Gibson 500T - bongo666's review
translatedMicro trs violent, with an output level suprieur EMG81! Therefore difficult to matriser, and will tend to blame him too quickly saturate the amplifier, especially a lamp. But as who can do more c…
EMG 81 - zeDreamer's review
translatedI have this microwave for 2 years on my jackson. I think advantages: - No parasites, - Very precise in its saturated - It really snaps (see too, it is almost unusable in its clear from play…
Seymour Duncan SH-6B Duncan Distortion Bridge - kinder_guano's review
translatedMicro cramique bridge pins dimensioned for guitars with Floyds and other vibrato. Well, b'en saw the name, one suspects, it sends a lot of gain. It has a sound quite a bit typ mdiums dug in, so …
Seymour Duncan SH-8B Invader Bridge - kinder_guano's review
translatedMicro cramique 4 blocks normissimes driver, almost M6 ... No need, however, release F-Spaced/Trembucker given the size of the blocks, they rake off trs. Much good to say right now, my opinion is…
Gibson Dirty Fingers - Greem Grim's review
translatedI mount the microphone with a 496R on my les paul studio and frankly the versatility of the guitar has a fawn amliore surprising. this microphone is incredible clean sound it has a fairly DEFINITIONS…
Seymour Duncan SH-2N Jazz Model Neck - hellmat's review
translated4 months of use. Mounted on an Ibanez ARC 300DVS. I wanted a microwave with a lot of soup and heat for solo played bluesy, jazzy, but also lead. Answer: Micro extraordinary, it has all these quali…
Gibson Classic 57 - barvador's review
translatedIt's been quite a while I was looking for a neck pickup "perfect". The PRS vintage bass came close (but also vintage trs trs prcis, sounds excellent in Clais and saturation), but it does not assemble…
Seymour Duncan SH-1B '59 Model Bridge - barvador's review
translatedMine is an old one, made around 1990 to US stamped 59B for SH1 Bridge. It does not cover, it is not splittable (no impact on its known) and is zebra. in the bridge position, it offers a more aggres…
Seymour Duncan SH-2N Jazz Model Neck - barvador's review
translatedI have this mic a great Les Paul copy Sandard (Burny) in the neck position, without cover, and it shows a standard prsence highs, a lot of bass but nothing more. In his clear, it's too clean for me a…
EMG 85 - Agentcarotte's review
translatedI use it for two years. And I'm totally convinced. This is the ultimate versatile microphone. I find it as enjoyable as its clear that distortion. Now, do not ask her a big fat, slimy and so on. …
Seymour Duncan SH-6B Duncan Distortion Bridge - petemaroni's review
translatedA micro size in and for Rock ... I use the Seymour Duncan SH6 for a year now. This mic is REALLY built for the Hard Rock, Mtal short, for the "hefty" What ... It produces a sharp, no piti and will…
Seymour Duncan SH-4 JB Model - ebrian's review
translatedMicro 2005.Son used for hot, very rock.De harmony, balance, strength, character, good side définition.Monté chevalet.Je used almost exclusively in distorted sounds, I think it ' its mission is 1ère.I…
Seymour Duncan SH-1N '59 Model Neck - Catharsis's review
translatedI have version 4 drivers and mounted on a Ibanez SZ520QM coupled with SH4JB in bridge. Micro trs hot vintage. In my opinion just east mtal seen mediums Submitted trs. Ideal for rock style Led Zep,…
Seymour Duncan SH-4 JB Model - Catharsis's review
translatedMount on a Ibanez SZ520QM and coupled with an SH1-N4C neck. Micro incredibly hot, a sacred grain, full of harmonics. Goes perfectly with the mahogany. Trs Oriental vintage, rock, blues, punk or…
