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82StudioTo have in its fleet of pickups
Published on 11/28/11 at 08:31 (This content has been automatically translated from French)Battery Kit for Microphones:
_ A Hyper-cardioid dynamic microphone for kick-EDS (ST8-KD)
_ A cardioid dynamic mic for snare drum (ST8-SD1)
_ Three dynamic mics for toms (ST8-SD)
_ Three condenser microphones for overheads, hi-hat, ride (ST8-A1)
OVERALL OPINION
Overall, the review of this kit is plutt convincing and respects the natural sound of drums.
Toms are Submitted, trs overheads are well made.
I use the mic on the snare drum timbre, complment in a 57 or a akg on striking is plutt good.
I find the micro bassdrum equilibrated it will not work in the hsiter mix.
That did not end up with a dj bassdrum that is not out of the mix?
This is mainly to the fact that...…
_ A Hyper-cardioid dynamic microphone for kick-EDS (ST8-KD)
_ A cardioid dynamic mic for snare drum (ST8-SD1)
_ Three dynamic mics for toms (ST8-SD)
_ Three condenser microphones for overheads, hi-hat, ride (ST8-A1)
OVERALL OPINION
Overall, the review of this kit is plutt convincing and respects the natural sound of drums.
Toms are Submitted, trs overheads are well made.
I use the mic on the snare drum timbre, complment in a 57 or a akg on striking is plutt good.
I find the micro bassdrum equilibrated it will not work in the hsiter mix.
That did not end up with a dj bassdrum that is not out of the mix?
This is mainly to the fact that...…
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Battery Kit for Microphones:
_ A Hyper-cardioid dynamic microphone for kick-EDS (ST8-KD)
_ A cardioid dynamic mic for snare drum (ST8-SD1)
_ Three dynamic mics for toms (ST8-SD)
_ Three condenser microphones for overheads, hi-hat, ride (ST8-A1)
OVERALL OPINION
Overall, the review of this kit is plutt convincing and respects the natural sound of drums.
Toms are Submitted, trs overheads are well made.
I use the mic on the snare drum timbre, complment in a 57 or a akg on striking is plutt good.
I find the micro bassdrum equilibrated it will not work in the hsiter mix.
That did not end up with a dj bassdrum that is not out of the mix?
This is mainly to the fact that there are too low and below and not enough attack.
For my part, I have a micro prfre that captures correctly the attack and add the low end dansle legalization
to have the ds dpart a sound that is rich in low and becomes ingrable.
I use them mainly in my studio complment existing fleet.
I often add on a bassdrum SUBKICK complment in order to effectively dosed infra, sometimes I install a plutt Beta52A the style.
The static in the ride and the hihat.
I use a second pair in overhead (I have 2 bags) or if not in overheads and 2 neumann ST8-A1 pice far enough in capturing the mood.
In short, this case is a real Swiss Army knife.
It should be borne in mind that the whole audio chain is important:
microphones but also pramplis and costs, a drummer rgulier, take the time to properly place microphones, put down the battery (but not too much) and be careful the acoustics of the pice, leaves the correct as well.
I think this kit really intresssant trs, both for its price for its sound reproduction, overheads have 3 really is a plus.
The report qualitprix is excellent.
I am satisfied with this purchase
_ A Hyper-cardioid dynamic microphone for kick-EDS (ST8-KD)
_ A cardioid dynamic mic for snare drum (ST8-SD1)
_ Three dynamic mics for toms (ST8-SD)
_ Three condenser microphones for overheads, hi-hat, ride (ST8-A1)
OVERALL OPINION
Overall, the review of this kit is plutt convincing and respects the natural sound of drums.
Toms are Submitted, trs overheads are well made.
I use the mic on the snare drum timbre, complment in a 57 or a akg on striking is plutt good.
I find the micro bassdrum equilibrated it will not work in the hsiter mix.
That did not end up with a dj bassdrum that is not out of the mix?
This is mainly to the fact that there are too low and below and not enough attack.
For my part, I have a micro prfre that captures correctly the attack and add the low end dansle legalization
to have the ds dpart a sound that is rich in low and becomes ingrable.
I use them mainly in my studio complment existing fleet.
I often add on a bassdrum SUBKICK complment in order to effectively dosed infra, sometimes I install a plutt Beta52A the style.
The static in the ride and the hihat.
I use a second pair in overhead (I have 2 bags) or if not in overheads and 2 neumann ST8-A1 pice far enough in capturing the mood.
In short, this case is a real Swiss Army knife.
It should be borne in mind that the whole audio chain is important:
microphones but also pramplis and costs, a drummer rgulier, take the time to properly place microphones, put down the battery (but not too much) and be careful the acoustics of the pice, leaves the correct as well.
I think this kit really intresssant trs, both for its price for its sound reproduction, overheads have 3 really is a plus.
The report qualitprix is excellent.
I am satisfied with this purchase
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Tech. sheet
- Manufacturer: Prodipe
- Model: Drums Microphone ST-8
- Category: Microphone Packages
- Added in our database on: 08/31/2011
Claude Salmieri drum mic pack was designed to restore your playing with as much accuracy as possible.
The pack consists of 8 microphones:
- x1 NEXT GENERATION dynamic uni-directional bass drum mic that goes even further down into the bass notes for optimum recording and restitution.
- x3 dynamic, unidirectional and ultra-versatile mics for toms – you can also use them with other percussion instruments such as congas, bongos, etc.
- x1 dynamic uni-directional mic for the snare drum to accurately transcribe what is essential in playing snare drums - attack and finesse.
- x3 microphones PROA1 overheads (static condenser mics) perfectly adapted to capture the different moods of drums and percussion instruments, but also ideal for the Charleston drum. You can also use them with any acoustic instrument.
The ST-8 set is supplied in a durable carrying case and includes 3 SHIELDS and 3 HOLDER MOUNTS to use with the overheads.
ST8 - SD (Snare Drum)
- Transducer Principle: Dynamic
- Frequency Response: 80Hz-12kHz
- Directivity Characteristic: Cardioid
- Sensitivity: -54±3dB 0dB=1V/Pa at 1kHz
- Output Impedance: 250Ω±30% (at1kHz)
ST8 – KD (Kick Drum)
- Transducer Principle: Dynamic
- Frequency Response: 30Hz-12kHz
- Directivity Characteristic: Cardioid
- Sensitivity: -64±3dB 0dB=1V/Pa at 1kHz
- Output Impedance: 200Ω±30%(at 1KHz)
ST8 - PRO A1 (Overhead)
- Transducer Principle: True Electrostatic Condenser
- Directivity Characteristic: Cardioid
- Frequency Response: 30Hz-20KHz
- Sensitivity: -36±3dB 0dB=1V/Pa at 1kHz
- Output Impedance: 100Ω ± 30%(at1KHz)
- Load Impedance: ≥1000Ω
- Equivalent Noise Level: ≤22dB AIEC 581-5
- Max. Input SPL: 130dBTHD≤1.0% at 1KHz
- Bass Filter: 12dB/octave at 100 kHz
- Power Requirement: 48V DC Phantom Power
- Body Dimension: 22X132mm
- Net Weight: 112g
The ST-8 set is supplied in a durable carrying case and includes 3 SHIELDS and 3 HOLDER MOUNTS to use with the overheads.
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Other categories in Microphones
Other names: drums microphone st 8, drumsmicrophonest 8, drumsmicrophonest8, drums microphone st8, drums microph 1 st 8, drumsmicroph 1 st 8, drumsmicroph 1 st8, drums microph 1 st8, ST-8