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belsha
Published on 12/18/03 at 08:35
Prampli mono solid state Class A and lamp containing a peak limiter or FET, phantom power supply, converter A / D optional.
UTILIZATION
Utiilisation could not be more simple: the CLEAN GAIN RULES indpendemment the TUBE GAIN, and the output level. A switch allows choisr peak limiter or a fixed threshold FET (it s actually fixed by the level of gain. You can choose the impdance and phase of the microphone.
SOUND QUALITY
Sound warm and prcise. The little rglagles actually allow an infinite nuances sound situs in the balance TUBE / CLEAN, and the balance between the level of amplification and EVEL output. Incredible voices they are at the forefront of the mix, with a nice grain, roundness and PCHE.
OVERALL OPINION
I use it for 3 weeks. At the same time I chose a microphone, among a RODE NTK, a Studio Projects C1 and a RODE NT1000. Although the NTK c'tait I prfrais without prampli, with the proper rglage the SPL, the NT1000 who won it are a little dry in natural, GAINSTATION ncessaire gives corpulence.
UTILIZATION
Utiilisation could not be more simple: the CLEAN GAIN RULES indpendemment the TUBE GAIN, and the output level. A switch allows choisr peak limiter or a fixed threshold FET (it s actually fixed by the level of gain. You can choose the impdance and phase of the microphone.
SOUND QUALITY
Sound warm and prcise. The little rglagles actually allow an infinite nuances sound situs in the balance TUBE / CLEAN, and the balance between the level of amplification and EVEL output. Incredible voices they are at the forefront of the mix, with a nice grain, roundness and PCHE.
OVERALL OPINION
I use it for 3 weeks. At the same time I chose a microphone, among a RODE NTK, a Studio Projects C1 and a RODE NT1000. Although the NTK c'tait I prfrais without prampli, with the proper rglage the SPL, the NT1000 who won it are a little dry in natural, GAINSTATION ncessaire gives corpulence.