This guitar has t made in Japan between 1988 and 1990. It looks like normment PRS Carlos Santana. The body is mahogany and Saddle of the same race consists of five spices assembled and screwed on the body. The key is bne and possde of pearl inlays. The handle is made up of 24 cases. The MODEL mcaniques are the magnum (?) And a system that possdent locking ropes on their winding allowing a remarkable view of the agreement. The bridge is of good quality with a guide rope SETTING THE height of a dot type strat vibrato.
This has two humbuckers artfield HH-IBZ/USA manufactured in the United States, a SETTING THE volume of a three-position switch Tone Classic (bridge pickup, bridge pickup / neck, neck pickup) and that two positions of a split humbucker to single coil. The pickups have an output level lev.
The handle is a little bigger than a stratum.
The handle is a bit too wide I got that trs enjoyable to play (the counterpart of the 24 cases, no doubt!). CHAC is very easy to acute.
In terms of ergonomics, the instrument is very well equilibrated. This is scratching herself on the thigh! However, it is relatively heavy rvle. Although it is not a sr Les Paul and you can play for hours without the leg cutting ants in the thigh. But even when compared to other guitars (strat standard genre for example) it is a little heavier. This guitar sounds great.
What charmed me when I bought this guitar is the versatility of sounds that can be drawn and looooooooooooooooooooooooooooooooooooooooong possde sustain it. With this guitar you can get the sound of a Fender Stratocaster with slecteur of it in one position, four and five when the microphone is split single-coil position, and get the sound of the paul gibson split when the microphone is in position double. With this guitar you can do anything, the sound palette it offers is truly unique and sounds are really good quality trs. I use this guitar with a Marshall Valvestate 65 watts and an old Fender 70s 12 watts. In all configurations pte this guitar really. We can go from rock to hardos Blackos Steelworkers jazz (yes Using the neck pickup is round, it's hot)) or funky rhythms. Basically you can spend the big fat lens in its own hyper always with great sustain.
I use this guitar for some time dj and I find it truly exceptional. I love the versatility and quality of sound it dlivre. Whether clear, with a lightweight overdrive or distortion is a big happiness!
As I indicated prcdemment I find the handle of the scraper a little big.
I jou for a dozen years on a copy of strata and I thought a guitar of this type when I sold it. However, I do not regret my choice.
Qualitprix on the report it seems good. For the price it was a Start and a Les Paul with the same scratch.
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Anonymous 's review (This content has been automatically translated from French)
Made in Japan in 1990, 24 cases mahogany neck screwed into 5 parts, thin frets, key bne, mahogany body with a pice table Saddle ondflammtigr AAAAA (2cm thick) Two humbuckers IBZ / Di Marzio, slecteur 3 + split positions, vibrato, volume and tone. Yellow transparent color for the table and translucent coating on the back. acastillage dor.
Body sculpt table and back. Knobs have the same hollow cavity tip top stack hair and hop.
How not to be in love?
Lutherie of madness!
Of grattounettes There's a long time as we know them more.
Access in acute ais the guitar is perfect balance and plays, all fawns, all alone!
The handle is a rgal: I think the perfect race: neither too big nor too late, all the friends who have played it (even when not too long because I'm jealous) remained on The c. ..
The sound: the song is the plumage. I have a seymour SH6 in the severe acute + home: all sounds are possible and are clear, powerful, full, and the notes have the body sustain madness, turning down the volume to almost zero-saturax, found a super clear sound. The extras are split sounds but can not get the cling of alder guitar / frne, (you feel the mahogany, but what a sound!) We obtain a sharpened his late etc ...
I love this shovel ... mention specially micro serious: Gary moore o are you? I saw you.
The sound will be limited by the fingers, certainly not by scratches. Crunches (probably the most difficult to get a crunchy that the grain of the body, power and finesse both) are top.
would be in bad faith ...
Clear funky or jazzy, bluesy crunch and rolling stones, saturax, saturax mga ... it's ok by night.
Purchased in 1992, I never tire of it and found it was even better with time (my game too? Oh well ...). I possde an ESP vintage that sounds serious, a JEM 777 that I love but there's no wiggle when I pass each other, I drop and I fall in love every day (sigh happiness ...).
Pay 4500F (the era is silent youth) in 92 is the best buy of my life, including chicks.
Plugs into a carvin QuadX, branch in a JCM800 (you follow?), Sometimes a small tube screamer in the channels clear / crunch, I can not hide me derrire the gear when a plan does not pass!
If someone sells one, j'achte!