Mahogany body dug table Saddle Mahogany neck 22 frets 1950 rounded profile, rosewood fingerboard. Grover bridge stopbar mcaniques two volume knobs and a Tone of microphones: Burstbucker 3 Zebra (humbucker) at P90 and Chevallet the handle electronic: slecteur a 3-position switch and a kill switch factory in United States, book with a very beautiful indoor white tui! BMOL small, my fist the tui was a little game, but nothing serious ...

UTILIZATION

above all is a beautiful object trs, nothing to say, it's really nice visually.
with respect to the handle, not bad, a little too rough when even that did not polish a limited run factory ... it is rather large, rather hard, but eventually got used to it.
ergonomics is rotten, the head leans forward, it's just boring trs standing. dcoupes no comfort (normal gibson), but the finish hurt gross frankly forearms, dc low position forces (not necessarily what I like). Access in acute worthy of a gibson dc not great but we know that when we bought. vacuum, it sounds powerful, ca rsons box (thank you to the rooms) ...

6 / 10, not bad but in hindsight I'm not a fan.

SOUNDS

I bought this guitar for my strat complter, so to use rock, hard and drop.
ADI is not an instrument of proguiste, ca is not prcis drool at all. ca sec attack in the bridge position, big power, good harmonics, the sound is rather full it is. to use that distortion, it's horrible to clean, far too aggressive ...
intermdiaire position is pretty clean in (round, a little heat, not too runny) and average saturation ... Sounds good, but not much interest.
As for p90, it is frankly not bad. in clean, trs is round, warm, bubbly and drooling with natural saturation lgre I love! DO, even finding is the trs round, drooling like a lot ... pity that a problem of masses come fuck a big buzz every time I change mics ...

primarily uses a JVM 410, and tests on a 5150 II and ENGL combo

honestly it sounds, not like real gary moore because the fingers are not sold. is a skyscraper meant to be powerful, but ultimately you lose a little cot Gibson, unfortunately. again, the buzz of p90 was really really unplayable c'tait gav a high volume, a feedback ca crait crazy

4 / 10, because even though it sounds, it is not unusual, ca not take the style of Moore and we s'loigne gibson sound, not to mention the scratches cot unplayable because of a feedback, the buzz and all.

OVERALL OPINION

I've had a year and I RERF me to be more accurate

I bought this machine on a whim, I liked it and I cracked Aesthetics. in retrospect, I'm in love plsu

The pros: the crude look beautiful, powerful sounds, the p90 without the buzz, the harge of Burstbucker, good sustain without being that of uen standart gibson (trs and away from the true model)

the -: the fucking buzz, the rotten wiring (the kill switch was rewired for a thousand euros fears ca), comfort lacking, mcaniques that do not take the agreement (10/52 drawing, guitar r rule but after five bends need leads connected)

THE report quality price is blah, I'll head for ways to sell it to buy a music man petrucci (nothing to do I know). I'm not made for her, but she will please others.

with all the hindsight J'lui gives a 4 / 10 ... a guitar right, but who lies on his signature ... ca worth the price, there's much better for much less!