All user reviews for the ESP Eclipse-II

Made in Japan
Fixed bridge
22 frets
2 EMG 81
Mahogany Corp.
Mahogany set neck
Rosewood
Etc ...

UTILIZATION

The handle is rather easy to access unless ibanez but far better than a les paul.
The access to the latest freight is rather acrobatic but the habit is quickly forgotten.

SOUNDS

Good laugh then finished this guitar is not made for the clean but with the neck pickup sounds impressive is obtained (funk / blues) the sound is round and warm that surprising for a 81 but what is in the clean bridge is so-so.
Now you push the gain and that is beautiful that expresses the mute palms are monstrous.
It has a titanic aggressiveness either handle or easel.

OVERALL OPINION

I use it for less than a year and if it would be a remake I would do it 100 times.
Sold to 1100 € new (less expensive than the occas) it's just a price and quality.
I highly recommend it to people who play rock to metal and even funk it is superb!

The guitar was made in a factory in Japan, apparently in January 2008 (according to the serial number).
The body is mahogany with a maple top, mahogany neck and also with the ebony fingerboard. So much for the woods. Here we have a configuration with a set neck profile Thin U.
Compared to the violin and fittings, there is a TonePros bridge and tailpiece in gold finish, 22 frets jumbo and extra mechanical self-locking Gotoh Magnum, still golden finish.
For electronics, factory settings announces two emg 81 and 60, respectively easel and neck, and two volume knobs and one tone, and a 3-position selector toggle types. Good as I bought second hand, the previous owner had mounted EMG Zakk Wylde with the kit, and the tone knob had been replaced by a push / pull. Belt fasteners were also replaced with Schaller straplocks.
Currently my guitar was put together with two seymour duncan: SH4 a splittable (see the push / pull) in bridge and neck in a phatcat.

UTILIZATION

The guitar is excellent for use. The weight is perfect, neither too light nor too heavy, and straplocks offer real security in situations of intense live, avoiding your beloved instrument to go for a ride elsewhere. The lack of chamfer down the body can put some people off by breaking his hand, but this is a detail that depends on how to make the instrument.
The handle is very nice, and ebony gives a kind of soft touch but frank pleasant. The varnish finish is matt not to displease (although I never feel fundamental difference between a veneer and a satin gloss). The pitch is slightly shorter than what is done in fender, and is perfect (at least for me). Access to the treble begins to be complicated from the 17th-fret because we take the thickness of the body simultaneously, but if you know this deal, it's not really annoying. on the other hand for the shredders I recommend a more scratched with access worked more in the series horizon for example).
The engine sounds incredibly well. The phatcat takes maximum advantage of the exceptional quality of wood used, and SH4 reveals all its character. The split is also interesting on clean sounds.

SOUNDS

This guitar fits perfectly with my style of music (electro rock, classic rock, hard rock). I play a blackstar combo HT20.
In his clear the phatcat fits into a vein rather jazz, with sounds very warm and round singing. The SH4 it is more classic, slamming tasty, but also interesting in Split where he develops a sound with less bass and sharper. No "lens" with this guitar but the round and fat.
With distortion, the phatcat is also quite comfortable, and develops soft and warm tones. When the SH4 is no introduction in this register. Graou machine, a fabulously huge grain, sound BITE, powerful, spitting like never and could summarize what the sound of rock guitar in an agreement. Harmonics come out by themselves with such paraphernalia. I almost never use the middle position, and the split is not me that little use in my group of compounds.

OVERALL OPINION

I use it for four months now, and she may become scratched my reference as it develops the sounds are interesting.
Before, I already had a ltd EC1000 and who had strongly marked by its quality, and convinced that ESP was a major brand, which is why I came to choose my first guitar upscale home.
For the price / quality ratio, it was great for me since I bought it in time (780 euros and 200 euros to pass around at the luthier for electronics and mechanical one of which was broken , its former owner being frankly not careful with his instrument, for a total of about 1000 euros instead of 1600. I think you could hardly do better).
With experience, I would do certainly this choice, perhaps for another finish alder or other micro configuration. But I will keep this guitar as long as possible as I find it exceptional.

all of my friends play. A couple even made it. (can't say who)So for years i've fiddled around, play the odd fill in role when someone pulled a no-show but i'm a hacker none the least. I play everthing but i am a huge fan of Dimebag, Mustaine and Zack Wylde. I broke my back a few years ago and during recovery i was going insane not being able to get around. So to make a long story short I bought a Jackson DK2FS and Spider2. After becoming a now mediocre hacker it was time to upgrade my axe.

I wanted to buy a Jackson USA but to no availe. there were none around so I checked out esp. I purchased a ESP std eclipse. I paid 2k cdn funds at axe music in edmonton alberta.

this guitar is flawless. end of story.

A month after bringing my baby home it needed a serious truss rod adjustment but this is to be expected with the extreme dry climate in alberta. I knew this would happen but i had to write something.

mahogany body / quilted maple top
3pc mahagony set neck
emg81 in the bridge and a 60 in the neck
gotoh tune-o-matic w/ stop tail peice
spregel locking tuners
whole thing is bound
incredible finish

bottom line: I'll always love jackson 'cause she was my first but i always reach for the esp. At least i'm not cheating on my wife.

All jokes aside i believe ESP got it right when they perfected the "les paul". The ESP STD. ECLIPSE is simply amazing and 1/2 the price of real les paul.

This review was originally published on http://www.musicgearreview.com

See all is said on the internet

UTILIZATION

Nothing to say on this scratch I think that we are not far from professional equipment.

SOUNDS

This scraper is made of is c for large c is the saturation field in which it excels the most. Contrary to what they say with a little adjustment you can play everything, c is on if you are more oriented blues go your way, but with a good little pedal you can still find happiness in short, I find it quite versatile .

OVERALL OPINION

I used the last almost 5 years, and all the guitars that I've had c j is the only one I kept. For his performance, his playing, his sound and style, I never tire of watching. Super short scratches, but watch for beginners this guitar does not forgive many mistakes.

Most of the ESP guitars you see nowadays have LTD on the headstock. This means that they are not made in Japan. If you find an ESP that actually says ESP on the headstock that means its made in Japan and has custom shop level quality. This is a fully branded esp model. There are LTD models that look just like this but this is the real McCoy. This guitar has a mahogany body and mahogany neck with an rosewood fretboard and 22 jumbo frets. It has ESP's traditional flag inlays. It has bone nut up top and a tune-o-matic bridge at the bottom. Older models have the Earvana compensated nut but I think ESP stopped doing this. The tuners are a set of Gotoh Magnum locking tuners, LTD versions have ESP locking tuners. There are two EMG pickups in this guitar. There is an 81 in the bridge and a 60 in the neck. This is the pickup set that James Hetfield used for most of his career. The controls are simple with a volume knob for each pickup and a master tone.

UTILIZATION

The fit and finish on all ESP guitars is pretty good but these high end fully ESP branded guitars have custom shop level fit and finish. There are no flaws anywhere to be found. The fretwork is just about perfect out of the box. The neck is pretty thin and the jumbo frets make playing very easy. The locking tuners are great and give you great tuning stability. With the active EMG pickups you need a battery to operate them so ESP provides you a separate battery compartment so you can change the batter without having to open up the entire guitar.

SOUNDS

The EMG pickups in this guitar give it the classic metal tone. People have been using EMG's for decades to get the metal tone everyone knows. EMG's will turn any guitar into a metal monster. The 81 gives you great metal tones while the 60 can do great clean tones. EMG's are some of the best active high output pickups you can get for metal. Since they are active they need a 9v battery to work. The 81 in the bridge is a classic setup for metal. The 81 gives you great high end crunch and clarity even in the lowest of tunings. With the 81 harmonics pop right out and you get a nice searing high end tone. This high end is what keeps the sound nice and clear. The 60 in the neck is a pretty much neck only pickup. It is not super high output and is best used for clean tones. In the neck position I personally prefer an 85. The 85 has about the same output as the 81 and I think it is better for dirty solos in the neck position than the 60 is. With EMG's quick connect system swapping out their pickups takes secconds because there is no soldering involved. If you want more of an organic or passive sound you can do the 18 volt mod which runs the pickups off of 2 9v batteries. This gives you more headroom overall and a more organic tone.

OVERALL OPINION

This is not really a guitar I would recommend to most people. I know some people who will only play ESP's and think every LTD is a piece of trash but this isnt true. A nice high end LTD ESP guitar will be just as good as an ESP like this but cost half as much. If you are looking at a guitar like this I would recommend checking out the ESP LTD EC1000. It is a very similar guitar but costs about half as much and the quality is there. Most ESP artists actually play LTD guitars so the the fit and finish is there on the high end LTD models. If you will only play an ESP and are looking for a single cut with EMG's this is a great choice.

The Japanese made ESP Eclipse II is a take on the Gibson LP, in short. It's basically got all the similar features to the classic singlecut, but changes up a few things to make it truly brought into the modern age. It features a mahogany body and neck, a maple top, a rosewood or ebony fretboard with 22 frets (mine has ebony, which harks back to the Les Paul Custom) a TonePros bridge/tune-o-matic, a set of Gotoh tuners, and an EMG 81/60 active pickup set wired to a pair of volume controls and a master tone control. Basically it's a Les Paul, but brought into the modern age with an active pickup setup and upgraded hardware... perfect for today's modern metal warriors.

UTILIZATION

The ESP Eclipse II is significantly more ergonomic than the LP in my stable. It feels lighter and a bit thinner than a conventional LP. The back has a nice Strat style contour so that it doesn't dig into the ribs/chest, which is definitely a great feature. However, despite the reduced weight/thickness, it has just as thick a tone as my Gibson and definitely stands toe to toe when playing great hard rock and metal riffs.

Getting a good sound out of this guitar is fairly simple. I've always been a little bit iffy on EMG pickups, but they work extremely well in this guitar. The tones are fairly standard mahogany on maple fare. Very thick and punchy, but with a singing articulation that cuts through a band mix with a vengeance. They are hotter than the '57 Classics in my main Paul and certainly compress easier than either those or the Duncans/DiMarzios/Suhrs that I'm accustomed to. That being said, for modern hard rock/metal riffs and select lead work, the EMGs in this guitar do an excellent job.

SOUNDS

I've tried this guitar mainly through my current rig of a Hughes and Kettner Switchblade head and a 2x12 with V30s. It's definitely a bit of an adjustment for me, being that I've generally stuck to passive lower output pickups for the majority of my guitars.

The clean tones are fairly thick and full, especially a bit of compression added. It's surprisingly punchy and the tones have a gutsy quality that is surprisingly "real" sounding. I've sometimes equated active pickup tones to being like using a modeler - they often sound too perfect and not real enough. However this ESP has a very convincing clean tone that has a certain amount of gain and compression. The neck pickup has a quality that works suitably for blues or funk tones. The center position (both pickups on) also does a reasonable facsimile of a Telecaster, which is fairly cool. The bridge pickup has a nice funk and classic rock tone.

Shifting to some higher gain textures, the guitar really starts to come alive. This particular instrument lives for dropped D or low tuning. There is a certain clarity when playing modern riffs that my Gibson doesn't quite match. It's a bit compressed for my liking when playing through some of the heavier gain tones but the trade off for the clarity is one that I am willing to deal with. I've tried another Eclipse with Gibson pickups and that made it sound a lot more like a traditional LP type sounding guitar - the EMGs make this one seem more modern and crunchy.

OVERALL OPINION

All in all I think the ESP Eclipse II is a great modern take on the classic Gibson LP. The EMG pickup set is certainly well suited to this guitar and given ESP's general demographic, it's a fitting guess that most people love that combination. The craftsmanship is top notch as well, and for $1,650 new it's definitely a decent value for the cash. If you want a modern take on the LP that combines everything good about the LP with a crushing active pickup voicing, give the ESP Eclipse II a try.

Esp eclipse 2 japan
Solid Mahogany body, flamed maple table for the brightness of the sound
Basically this guitar is set up with two EMG 81, but preferred to replace 81 g of the handle by emg 85.
Tune o matic
Mahogany neck 22 frets

UTILIZATION

The handle is excellent and relatively fine, although not as much of a ibanez rg, but when you have already played Gibson Les Paul, you can feel the difference.
Access to acute is correct, I would have appreciated a small notch at the base of taste, but c! Once the grip you feel at ease, the guitar is not too heavy and it has a more abdominal indentation.
Plugged directly into my jcm 2000 the sound is HUGE, the emgs make their effect and the wood is to provide the body with a emg 85 in the race for the lead is a treat! small flat for a clear pickup, we all know that emg81 is not a must in terms of its clear.

SOUNDS

The rock is the metal ESP! the sound is big, dry, extremely precise. I also use it for funk rhythm § with the configuration of pickups, this guitar is very versatile.

OVERALL OPINION

Over the past year that I have I left her. I recommend just emg81 + emg85 value for money with just the experience I would do this choice

Japanese model with 22 frets, two humbucker active, 1 in neck and 1 bridge, which is also a fixed bridge .1 volume, 2 tones and a selector 3 positions.Un handle is the same rating as the Eclipse 1. (see opinion)

UTILIZATION

The neck is super friendly and access is not an acute problème.Un notice is a notice for when the ergonomics of the handle is tip top, it's slippery, but in terms of weight or feel of game, it's weird, it's not bad, but for him who is accustomed to heavier guitar style skyline, see more bluntly, Gibson style, and although one gets the impression of playing on a piece of plastic . So of course I exaggerate but it's just that this is shocking to see a limit so lightly, so you would expect with this quality of manufacture, a lot more weight conséquent.Il is clear that this is not the weight that is affected but the quality of a sturdy handle is not present on this guitare.Cela does not prevent to get quality sound.

SOUNDS

This guitar is very versatile, and agrees approximately all styles' zic.Personnellement I play with a RX50D Randall, I am allowed in C with a draft of 12-54 so I will not dwell on sounds since they are sought-type métal.Ceci says we can all play with, depending on the desired sound, but it's a guitar that is not really limited at sonore.En fact, it goes perfectly well with the amplifier and select the style of course!

OVERALL OPINION

I use it for about eight months and I find this guitar parfaite.Il is nothing I can complain, except of course the abscence of strapslocks (despite its price) and poid.Alors I explain, I a horizon at home and I often switch between two guitars, and each time that I resumed the Eclipse looks like a scratch "made in babaloued" is very unpleasant but it's also a good feeling personnel who does not detract from the quality of this extraordinary guitare.C is a choice I would do without hesitation.

Guitar-Made in Japan
Emg 81 -2
Tune-o matic
-2 Volumes 2 tones
Set Mahogany neck, 3 parts / rosewood fingerboard with 22 frets and inlays binding 'Flag', X-Jumbo frets.

UTILIZATION

Channel trs enjoyable, it glides well and is quite the end for Paul. It seems thinner than my PRS SE Singlecut, but has no problem as long as there is no hand of b ^ Cheron. As for the button, it takes a little time to acoutumance to jumbo frets.
-Access to acute and trs honorable, at the same time I'm not an expert solos. So I have not seen the problem of ct but it is clear that access to is not as sharp as a strat ais and stay in esp, a M II Kirk Hammett signature or with neck-through would be much better for aficionados of solo.
-For ergonomics, c is a les paul, we like it or not. There is a notch abdominal well come. As for the weight, lgret is surprising. I had a ltd kh 602, and although this is an "in" silent esp it much heavier. Now it's up to play a huge advantage but it's a little frustrating because for a guitar of this quality we tend to want to have a log in the hands ... I put 9 because perfection does not exist

SOUNDS

-For metal, be it trash, and other neo Hard rock, no problem this guitar is made for a. Nanmoins is not to say that you can not do anything with, will always sound a rather cold and sharp, but with an amp that follows derrire there is no reason you not be able to jazz or funk with ... even if again it is not his area of ​​prdilection. (fortunately in a sense, otherwise I will not use my fender)
-I play most often with a vox ad 30 amp modeling, which offers a wide range of sounds between the SETTING THE amp and those of the guitar there's plenty to do. And recently I use a Mesa / Boogie F30 ... and the attention that either clear or distortion is halucinant. Like what we must not forget that the amp is the largest part of its job of Contents.
Premire-vocation of this guitar to bring me a silent trs trs its rich saturation, fawn black album, which does not rotate the boil ... it fulfills its purpose perfectly. In his clear, has not the charm of a fender but still trs trs good.

OVERALL OPINION

I love everything about this guitar. This is the kind of instrument that makes you want to play alone when you look at it. I have in addition a MIJ Fender Stratocaster 59 reissue 1994 and a PRS SE Singlecut, and ESP eclipse without the problem (the vrit I was aiming not just the whole rotten pun). .. Except for the fender clean sound with wins.
Before I acquire the eye on a gibson les paul standard, but the sound goes with the inimitable gibson gibson inimitable price ... The price range of this eclipse is in the range of les paul studio that does absolutely not the road against the Japanese competition. After eclipse vs les paul standard, is a matter of taste. But for 1400 euros new, I have chosen esp. Exprience with (and the same budget) I do it again this choice.

Elements objectives:

Japanese guitar, I have not counted the number of frets, MOP benchmarks white flag shape. The instrument body is mahogany, I do not know the material of the table. The guitar has an EMG 81 in the bridge position, I do not know what t'ye micro is used for the handle. Each microphone is adjustable tone and volume knob by a respective (large class).
Subjective elements:
The instrument is very well assembled and stands out in quality and not always regular Gibson. By-cons, I find the contact with it without a little love, have almost sterile, with a handle more impersonal than anything else. Other details, but important: the sounds of the vacuum instrument that are downright dull and I suggest that the wood is not top quality. The lacquer inlays are beautiful and well integrated which is nice. Be careful, I heard about some problems when the longevity of the coating on exactly what type of guitar (bubbles).

[8] With experience, I see my bill down.

UTILIZATION

Level gameplay, esp was strong. Indeed, the handle should be described, rather narrow and contained thick, it leaves much up to the choice of a varnish reacting well to perspiration. In return, however, lacks a little character in the palm (above, not noted here, but I want to repeat). The frets are polished to the point that they become soft to hug. The strength of support on the boxes is average, it does not approach the ultimate references such as Gretsch White Falcon V or Dean Fly States, but we should not fight against the instrument as I could see sometimes on the mansion and other Schecter. The access is typically acute Lespaulien therefore, not perfect even though it's still enough for the common man. The potentiometers have a linear stroke and a major influence on the sound to be processed. The instrument, though a massive weight correct.

[8] Note LesPualoïde a maximum.

SOUNDS

When empty, the guitar sound exercised restraint with a volume less astonishing that some of her peers. Less violent and snapping the Wild Lespual Zaq Evo or dean, she is altogether duller.

Once connected, the guitar with a real nice surprise clean. I was full of critics quoted on the clean emg. This guitar sweeps that gossip like Katrina in New Orleans. Beautiful voice with a deep balanced. Enough slap on the bridge and neck in a very direct course, but to use a clean hard-it does. The crunch blues is a real good surprise, I got out of beautiful blues with this guitar arpeggios (so waiting may not necessarily immediately).

In distortion, it is, again, in a particular world. The emg send a lot of rage, sometimes too, and punch passes just under the high-gain they deliver. To keep the punchy, we must learn to hold the microphone to the flange. If this condition is restpectée, he showed quite satisfactory for a whole host of uses. Although the neck pickup gives warmth and roundness that his sidekick easel, but he did not soften, as is often the case on other guitars. In general, in this register, the sound is not the first heat (which is not a criticism since it has sufficient). Note that the grain of this microphone is also mounted special and do not necessarily please everyone, we must love.

[7] A very good sound, employable in many facets, but very typical and not necessarily of the living, who asked to be considered before purchase.

OVERALL OPINION

A good instrument, reliable and well finished. What you ask for ... Perhaps a price content, especially when we know that the instruments are manufactured in the same factory as the Edwards. But let's not be stingy. The guitar, though less dramatic, less "beautiful object" turns almost into the lap of Gibson standard, and is nearly 1000 bullets cheaper. So ...

[9] absolutely advisable.

The Esp Eclipse II VTB is built in Japan and is registered!

team of two EMG pickups (81 + 60 as Metallica), a slcteur 3 positions, 3 potentios, Tune-o-Matic, al 22 round boxes.

In short, that the good of the ct m'enfin I prfr 24 cases but does have the handle of proportion to the body.

UTILIZATION

The handle, ah ... (No pun intended <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_wink.gif" alt="" /> ) What highway ... What touch Access in acute trs is really simple, I'm tonn also because of the form LP.

Speaking of Les Paul, the weight is average, neither too heavy nor too light, this Ras ct l.

Ct Look, the VTB throws in the piece gold colors give really good! Perfect finish.

Sound, without venturing into dtails (APRS topic): A rgal. But hey, for a guitar of this "class" is a play on Microcube sacrilge ...

... Even if a ring! <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_biggrin.gif" alt="biggrin" />

SOUNDS

Well, I'll make it short: Perfect!

The sounds are great!
I play varied but right now, it's Metallica and it's amazing how a nice ring to it.

Whether for the big fat well, although the clean round or sharp notes though, the Eclipse II excels everywhere!

This is really thundering, I did not expect such a diversity in the sounds when I thought esp n'tait orientating in the field of Metal / Heavy.
I play on Line 6 Spider Jam ( <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_sad.gif" alt="sad" /> ).

Disto specially mention the sounds without too much bass, guitar Ragit quarter.

OVERALL OPINION

Play with this guitar is a treat for the hands and ears, it's as simple as a. <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_wink.gif" alt="wink" />

I use it for one week, and I'm really pleased!

I tried everything and nimportequoi ( <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_mrgreen.gif" alt="mrgreen" /> ) Before choosing. Guitar.

I just love everything about this guitar, no default.

The report quality price: 1500 for a piece of wood, it's expensive, but with Esp above is given =).

If I had the choice again I would do without hsiter.

So yes I recommend <img class="smiley" src="https://fr.audiofanzine.com/images/audiofanzine/interface/smileys/icon_wink.gif" alt="wink" />

Guitar Made in Japan (the country of ESP) excellent bill mahogany (body + handle) with table Saddle Flamm crme binding. Mcaniques blocking.

It comes with a set EMG 60 in neck, EMG 81 at bridge, which is a Tune-O-Matic. Rglages level was a spar volume for each microphone, but a common tone. It is indeed the US specs, following the trial by Gibson. Its former Owner 'himself has installed Strapslock Dunlop, a big plus.

The overall finish is good trs, the varnish is strong, a true Russianness this ct.

Rating: 8. A SETTING THE supplmentaire Tone would be welcome, and the switch to change pickups took a quick little play

UTILIZATION

This guitar is a lgre LP, with a perfect round or too thin or too fat agreeing all styles, with 22 boxes.

As my collgue below the notches is welcome, however, a thinner heel t would too. But hey, al round requires, it takes a bit of Contents.

This is my guitar Premire mcaniques blocking, I love the principle, it saves time when changing the strings and the Eclipse is well trs tuning this Manir. It is up 10-46 in default, I tried to have a 11-53 (in E) to see it held up well, but I'm pulling back a classic.

Rating: 9. Access in acute is not difficult, but not if planks either does not have huge fingers.

SOUNDS

Dj trs guitar sounds very empty, which is gnral a good sign.

Then I play mostly hard rock and 80's metal / thrash. For a couple of microphones basic really works. No surprise about the EMG 81, a sound and effective prcis. on the other hand, it lacks a bit of fat is clear to the AC / DC does not, for example.

The good surprise comes from the 60, which is terrible in clean sounds but also for mid gain solos. Those who complain of active pickups should really throw an ear.

In short, in my registry prdilection, it's a great guitar, which remains trs type. I intend to change the pickups, however, for a kit or a set EMG JH kit SD Blackouts. Also of assets, but got a little derrire liabilities, which should help broaden the scope of some assets of the skyscraper.

Rating: 9. It sounds like I want, but as for now my only skyscraper, a bit more versatility would not hurt, o the change of pickups come.

OVERALL OPINION

This is my main guitar now and unique guitar for 4 years. I have tried many guitars before buying, even APRS, and even if I had favorites I rest my Eclipse Fidler.

It's a great guitar, take Whereas when buying a LP for high gain sounds. At a price well infrieur what is practiced at Gibson.

I do it again this election, but in a different finish (it is exactly like the picture AF).

Final score: 9. The average score Previous.

Guitar made (rather well for that matter) in the land of the rising sun: ESP version modernized LP (lighter, improved ergonomics)
exemplary finish
Mahogany body, flamed maple table beautiful translucent red finish the most beautiful effect classy white binding
22 frets, EMG 81/85 bridge tune o matic type mechanical self-locking Sperzel black
classy

otherwise, as the gibson: 2 volume 2 tone 3-position selector 1
not to split the pickups but who cares

Mahogany set neck rosewood fingerboard flag pearl inserts (true?) and ESP at 12th fret

shrink copy
box of quality provided
the detail that angry: € 1800 to shovel, no straplocks (I put it to 9)

UTILIZATION

Everything was smooth, ergonomic weight (enhanced LP) nothing to say handle most pleasant enough and narrow end nice and fast

sound good?? hihihi

SOUNDS

Sound: top class m ^ me if it is not very versatile (if I wanted the versatility, I took a Variax though ).......

85 in the handle is not bad at all and with the trunk of the guitar (it sounds very good vacuum) and even the 81 is doing well in the clear ..... Just set the receiver and volume tone knobs for a range of sounds rather rich and very satisfying ....

Plugged into an orange head engl, c a treat

But the chosen field, c the big killer distortion (the 81 was a HUGE fishing, more than 89 mounted on a scratch me another mahogany / maple much heavier)

To play the eighty's hard on the gun type ENGL's a treat ..... 70's hard on orange yum

OVERALL OPINION

I use it for 10 days and I am more than satisfied ...... there a while I eye on it but the available left-handed repelled me (control + 6 months of waiting)

And then miracle, available in stores, I broke the piggy bank

I get out of a studio LP is not photo well

excellent value for money: € 1800 to c very expensive but the quality that much
especially compared to a standard LP (quasimment € 3000 in left-handed)

again this choice? and yes

The Eclipse has been ESP's standby single cut guitar for many years. This is a full ESP branded ESP so it is made in Japan with top construction and top specs. This guitar is pretty simple when it comes to specs. It is a classic design. This guitar has a mahogany body and mahogany neck with an ebony fretboard and 22 jumbo frets. It has ESP's traditional flag inlays. It has the Earvana compensated nut up top and a tune-o-matic bridge at the bottom. There are two EMG pickups in this guitar. There is an 81 in the bridge and a 60 in the neck. This is the pickup set that James Hetfield used for most of his career. The guitar has the traditional Les Paul control layout with a volume and tone knob for each pickup and a 3 way switch on the upper horn.

UTILIZATION

The playability and build qualify on ESP guitars are top notch. These guitars are made in Japan right next to whatever ESP Custom Shop guitars you see. This guitar is a dream to play. The Ebony fretboard is super smooth and your fingers just glide over it. The frets are big and the radius is pretty flat so you can really bend notes without fretting out. The neck is thin too so this helps playability. The body is thinner than a normal Les Paul so it is more comfortable and lighter so you can play it longer. The Earvana compensated nut helps intonation all across the neck so you sound even more in tune.

SOUNDS

With the thinner body and EMG pickups this guitar sounds slightly brighter than a normal Les Paul. The 81 and 60 combination of EMG's is a classic set and gives you the best of both worlds. The 81 gives you great metal tones while the 60 can do great clean tones. EMG's are some of the best active high output pickups you can get for metal. Since they are active they need a 9v battery to work. The 81 in the bridge is a classic setup for metal. The 81 gives you great high end crunch and clarity even in the lowest of tunings. With the 81 harmonics pop right out and you get a nice searing high end tone. This high end is what keeps the sound nice and clear. The 60 in the neck is a pretty much neck only pickup. It is not super high output and is best used for clean tones. In the neck position I personally prefer an 85. The 85 has about the same output as the 81 and I think it is better for dirty solos in the neck position than the 60 is. With EMG's quick connect system swapping out their pickups takes secconds because there is no soldering involved.

OVERALL OPINION

These guitars have long been discontinued and are getting harder and harder to find. People who have them want to keep on to them because they are so good and so well made. With the Gotoh hardward and the EMG pickups this guitar came ready to rock from the factory. You dont really have to upgrade anything. If you are looking for a good single cut ESP guitar that comes with EMG pickups and has top of the line build quality this was one of the best they ever put out.

The configuration is quite similar to the eclipse II so simply for technical reference.
Made in Japan and beautiful finish, 22 frets, it has 2 EMG 81 (active), a side handle and an easel.
The version I own has the same settings that gibson: a volume set, volume one bridge, a tone set, a bridge and a tone selector 3 positions.
Good wood, neck-through, everything is there.

UTILIZATION

The handle is very nice, much more than the LTD. Enough but not too late, it is slightly rounded (less than the Gibson). Regrettably still have access to acute not quite clear (less than my RG ...). This guitar is obviously more tailored for rythmmiques only for flights super acute.
The guitar itself is rather light (his strength) without losing too much chest and sustain. Even without the plug in the guitar sounds of thunder.
The configurations are easy to find and the sound is there immediately.
Be careful, this guitar is not equipped with floyd, benefit when used not (no loss of sustain and body) but must be aware that we will all need some limited pieces.

SOUNDS

Bon bein force it you're in the thick of things. The sound that comes out of this guitar is huge. You tell me, bein necessarily at that price! Bein yes and no ... the value is pretty good. It was a truly exceptional guitar for a price that is "affordable"
In bridge pickup, the sound is clear without being really slamming crytalin. Very good anyway. Bass good round but it lacks a little body. It's not force the best configuration for the clear. In crunch, but it is too dirty. All need, it's clean and it's not drooling and especially one begins to recognize the sound of bein EMG and we all need urge to push. In full, it is very big, very specific. Be careful not to push the saturation of the amplifier block. With such a potato is not worth it and you will lose some teeth by compressing the sound.
In neck pickup, the sound a little drooling but still pretty accurate. All need it least, but the slap sound is nice and soft without being stifled. Nice enough to clear small solos in which the guitar will be able to give full sustain. When one enters crunch is very good. Again solo is very beautiful, the grain is soft and fine with still a lot of fishing. In saturated'm not a fan of this type of sound, but those who love the solos very fluid with a lot of sweeping and tapping will be conquered.
The config has two microphones, for me, to be reserved for clear sound. By setting the correct tone knobs you get a jazzy sound to die for. A real treat!
To sum up bein a versatile guitar with still a high degree of satisfaction for metalheads like me. Hard to beat at this price (and even beyond!)

OVERALL OPINION

I use this guitar for a few months and I am more than satisfied. So, I can not play back on the others!
Obviously this guitar gives its full potential on the metal but it can still fit in some rock and jazz musicians a little upset.
I tried a lot of models in a price range from € 1000 to € 3000 and the one I had.
The transparent black finish is beautiful and the view alone we see that it's not the Camelott.
The +: - sound
- Finishing
- Price
The -: - access to acute

A + and well tests

- In which country was it made?

Japan

- How many frets, what kind of micro as well as their configuration?

22 frets, 2 EMG pickups (60 and 81)

- What are the settings?

2 volumes, 1 tone and a micro switch

UTILIZATION

- The handle is it fun?

Yes it is more sweet because of the color that is silky.

- Access to acute (recent freight) is it easy?

Super accessible!

- Ergonomics is it good (in terms of shape, weight ...)?

True light guitar les paul yardstick to compare what is pleasant enough for me

- Gets it easy to sound good?

If you like the EMG active pickups, this config (60 in 81 in neck and bridge) is the best I know.

SOUNDS

- They are suitable to your style of music?

I play mostly metal group and it sounds serious.

I also play other styles and it sounds great too.
After all depends on the amp ...

- With what (s) amplifier (s) or effect (s) do you play?

A rack of G major effect, a peavey 5150 II head and a Mesa Boogie studio preamp on repeating and AmpliTube home.

- What kind of sound you get and with what settings ("crystalline", "bold ",....)?

As for the micro EMG 60:

this gives a very precise and clear sound not drooling at all so we can do whatever you want with effects and more.

For distortion I deconsseille because the 81 is really doing for that, unless you want a clean sound a little crunchy.

OVERALL OPINION

It was one week only but with two deluxe ltd ec 1000, I know the brand.

I do not really know the differences between ESP and LTD, and I realize that the violin is finiton when even well above.

The value for money is really impressive especially when you buy this guitar in the U.S..

This choice I would do again in a second.

Plus: A, the guitar is super nice, pleasant to play and sounds fabulous.

Monk: Nothing to say

This scraper comes straight from Japan, it is equipped with active EMG-81, a stop bar and Tune-O-Matic Gotoh, 3-way switch, 2 volume and 2 tone, mechanical oil bath wraps Sperzel , rosewood fingerboard, Jumbo frets, set neck, mahogany body and a beautiful mahogany table in curly maple. The fine material. Supplied in hard case.

UTILIZATION

The ownership and direct and very pleasant. The handle is easy is a real highway! And upgrading its already in upplugged it sounds, but connected with a good distortion that hard dry!

SOUNDS

It is well suited to my style of choice (metal) and even less supportive of alternative rock or just plain punk, this happens at home. Its clear it is also a butcher, I want to clarify. I plugged an Engl screamer and a Marshall modefour but I much prefer the rack my digital 8-track with just an MXR double shot, there is really good. She gives me everything my other guitars could not offer me: a good versatility in the sounds. Substain and crazy!

OVERALL OPINION

I have this beauty for 6 months and not a day goes by that I serve. To say that that day I had gone to buy strings ... and I came back with. Frankly, it's the best I could dream scratches, both look and finish, at the level of sound. It's simple when I play it gives me chills.
But I had tried other guitars in the past, Gibson, BC Rich, James Trussart, Ltd., Fender but none comes close to the beautiful. For me anyway.
I think I do it again this choice with his eyes closed even if my bank would not really agree. To test urgently!

The ESP Eclipse II is a guitar that is made to look like a Gibson Les Paul. However, just because it looks like one doesn't mean it'll sound like one. That's not necessarily a bad thing, but just keep that in mind. The guitar features a mahogany body with a mahogany set neck and rosewood fretboard, 22 extra jumbo frets, two humbuckers, two volumes, two tones and a three way switch.

UTILIZATION

The craftsmanship on the ESP Standard series is awesome. They're well built guitars, and they generally don't cost an arm and a leg like so many other manufacturers out there. The binding on this is nice and clean. There are no places where the routing got sloppy, and the glue is clean. The frets are crowned properly, and there are no sharp edges, either. It has quality tone woods that really help it resonate. The guitar is not as thick as a normal LP, so keep that in mind.

SOUNDS

The guitar has a mixture of both LP and SG tones. While it looks like an LP and has a similar construction, the overall body thickness is thinner than a normal LP or the full thickness Eclipse. The guitar comes equipped with an EMG 81 in the bridge and EMG 60 in the neck. The 81 gives a great bite, and it works amazingly well with mahogany. They really complement each other in terms of bass, midrange and treble to sound cutting but full. The EMG 60 does great cleans, but I was never a huge fan of it under gain. It has an almost single coil sound at times with gain.

OVERALL OPINION

If you're looking for a Les Paul alternative that's thinner and easier to play, check out the ESP Eclipse II. ESP has way better QC than Gibson these days, so it might be worth buying one of these. However, because it's thinner than a Les Paul, you won't be able to get the same type of tone. If you're dead set on that LP tone without breaking the bank, try an older Burny, Tokai or an Edwards.

Made in Japan.

t say any adjacent below
Visually this guitar is supblime

UTILIZATION

Channel super pleasant, thinner than the A veritable pauls, but bigger than a stick ESP M-II eg.

The weight is good, not too heavy, not super lgre either, it's enjoyable!

CASC to treble is good, but better to have the wrist flexible if you play guitar very low.

THE sound is perfect, whether in or distortion is a clear sound be regulated.

SOUNDS

I play exclusively mtal so yes it is perfect! But it is versatile, you can do a blues or rock without problem.

I play on a peavey 5150 and is a rgal!

OVERALL OPINION

The report price is good quality without the price even when a boat is over 1700 euros.
Anyway, the finish of the guitar, fly box will eventually convince you.

I do not regret my choice aps

Well I will not repeat the above characteristics is ditto, except I have the microphone configuration catalog. I bought this model in Snow White because the other guitarist in my group was black and I do not regret that choice at all! The finish is such that the guitar is one of the most elegant of the many grates with which I could play.
The only downside Gogoth mechanics, I was really hoping the Sperzel yet announced on the sheet. So

UTILIZATION

primo what shocks first .... the weight! Without exaggerating it must weigh half of what weighs my les paul voodoo! The neck is much thinner and therefore easier to play, access to all the notes really easily. It's a bit of a guitar shredder hidden! Jumbo boxes are very comfortable (must say I have big hands) and each note is a pleasure.

SOUNDS

I played on a Mesa Dual Rectifier and it brings clarity and edge to my sound (EMG requires). The roundness of the neck pickup is not that of the gibson but still very nice especially in the clear. This is clearly the guitar that I needed for my type (trashcore). In two words sound right and a set of patient comfort.
I have 4

OVERALL OPINION

gibson, and neither does the weight is clear. The ESP is a revelation to me