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Seagull S6+ LR Baggs
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  • GduranGduran

    Seagull S6+ LR BaggsPublished on 11/23/05 at 04:14
    (This content has been automatically translated from French)
    Guitar in Canada in the same factory as the Godin, Norman, Simon & Patrick, Art and Lutherie ...
    The S6 is a dreadnought style guitar a little imposing.
    The table is cedar, cherry and wicker covers, the mahogany neck and rosewood fingerboard.
    The finish is of good quality (hand mills), trs a good product in this price range.

    UTILIZATION

    The handle is a bit pais but allow all of the same play with a certain comfort
    (I have small fingers and I spell pretty well, my level biensr )
    CHAC's really hard to acute due to the abscence of pan shot, so that those who want to go to the del Douzima box pass their way!
    The form can be a handicap for some, having on a jou drednought…
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    Guitar in Canada in the same factory as the Godin, Norman, Simon & Patrick, Art and Lutherie ...
    The S6 is a dreadnought style guitar a little imposing.
    The table is cedar, cherry and wicker covers, the mahogany neck and rosewood fingerboard.
    The finish is of good quality (hand mills), trs a good product in this price range.

    UTILIZATION

    The handle is a bit pais but allow all of the same play with a certain comfort
    (I have small fingers and I spell pretty well, my level biensr )
    CHAC's really hard to acute due to the abscence of pan shot, so that those who want to go to the del Douzima box pass their way!
    The form can be a handicap for some, having on a jou drednought until now, I can not comment on the plan.
    The sound is simply Excellent acoustics, I would not go so far when branch even if it's all perfectly acceptable. Even when I put 9 (chauvinism)

    SOUNDS

    I play mostly support a lot of rhythmic and many arpges.
    I play in two configurations completely diffrent: THE FIRST is simply me directly connect a mixer is that you get the best rsultats electro.J in to use this solution only for group play (to avoid the feedback I use a "mute" that clogs the rosette).
    The second venture to restitution Fidler of the acoustic guitar: I put a Rhode NT3 in the neck, pretty close to the rose a little to balance the sound. By adding a little rverbe, we get a really interesting color.
    This solution is recommended to play as a duo, or alone as no other instrument does vibration that could affect the sound. Get Registered fawn and also that I'm really satisfied with the rsultat.
    When I'm not connected at all, the sound is plutt mat, not really brilliant but its magnitude is very welcome in a room no beeps in

    OVERALL OPINION

    I have been ending for 13 years and I do not regret this instrument undergoing the test of time (the horse, the smoky bars, cold, accordion and violin ). It trs aged well, only to prsence knobs and mdium (the prampli) unleashed a result of a right-handed fast SSAI: the guitar upside down as the prampli did not take long (beware, this happens faster than you think)
    I love the sound it gives me, the era, I had the choice between a Takamine EN10 or the MODEL. I could not buy this MODEL qu'aveuglment because it is manufactured to order.
    If c'tait again, I would take the S6. This is an Excellent choice for those seeking a quality instrument and wants to keep it.
    Nevertheless I am of not being able to test The models because of little demand. I speak also of electric guitars that are rare in the store (or maximum two trs MODELS low end is inaccessible)
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