Prampli a transistor which despite its price is really high quality trs of mine must have between fifteen and twenty years he has served under all of the amps slipped and fell on sc or I do not know what else msaventures together ...... not a single potentiomtre not spit or no contact dfectueux!
The output level is lev it never grows to a full-stroke potentiomtre certainly in use guitar amp.
the connection is complte trs: - faade Input / Input 2 (back) / three outputs 4 db,-10db, with a trim XLR / Footswitch / and a bypass loop that allows INTERESTED cr e line with other effect that begins when it is cut pramp sharper than just a bypass can not play too pedals live and practice it pro. It is also equipped with a switch-LIVE-probably a phase inverter but the sound is compressed ........ trs is effective.
On the line of control rglage found that I could do without:
PREAMP-to amplify the inter / BUZZ-PUNCH-CRUNCH for saturation respectively mdium bass and treble of the (very effective!) / LOW-HIGH for eq / LEVEL for output.

UTILIZATION

The config is very simple and the sound is right now, you just learn to assay the guitar distortion, especially low beyond a certain level they are ..... but it is invasive vritablement not a problem.
But pramplis in practice is not limited at all the guitar and I recommend it widely trs gnral for the studio.
For my part I use it wherever I need pramplifier a mono signal is perfectly usable in clean and offers many variations of grain and tone in distortion. The careful handling of its rglages can do without compressor.

SOUNDS

Sound or music plutt grains are large and deep drawing as well as compact and tight .... etc.
RSID principle in the division into three channels of parallles pramp for the Bass and Treble Mdium.
The good ide to 21 tons of tech cre pramps 3 trs diffrent texture to these three records:
The Buzz is very serious, it produces a distortion type Subfuzz whose nickname Defines the texture perfectly ..... a serious buzz on the guitar to the keyboard via voice and especially the bass.
PUNCH is the guitar above all, distos hendrixiennes or AC / DC as the guitar or if you play in the registry is made clear trspchus jazzy sounds that build on the buzz pais ... a marvel.
For other instruments it will have on hand lgres rglage which efficiently compresses the saturation ... but hey we do what we want to even when.
The CRUNCH is the top of the spectrum that we can simply delete or inject carefully to give the outline and then we lche you push a bottom and there electrocution guarantee .... the sound is a bestial scream every instrument Tolra pramplifier not be at this point in this spectrum must be sources of good quality. A telecaster is well balanced rgale of such treatment, the rhodes and sparkles with a microphone sm57 basic type by cutting the buzz is made of the votes Lo-Fi grain electric and exhilarating ...... In short I love it.

OVERALL OPINION

I purchased about 13 years ago for 1300 Francs in the era dpart becaufe I had a bad amp and can not afford to do better so I think that to have a good pramplis allow myself to have her around ...... the bte went much further than a.
It is a set trs homogne and effective, it lacks a single BMOL SETTING THE medium in the EQ for the guitar does not pose a problem that is why n 'there are no other sources but with it t would welcome.
The report qualitprix is ​​just incredible and I looking for a second Stereo inshallah ....