixer YES
I have 6 years, and it's not bad at all.
- What is the particular feature you like best and least?
The +: trs Fidler reproduces the sound of the instrument on the table, it does everything right, and forwards.
I use it on acoustic instruments, style fiddle, bouzouki.
It is powered with a plug ghost.
The -: the cable between the microphone and the XLR TRS is fragile, the long, the cable is dnude the microphone, be careful using it.
- How do you report qualitprix?
WELL
- With the exprience, you do again this choice?
To have sound with an acoustic instrument by entering live on the mixer YES
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20
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Arts en ScènePublished on 10/26/10 at 15:01 (This content has been automatically translated from French)
Used for 4 years, no further testing before.
+ Easy to use, robust, usable in systems HF
- Its a bit sour
Good value for money, choice again (I 4) and again!
+ Easy to use, robust, usable in systems HF
- Its a bit sour
Good value for money, choice again (I 4) and again!
30
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grabielMicro-utility diversion
Published on 01/23/11 at 03:07 (This content has been automatically translated from French)I use it for 1 year.
AS INSTRUMENT NO PICKUP, BUT AS PICKUP OF PERCUSSION, it does!
(On a violin, it makes me nosebleed!)
I compared to Beta 91, Crown PZM, Crown PCC160, C-ducer in capturing podorythmy / tap dancing by placing it on the dance floor. And it is better for this kind of application especially near the source.
If I use it as microphone "percussion" (it may well be on a bag ... to see the players bag) because it is null as acoustic instrument pickup (this is why it is originally designed), but rivals and even surpasses some type microphones "boundary" although it is a contact microphone (even better on stage, no risk of feedback!).
Its small size makes it invisible,...…
AS INSTRUMENT NO PICKUP, BUT AS PICKUP OF PERCUSSION, it does!
(On a violin, it makes me nosebleed!)
I compared to Beta 91, Crown PZM, Crown PCC160, C-ducer in capturing podorythmy / tap dancing by placing it on the dance floor. And it is better for this kind of application especially near the source.
If I use it as microphone "percussion" (it may well be on a bag ... to see the players bag) because it is null as acoustic instrument pickup (this is why it is originally designed), but rivals and even surpasses some type microphones "boundary" although it is a contact microphone (even better on stage, no risk of feedback!).
Its small size makes it invisible,...…
Read more
I use it for 1 year.
AS INSTRUMENT NO PICKUP, BUT AS PICKUP OF PERCUSSION, it does!
(On a violin, it makes me nosebleed!)
I compared to Beta 91, Crown PZM, Crown PCC160, C-ducer in capturing podorythmy / tap dancing by placing it on the dance floor. And it is better for this kind of application especially near the source.
If I use it as microphone "percussion" (it may well be on a bag ... to see the players bag) because it is null as acoustic instrument pickup (this is why it is originally designed), but rivals and even surpasses some type microphones "boundary" although it is a contact microphone (even better on stage, no risk of feedback!).
Its small size makes it invisible, no need for tripod either. He is there on stage and did his job without being seen.
His spinning fine looks pretty fragile. At the XLR (who is also the powersupply the microphone), to snatch it but little. This is not robust.
In Quebec, this microphone is used increasingly in the middle trad by foot-tapper and players bag. AND IT SOUNDS!
AS INSTRUMENT NO PICKUP, BUT AS PICKUP OF PERCUSSION, it does!
(On a violin, it makes me nosebleed!)
I compared to Beta 91, Crown PZM, Crown PCC160, C-ducer in capturing podorythmy / tap dancing by placing it on the dance floor. And it is better for this kind of application especially near the source.
If I use it as microphone "percussion" (it may well be on a bag ... to see the players bag) because it is null as acoustic instrument pickup (this is why it is originally designed), but rivals and even surpasses some type microphones "boundary" although it is a contact microphone (even better on stage, no risk of feedback!).
Its small size makes it invisible, no need for tripod either. He is there on stage and did his job without being seen.
His spinning fine looks pretty fragile. At the XLR (who is also the powersupply the microphone), to snatch it but little. This is not robust.
In Quebec, this microphone is used increasingly in the middle trad by foot-tapper and players bag. AND IT SOUNDS!
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Tech. sheet
- Manufacturer: AKG
- Model: C 411
- Category: Headset & Lavalier Microphones
- Added in our database on: 04/01/2004
We have no technical specifications for this product
but your help will be much welcomed
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Other categories in PA & Live Sound
Other names: c 411, c411, c411 c418 c419 c430, c411c418c419c430, c 411 c 418 c 419 c 430, c411 c418 c419 c430,