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GuitarRocks
Published on 07/22/07 at 13:35
Korean guitars, 22 keys, two PRS humbuckers with a three-position selector.
Tune-O-Matic. 2 knob (volume and tone)
Handle very round (typical Gibson Les Paul). A very good config for this jewelry.
UTILIZATION
The neck of this guitar is perfect for fans of Les Paul-type instruments, beautiful curves, a tune stack hair ... The movements of the handle is facilitated by the varnish on the handle. It's a set neck so that promote sustain "a good sustain that does not equal the high end PRS, Of course." In short, a good lil run. Access to acute is very easy thanks to the cutting of the cutaway. Excellent!
The Santana is light and very nice played with a strap but one thing is a shame, the game really is not sitting easy (difficulty placing agreements throughout the run) but the problem is quickly forgotten because the pleasure is there ! It pleases by its aesthetic "blending standards" (I will explain: despite its form stratabound it still Gibsonian a soul, everything is subjective). The volume knob is not progressive asses revolutionary autant.Le Tonalitéaccomplit knob of the task assigned. No problem!
SOUNDS
This guitar is in pretty good style (Funk, Rock, Blues, or even metal) it provides a nice range of his playing the tone knob. As against the pickups are in my opinion has changed because they have a huge potato (maybe change for Seymour Duncan). The sounds can range from severe to very harsh acute-crystalline Of course, passing by all the intermediaries. The distortion is fat and clean according to the setting of the volume knob. But the top tip of the scraper with tpo is the Crunch, a very good response as a function of pressure médiator.Vraiment shot a lot without being great. This scratching makes good with a Hughes and Kettner Blue 60.
OVERALL OPINION
I use it for a week. It pleases me greatly!
What I like most about it is its aesthetics and comfort of play and use (except the game seated) and what I like least is the pickups that sound too PRS and n ' not have a very high output! but otherwise it's perfect!
Tune-O-Matic. 2 knob (volume and tone)
Handle very round (typical Gibson Les Paul). A very good config for this jewelry.
UTILIZATION
The neck of this guitar is perfect for fans of Les Paul-type instruments, beautiful curves, a tune stack hair ... The movements of the handle is facilitated by the varnish on the handle. It's a set neck so that promote sustain "a good sustain that does not equal the high end PRS, Of course." In short, a good lil run. Access to acute is very easy thanks to the cutting of the cutaway. Excellent!
The Santana is light and very nice played with a strap but one thing is a shame, the game really is not sitting easy (difficulty placing agreements throughout the run) but the problem is quickly forgotten because the pleasure is there ! It pleases by its aesthetic "blending standards" (I will explain: despite its form stratabound it still Gibsonian a soul, everything is subjective). The volume knob is not progressive asses revolutionary autant.Le Tonalitéaccomplit knob of the task assigned. No problem!
SOUNDS
This guitar is in pretty good style (Funk, Rock, Blues, or even metal) it provides a nice range of his playing the tone knob. As against the pickups are in my opinion has changed because they have a huge potato (maybe change for Seymour Duncan). The sounds can range from severe to very harsh acute-crystalline Of course, passing by all the intermediaries. The distortion is fat and clean according to the setting of the volume knob. But the top tip of the scraper with tpo is the Crunch, a very good response as a function of pressure médiator.Vraiment shot a lot without being great. This scratching makes good with a Hughes and Kettner Blue 60.
OVERALL OPINION
I use it for a week. It pleases me greatly!
What I like most about it is its aesthetics and comfort of play and use (except the game seated) and what I like least is the pickups that sound too PRS and n ' not have a very high output! but otherwise it's perfect!