View other reviews for this product:
Branos
Published on 11/30/07 at 00:10
-
UTILIZATION
- Ergonomics INTERESTED
SOUNDS
Added 29/11/2007: It's funny, the sound of the expression system (headphones, uncorrected) looks frankly a sample of D-Tar Wave-Length I found here: http:/ / i.b5z.net/i/u/1530927/f/D-tar_Wave-Length.wmv ( http://i.b5z.net/i/u/1530927/f/D-tar_Wave-Length.wmv )
Clearly, the Expression System of a breath and more (for small ct "Vintage" I think).
Added 30/11/2007: Following this advice, I reu many messages which I will not be our answer until next week. A thousand apologies and ending for trs. PS: I'm not the sr Taylor K4 is the right solution, we discuss it again.
OVERALL OPINION
Owner for a week just a GS7e Taylor, cedar / rosewood with Expression System (with a new 9V battery and switches to cut the body-sensors), I wanted to give my impression on the famous Premire Systm . I test and symtrique asymtrique on AER Compact 60 (I test with 2 inputs) and the Joemeek prampli OneQ suits me perfectly for other uses . I will test on mixer / sound ds as possible.
THE FIRST finding is that we have a great big bump in mdiums (around 1 kHz) and the absolute need to fall by at least 5dB. The first connection between the instrument Compact60, all pots in the center, as guitar amp, I got a great sound of pan, with mdiums neither hot nor noisy but ... pans. Even in Galis, and the high E string if its not have a natural trs, a little too hot and mdium, and even going up the treble, the attack is a bit strange, magnetic policy summary. As against the other strings sound good and the harmonics of lower strings (piano-like) seem to sound much better than a conventional piezo and without the famous artifact that gives her a little nylon string metal.
On the other hand, there is a problem of breath on trsgnant frquences acute, I would say from about 7 kHz, and even in connection with the symtrique knob of acute in central position. On some forums I read that we must lower the knob volume on the guitar, the problem is that the signal also decreases, in fact, I think this is a potentiomtre output level SETTING THE and not a gain, then, regardless of the rglage, the SNR remains the same ... not great. I added a noise-gate, but when you play soft passages in finger-picking, even when we get to hear the breath over the music. I also tried to compress, but it's not easy, and does not help the signal to noise ratio.
At feedback, actually has does not catch easily, even when careful not to push too low.
Ct of ergonomics, it is true that the three small pots at the top of the cache Clisse, it is convenient and discreet, for against, they turn very easy and the central position n'accroche not much.
Rsultat races: a system that trs whose dynamics are good, artifact-free pizo fairly rsistant to feedback, but the sound may seem a bit dry APRS indispensable legalization, Submitted breath and important it is better to drown in the mix. APRS but have read many opinions on the net, I think the manufacturing is These systems may not be trsrgulire, and the components may have be not always the same quality which would explain the big diffrence notes ...
In short, the APRS dception the first tests, I start finding rglages that give a well okay, trs typ "jumbo-folk", and admittedly much more natural that a Fishman Matrix / Prefix, despite the always blows Submitted. I'll wait for trying to put on scne days ... I think a should.
UTILIZATION
- Ergonomics INTERESTED
SOUNDS
Added 29/11/2007: It's funny, the sound of the expression system (headphones, uncorrected) looks frankly a sample of D-Tar Wave-Length I found here: http:/ / i.b5z.net/i/u/1530927/f/D-tar_Wave-Length.wmv ( http://i.b5z.net/i/u/1530927/f/D-tar_Wave-Length.wmv )
Clearly, the Expression System of a breath and more (for small ct "Vintage" I think).
Added 30/11/2007: Following this advice, I reu many messages which I will not be our answer until next week. A thousand apologies and ending for trs. PS: I'm not the sr Taylor K4 is the right solution, we discuss it again.
OVERALL OPINION
Owner for a week just a GS7e Taylor, cedar / rosewood with Expression System (with a new 9V battery and switches to cut the body-sensors), I wanted to give my impression on the famous Premire Systm . I test and symtrique asymtrique on AER Compact 60 (I test with 2 inputs) and the Joemeek prampli OneQ suits me perfectly for other uses . I will test on mixer / sound ds as possible.
THE FIRST finding is that we have a great big bump in mdiums (around 1 kHz) and the absolute need to fall by at least 5dB. The first connection between the instrument Compact60, all pots in the center, as guitar amp, I got a great sound of pan, with mdiums neither hot nor noisy but ... pans. Even in Galis, and the high E string if its not have a natural trs, a little too hot and mdium, and even going up the treble, the attack is a bit strange, magnetic policy summary. As against the other strings sound good and the harmonics of lower strings (piano-like) seem to sound much better than a conventional piezo and without the famous artifact that gives her a little nylon string metal.
On the other hand, there is a problem of breath on trsgnant frquences acute, I would say from about 7 kHz, and even in connection with the symtrique knob of acute in central position. On some forums I read that we must lower the knob volume on the guitar, the problem is that the signal also decreases, in fact, I think this is a potentiomtre output level SETTING THE and not a gain, then, regardless of the rglage, the SNR remains the same ... not great. I added a noise-gate, but when you play soft passages in finger-picking, even when we get to hear the breath over the music. I also tried to compress, but it's not easy, and does not help the signal to noise ratio.
At feedback, actually has does not catch easily, even when careful not to push too low.
Ct of ergonomics, it is true that the three small pots at the top of the cache Clisse, it is convenient and discreet, for against, they turn very easy and the central position n'accroche not much.
Rsultat races: a system that trs whose dynamics are good, artifact-free pizo fairly rsistant to feedback, but the sound may seem a bit dry APRS indispensable legalization, Submitted breath and important it is better to drown in the mix. APRS but have read many opinions on the net, I think the manufacturing is These systems may not be trsrgulire, and the components may have be not always the same quality which would explain the big diffrence notes ...
In short, the APRS dception the first tests, I start finding rglages that give a well okay, trs typ "jumbo-folk", and admittedly much more natural that a Fishman Matrix / Prefix, despite the always blows Submitted. I'll wait for trying to put on scne days ... I think a should.