Gibson M III Standard

The Gibson guitar factory in t M3 United States in the years to 90/91, THIS IS model of a distributed approximately 500 copies for Europe (for pr obtained aprslinfo s various retailers), it possde a handle 24 cases Saddle al. The pickups are:
* Position handle: micro SHALL Ttrad (quadruple winding), running close to double its DIMARZIO PAF Pro, its simple operation near the Little SEYMOUR DUNCAN 59. The original microphone was winding once the purchase of the instrument (mdiator shots).
* Centrally micro Quater pound SEYMOUR DUNCAN (micro fat pads, compensates for the loss of one level during operation). The original microphone was winding once the purchase of the instrument (mdiator shots).
* Position rack microwave at Gibson's home, his trs close to a micro Tone Zone DIMARZIO.
This guitar possde a volume, a tone with push pull for the start of a passive filter his close personal giving a guitar Electroacoustic a slecteur 5 positions and a switch that allows a configuration Stratocaster or Les Paul. In the first configuration LP slecteur position = stop. 2em the position is equipped with a passive crossover Gibson giving her near the Thinline Tlcaster of 1968 (the trs hot).
It is equipped with a blocker and a string vibrato Gibson licensed Floyd trs performance.

UTILIZATION

This instrument is in play trs comfortable sitting or standing, acute CCAA is same as the Gibson SG and his palette of sounds is exceptional.

SOUNDS

I jou jazz fusion rock blues with this guitar and it is exceptional for the metal. The look is a little too devastating for the standard jazz the only music that I still practice!

OVERALL OPINION

I used this instrument about 10 years it will remain an exceptional instrument in all respects and share my mtier (luthier) I was able to try many. Now I play on a homemade guitar jazz is another pleasure.