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JpaxxxX
Published on 03/19/10 at 02:01
What about the Ebow which has already been said bin and I know nothing but I'll talk anyway.
I discovered this, how to call it? effect?, pedal? instrument ?.... ahhh! I found, this appendix with the fabulous Smashing Pumpkins ago it nearly 15 years (oh my god that dates me) because I do not understand how James Iha had live, especially the endless sustain and the notes which turned into harmonics gradually, then one day I saw before me (not James Iha Ebow much to my regret) and neither one nor two I rushed to buy it.
I'm talking about the first Ebow not the one who has the option harmonic.
I hardly have used it, I fell in love with this, these, sound (s) because any note actually hard to infinity (or at least the time of the battery) but the most compelling is that this note changes as the hit of the moment and how you have the grail from the microphones, the more you press down heavily on the better your chance to bring up a very expressive harmonic (as produced by you) a "fade in" in the original note which fades into a goodbye the most beautiful effect, a bit like the solo on "Alone" by Ben Harper Burn to Shine ", with a limit set properly it's really enjoyable.
Ebow but is also able to "emulate" other instruments depending on how you set your amp and microphones used as the cello, flute (yes) and others ...
This must be close to 10 years since I bought my first EBow and I use it always with great pleasure because not only is it a good partner for the scheme but by its tone may lead to finding purple song ideas and I can not tell you for the instrumentals.
For me what makes her great strength (I speak always Ebow original) is that spontaneity in performance, the fact that any time you miss the note to give birth to his alter-ego sharper, more distorted, more edgy or reverse it will take time to tame the beast. But suddenly it would also be its Achilles heel since recording it may be that you had to do several takes because instead of being sweet melody you can hear screaming and mutate into a creature that is where we realize that must spend time with her, understand, learn to anticipate his moods (like what a woman ..... sorry). While every beast in principle, if you want to go further in the use of it you'll have to watch where you place it over the microphone above the microwave because you have a very strong signal and vice versa more it is far from the microphone over the sound will be muffled.
In terms of value for money, there's nothing to say since only Ebow Ebow do so, but it depends on how we see, if just to use them rarely the price might seem high, but if, like me, you see it as an instrument in itself, it seems reasonable to me because there are a lot of product that costs these prices and they are much less well. Basically, it's a story point of view.
I hope I have helped with the other reviews to get an idea of what could be the Ebow (first name for me).
Yeah, good zik.
JpaxxxX
I discovered this, how to call it? effect?, pedal? instrument ?.... ahhh! I found, this appendix with the fabulous Smashing Pumpkins ago it nearly 15 years (oh my god that dates me) because I do not understand how James Iha had live, especially the endless sustain and the notes which turned into harmonics gradually, then one day I saw before me (not James Iha Ebow much to my regret) and neither one nor two I rushed to buy it.
I'm talking about the first Ebow not the one who has the option harmonic.
I hardly have used it, I fell in love with this, these, sound (s) because any note actually hard to infinity (or at least the time of the battery) but the most compelling is that this note changes as the hit of the moment and how you have the grail from the microphones, the more you press down heavily on the better your chance to bring up a very expressive harmonic (as produced by you) a "fade in" in the original note which fades into a goodbye the most beautiful effect, a bit like the solo on "Alone" by Ben Harper Burn to Shine ", with a limit set properly it's really enjoyable.
Ebow but is also able to "emulate" other instruments depending on how you set your amp and microphones used as the cello, flute (yes) and others ...
This must be close to 10 years since I bought my first EBow and I use it always with great pleasure because not only is it a good partner for the scheme but by its tone may lead to finding purple song ideas and I can not tell you for the instrumentals.
For me what makes her great strength (I speak always Ebow original) is that spontaneity in performance, the fact that any time you miss the note to give birth to his alter-ego sharper, more distorted, more edgy or reverse it will take time to tame the beast. But suddenly it would also be its Achilles heel since recording it may be that you had to do several takes because instead of being sweet melody you can hear screaming and mutate into a creature that is where we realize that must spend time with her, understand, learn to anticipate his moods (like what a woman ..... sorry). While every beast in principle, if you want to go further in the use of it you'll have to watch where you place it over the microphone above the microwave because you have a very strong signal and vice versa more it is far from the microphone over the sound will be muffled.
In terms of value for money, there's nothing to say since only Ebow Ebow do so, but it depends on how we see, if just to use them rarely the price might seem high, but if, like me, you see it as an instrument in itself, it seems reasonable to me because there are a lot of product that costs these prices and they are much less well. Basically, it's a story point of view.
I hope I have helped with the other reviews to get an idea of what could be the Ebow (first name for me).
Yeah, good zik.
JpaxxxX