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christotophe_911
Published on 05/21/08 at 13:14
It's made in Korea (note this is not made in china ...). The violin is bluffing, the handle extremely pleasant, the beautiful accajou short, what a pleasure! are probably even more beautiful but it is a lot. The seller of the shop where I bought it was also in awe of the quality.
I put him ten out of ten because for that price, it's perfect (the same model in Gibson's € 2500 I think)
For all that is technical and hardware everything is already said.
UTILIZATION
Must love the neck profile 56. I love me !!!!!! is rather thick and large. For me that long fingers and the end it does not bother me too much.
The first thing I do when I test a skyscraper, it ran my hand along the handle and I know if it will live to please me or not. I'm not really the type vistuose but I am against a real passion. My life began with my first guitar (I exaggerate a bit anyway ...!)
In terms of access to acute, so ... it's a lespaul anyway I rarely plays in the acute
It is rather light compared to his twin Gibsonian and in terms of ease, or the fact that it's not. For me, the fact that serious
SOUNDS
I play all really but I choose this scratch especially for P90 because I was looking for a rather typed his 70's. On this side I served, I played on a valve junior head cab with 12 "of my manufacturing. It is a real treat in this register. I made mostly with Led Zep.
I have quite a good effect too but I use them because it is not my goal. I use only the saturation of the lamps in my head for sounds creamy.
I do not know anything about the P90 and I'm not disappointed. It's clear but warm. I think it's an ideal compromise between the single and double, but no less essential. I have no basis for comparison in my opinion while P90 is not very important, I find the pickups rather nice.
OVERALL OPINION
I have a Start in electric japanese standard of 93, and a customized Lespaul EKO rise Dimarzio. Since I have this epiphone (2 months), I do not play it virtually.
I is for now no complaints apart may be the lack of bite and personality microphones. But as I said before, I never played before so my opinion on P90 does not mean much.
It's simple, I wanted to party for a Gibson SG Classic, and then I had a favorite, I was seduced by the look and quality of all expeptionnel.
The value for money is fantastic, it cost 399 and I got to 360 with a volume knob that is broken. On average, they rated € 500.
The next scratch will definitely be a Epiphone. I had a SG Gibson ENVIS, I will first look at the catalog Epiphone!
I put him ten out of ten because for that price, it's perfect (the same model in Gibson's € 2500 I think)
For all that is technical and hardware everything is already said.
UTILIZATION
Must love the neck profile 56. I love me !!!!!! is rather thick and large. For me that long fingers and the end it does not bother me too much.
The first thing I do when I test a skyscraper, it ran my hand along the handle and I know if it will live to please me or not. I'm not really the type vistuose but I am against a real passion. My life began with my first guitar (I exaggerate a bit anyway ...!)
In terms of access to acute, so ... it's a lespaul anyway I rarely plays in the acute
It is rather light compared to his twin Gibsonian and in terms of ease, or the fact that it's not. For me, the fact that serious
SOUNDS
I play all really but I choose this scratch especially for P90 because I was looking for a rather typed his 70's. On this side I served, I played on a valve junior head cab with 12 "of my manufacturing. It is a real treat in this register. I made mostly with Led Zep.
I have quite a good effect too but I use them because it is not my goal. I use only the saturation of the lamps in my head for sounds creamy.
I do not know anything about the P90 and I'm not disappointed. It's clear but warm. I think it's an ideal compromise between the single and double, but no less essential. I have no basis for comparison in my opinion while P90 is not very important, I find the pickups rather nice.
OVERALL OPINION
I have a Start in electric japanese standard of 93, and a customized Lespaul EKO rise Dimarzio. Since I have this epiphone (2 months), I do not play it virtually.
I is for now no complaints apart may be the lack of bite and personality microphones. But as I said before, I never played before so my opinion on P90 does not mean much.
It's simple, I wanted to party for a Gibson SG Classic, and then I had a favorite, I was seduced by the look and quality of all expeptionnel.
The value for money is fantastic, it cost 399 and I got to 360 with a volume knob that is broken. On average, they rated € 500.
The next scratch will definitely be a Epiphone. I had a SG Gibson ENVIS, I will first look at the catalog Epiphone!