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Tech 21 SansAmp PSA-1
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All user reviews for the Tech 21 SansAmp PSA-1

Modelling Guitar Preamp from Tech 21 belonging to the SansAmp series.

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Average Score:
( 4.4/5 based on 16 reviews )
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  • ottimo preamp rack

    Tech 21 SansAmp PSA-1Published on 11/20/19 at 21:56
    ho comprato il sansamp dopo aver letto in giro parecchio, prima di costruire un sistema rack da usare principalmente in casa. L’ho abbinato con un rocktron velocity 120, tc-g major prima serie ed un dbx 131s, un loudspeaker v30 su cassa thomann.

    PRO
    ha tantissimi suoni, i puliti molto belli e le distorsioni credibili. Garantisce una gamma di suoni veramente ampia e tutti utilizzabili.
    La facilità di utilizzo è una delle sue carte vincenti, il midi ed il loop serie/parallelo fanno il resto, al prezzo di un pedale....anche se vecchio ancora valido, poi dipende da che uso se ne fa. Non è un modeling-amp! È qualcosa di diverso ed unico

    CONTRO
    non ha la dinamica ed il tocco di un valvolare......
    Read more
    ho comprato il sansamp dopo aver letto in giro parecchio, prima di costruire un sistema rack da usare principalmente in casa. L’ho abbinato con un rocktron velocity 120, tc-g major prima serie ed un dbx 131s, un loudspeaker v30 su cassa thomann.

    PRO
    ha tantissimi suoni, i puliti molto belli e le distorsioni credibili. Garantisce una gamma di suoni veramente ampia e tutti utilizzabili.
    La facilità di utilizzo è una delle sue carte vincenti, il midi ed il loop serie/parallelo fanno il resto, al prezzo di un pedale....anche se vecchio ancora valido, poi dipende da che uso se ne fa. Non è un modeling-amp! È qualcosa di diverso ed unico

    CONTRO
    non ha la dinamica ed il tocco di un valvolare ma reagisce bene al volume della chitarra. se si vuole maggiore fruibilità bisogna aggiungere un equalizzatore. Sansamp consiglia di non usare power amp a valvole, infatti uso rocktron velocity 120. Anche per questo un loudspeaker FRFR dovrebbe essere abbinato per una migliore resa

    OVERALL
    suona bene ed è divertente da usare, bisogna metterlo nelle condizioni di suonare bene...se lo si trova come me a 200€ vale sicuramente la pena provarlo. Fra i migliori preamp in giro a questo prezzo e la sua fama per me è guadagnata. Lo consiglio :bravo::bravo:
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  • Tech 21 SansAmp PSA-1Published on 04/15/13 at 09:26
    (This content has been automatically translated from French)
    The characteristics of this preamp was quite detailed in previous reviews, I think it is useless to go on it. So I'm going to say what I think ... But I put a 8/10 for the general characteristics of this rack because it is very comprehensive, serious and well made, but I am not the maximum score for 2-3 little things that annoyed me. I explain it further ...

    UTILIZATION

    The configuration is very simple, and you do not really need to limit the manual. The presets are pretty good too, except for a handful of them that are fairly anecdotal. But the presets are often very useful as a starting point when looking for a sound. I use it exclusively in my studio, never live. And this is my......
    Read more
    The characteristics of this preamp was quite detailed in previous reviews, I think it is useless to go on it. So I'm going to say what I think ... But I put a 8/10 for the general characteristics of this rack because it is very comprehensive, serious and well made, but I am not the maximum score for 2-3 little things that annoyed me. I explain it further ...

    UTILIZATION

    The configuration is very simple, and you do not really need to limit the manual. The presets are pretty good too, except for a handful of them that are fairly anecdotal. But the presets are often very useful as a starting point when looking for a sound. I use it exclusively in my studio, never live. And this is my first review that is: no on / off switch which in my opinion is essential in the studio, all the rack generates a hum (probably the transformer) quite audible and unpleasant. Otherwise the connection bloated and quite pro is more than welcome in the use of studio ... I put 7/10 because of the switch and the noise!

    SOUNDS

    The possibilities are many, almost infinite ... But usually we see still some "signature" sound everywhere. Is not it more embarrassing, because anyway the sound output is good, especially as I use it in conjunction with a formidable speaker simulation (Redwirez) which changes the situation quite a bit (or complete rather ...). Everything that goes crunch to heavy distortion is downright perfect, amazing even. However, I am not completely satisfied with this rack to make her beautiful clear, is a real amp is miles ahead. Or not completely convinced to use the beast with low also because it lacks a certain je-ne-sais-quoi to illusion, I much prefer in this case use a real bass preamp with real lights in (an Ampeg in my case) ... Otherwise he likes with all kinds of guitars (he has seen dozens ...), do not worry on that side then. I put a 9/10.

    OVERALL OPINION

    I received this rack as a debt there are more than 10 years! It was not new when I gave it, but in a state of nickel. There has never been a failure, although these days it tends to be a bit lazy (knobs and presets inactive for a few minutes after powering up, then everything falls into place ... weird). I put a 8/10 still missing due to the switch, noise and clear sound that could be better ... I would do surely experience, as it is now equipped with an on / off switch, but the question is if not a little outdated, and as the competition is tough and its price is not cheap, I would certainly listen competition before making a decision ...
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  • Excellent

    Tech 21 SansAmp PSA-1Published on 01/12/13 at 04:27
    (This content has been automatically translated from French)
    All analog FET.
    Side connection is complete:
    - Two input jack, a front panel and a rear panel with the possibility of attenuation 10 dB
    - An effects loop one input and two outputs with a switch to mix 50%
    - Two output and two XLR jack with switch attenuator 10db
    - A jack for a footswitch
    - Taking Midi In and Out / Thru
    There's also the next settings of the world
    - Preamp Drive and saturation levels for the preamp and amp
    - Buzz, Punch and Drive to define the grain (Marshall, Fender others ...), each of these settings acting on a specific frequency range.
    - Low and Hight to refine
    - Level

    What more?

    UTILIZATION

    The configuration is simple, but given the number......
    Read more
    All analog FET.
    Side connection is complete:
    - Two input jack, a front panel and a rear panel with the possibility of attenuation 10 dB
    - An effects loop one input and two outputs with a switch to mix 50%
    - Two output and two XLR jack with switch attenuator 10db
    - A jack for a footswitch
    - Taking Midi In and Out / Thru
    There's also the next settings of the world
    - Preamp Drive and saturation levels for the preamp and amp
    - Buzz, Punch and Drive to define the grain (Marshall, Fender others ...), each of these settings acting on a specific frequency range.
    - Low and Hight to refine
    - Level

    What more?

    UTILIZATION

    The configuration is simple, but given the number of knobs and large operating ranges there is a way to spend time.
    The manual is clear, but there is a priori in English ..
    The factory presets are excellent.
    Easily obtained dozens of good sounds!

    Only downside for recording the simulation HP is a little light so I complete a Palmer "The IDPs Junction".
    At the same time the fault is probably the quality that allows it to be equally at home plugged into a power amp with HP.

    SOUNDS

    I use it with my Epiphone Les Paul, 50's wiring and pickups Classic 57.
    It is perfect for my style of music (Blues, Rock and Hard Rock), but also many other styles I'm sure.
    Very nice clean sounds Fenderien changing a little factory presets (less successful than the Marshall and Mesa I think)
    Next we will crunch the more subtle, which manages the attack, more cantankerous with a range of impressive grain.
    Being focused on little big distos I will not pass judgment the above but there obviously what it takes ...

    OVERALL OPINION

    I use it for a month, and I tried kilos of gear (amps, pedals, numerical simulators, software) before finding my happiness.
    What I like the most? Everything!
    What I like least? the absence of on / off switch but ...
    Used for € 220 the price is unbeatable, if I had the choice again I would not hesitate one second
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  • Tech 21 Sansamp PSA 1

    Tech 21 SansAmp PSA-1Published on 11/04/01 at 15:00
    Bought to satisfy my versatile needs. £460 UK (ex-shop demo)

    This is a one unit guitarbass pre-amp with 49factor presets and 49 user presets. The psa is described as a 'tube emulator' but it is of such qaulity that I see it as an amp in it's own write. Unlike the popular 'Amp Emulators' (Pod etc) this unit is not made up of an amp select, cab select, drive and eq controls. It is made up of all parameter controls which are tweaked to make it sound like you want it (like another well known amp for instance) there for it is extreamly versatile compared to other emulators out there.

    Err i like everything thats there, but to add bad points id have to say:

    The lack a detachable power chord......
    Read more
    Bought to satisfy my versatile needs. £460 UK (ex-shop demo)

    This is a one unit guitarbass pre-amp with 49factor presets and 49 user presets. The psa is described as a 'tube emulator' but it is of such qaulity that I see it as an amp in it's own write. Unlike the popular 'Amp Emulators' (Pod etc) this unit is not made up of an amp select, cab select, drive and eq controls. It is made up of all parameter controls which are tweaked to make it sound like you want it (like another well known amp for instance) there for it is extreamly versatile compared to other emulators out there.

    Err i like everything thats there, but to add bad points id have to say:

    The lack a detachable power chord is a minus and also in-built reverb would be nice

    The PSA is built like a really well built err...thing. Shallow 1U rackmount

    I have no bad opinions of what IS there just the lacking features i mentioned. If this was stolen, id have to replace it ASAP.

    This review was originally published on http://www.musicgearreview.com
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  • Tech 21 SansAmp PSA-1

    Tech 21 SansAmp PSA-1Published on 06/26/01 at 15:00
    Purchased from the Rock -n- Rhythm department of The Woodwind and the Brasswind (http://www.wwandbw.com) for approximately $550 in summer 1997. I wanted to divorce my sound from dependency upon tubes, and the PSA-1 had the best sound among the available non-tube pre-amps.



    Stores 98 MIDI-switchable presets. Very easy to edit & store. Exceptionally good tone. The device is a pre-amp which emulates various tube amplifiers (e.g., Fender, Marshall, Mesa), both in their pre-amp and power amp characteristics. Even tube enthusiasts are stunned to discover that the PSA-1 has no tubes.



    The effects loop is either 100% in or 50% in. I would prefer a continuously variable mix control. In......
    Read more
    Purchased from the Rock -n- Rhythm department of The Woodwind and the Brasswind (http://www.wwandbw.com) for approximately $550 in summer 1997. I wanted to divorce my sound from dependency upon tubes, and the PSA-1 had the best sound among the available non-tube pre-amps.



    Stores 98 MIDI-switchable presets. Very easy to edit & store. Exceptionally good tone. The device is a pre-amp which emulates various tube amplifiers (e.g., Fender, Marshall, Mesa), both in their pre-amp and power amp characteristics. Even tube enthusiasts are stunned to discover that the PSA-1 has no tubes.



    The effects loop is either 100% in or 50% in. I would prefer a continuously variable mix control. In practice, however, I can control the overall effects mix from one of my other processors.



    Very sturdy, single rack unit device.



    I have never been disappointed with this purchase. I still think it is the best sounding pre-amp I've encountered.



    This review was originally published on http://www.musicgearreview.com
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  • Tech 21 SansAmp PSA-1Published on 12/25/02 at 14:02
    (This content has been automatically translated from French)
    Pr amp 19 "guitar with 50 presets and 50 factory mmorisables, no lamp, and controllable via MIDI and / or switch (loop presets only).
    Complte connection: 2 sortires jack and XLR with attnuation, effects loop, 2 inputs Guitar, Midi complete, more pedals to switch between a.

    UTILIZATION

    Config ultra simple .... Drout at beginners but enough, you really get used to:
    Many paramtres house as Buzz (roundness, bass boost), the crunch ("dirty" sound), the drive (this is the classic distortion), the pramp (signal more or less' powerful in between), the punch. but also a serious boost and ague (frq fixed) and a level.
    English manual (s'font no shit!).
    Boring stuff: backups in a notch......
    Read more
    Pr amp 19 "guitar with 50 presets and 50 factory mmorisables, no lamp, and controllable via MIDI and / or switch (loop presets only).
    Complte connection: 2 sortires jack and XLR with attnuation, effects loop, 2 inputs Guitar, Midi complete, more pedals to switch between a.

    UTILIZATION

    Config ultra simple .... Drout at beginners but enough, you really get used to:
    Many paramtres house as Buzz (roundness, bass boost), the crunch ("dirty" sound), the drive (this is the classic distortion), the pramp (signal more or less' powerful in between), the punch. but also a serious boost and ague (frq fixed) and a level.
    English manual (s'font no shit!).
    Boring stuff: backups in a notch in the pre amp, with mdiator (not super convenient when you want to go fast on scne eg).

    SOUNDS

    The saturation is good for the trs mtal but also (if only one hack!) For rock and blues. For clean sounds, I'm a little more is not really warm Reserved.

    OVERALL OPINION

    I have 3 years, and I'm pretty telling, but I have been slow sound that suits me. Even if some presets are worth, you really have to torture the pre amp to get what you want.
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  • Tech 21 SansAmp PSA-1Published on 02/19/04 at 02:33
    (This content has been automatically translated from French)
    Of transistors fair and robust, with a power unmatched at this price, for simple adjustments and effective without going through menus and submenus sub-menus often encountered on the preamps Concur.

    UTILIZATION

    Getting started could not be simpler and the result is the appointment.

    SOUNDS

    The most famous amplifiers are found in the PSA-1, you just make the right choice plusqu'à, Marshall, Fender, Mesa Boogie, Bassman, Hiwatt, Vox and certain sound groups or guitar legend. The simulation is excellent! Farewell to the ugly and the whole POD smala ....

    OVERALL OPINION

    It is best to try, but beware it is often the adoption and no longer do without it ....!! ...
    Read more
    Of transistors fair and robust, with a power unmatched at this price, for simple adjustments and effective without going through menus and submenus sub-menus often encountered on the preamps Concur.

    UTILIZATION

    Getting started could not be simpler and the result is the appointment.

    SOUNDS

    The most famous amplifiers are found in the PSA-1, you just make the right choice plusqu'à, Marshall, Fender, Mesa Boogie, Bassman, Hiwatt, Vox and certain sound groups or guitar legend. The simulation is excellent! Farewell to the ugly and the whole POD smala ....

    OVERALL OPINION

    It is best to try, but beware it is often the adoption and no longer do without it ....!!
    See less
  • Tech 21 SansAmp PSA-1Published on 12/01/04 at 09:10
    (This content has been automatically translated from French)
    It preamp guitar / bass programmable analog simulation with HP. format a 19 "1U.
    technology? Custom circuit patent Tech21 "SansAmp", no lights
    Fully noon (mapping, no ....), Write Protect Settings, only patches.
    connection? facade: Input. Rear: Input with attnuation, send, return G / D with 50/50 switch to limit the signal affect 50%, Output L / R with attnuation jack, XLR Output. Between MIDI, footswitch between.
    Prg 49 factory, 49 users

    UTILIZATION

    It is deceptively simple: the knobs to turn, a "notch" to save a afiche 2 x 7 segment to read the num prog ...
    Seemingly simple as there are 9 qd same knobs that can sculpt the sound:
    Preamp: level of
    Buzz: Boost /......
    Read more
    It preamp guitar / bass programmable analog simulation with HP. format a 19 "1U.
    technology? Custom circuit patent Tech21 "SansAmp", no lights
    Fully noon (mapping, no ....), Write Protect Settings, only patches.
    connection? facade: Input. Rear: Input with attnuation, send, return G / D with 50/50 switch to limit the signal affect 50%, Output L / R with attnuation jack, XLR Output. Between MIDI, footswitch between.
    Prg 49 factory, 49 users

    UTILIZATION

    It is deceptively simple: the knobs to turn, a "notch" to save a afiche 2 x 7 segment to read the num prog ...
    Seemingly simple as there are 9 qd same knobs that can sculpt the sound:
    Preamp: level of
    Buzz: Boost / saturation serious
    Punch: Boost / cut / saturation of mediums
    Crunch: Boost / cut / saturation of acute
    Drive output level of the pre-preamp, the saturation dose global
    Bass and Treble: EQ active preamp post
    Level: general level.

    Drout enough, the first 5 knobs are very interactive, not just dpart .. but the factory presets are well done, clean sounds rather qques Christalin, qques crunches and a lot of big sounds ....

    SOUNDS

    I use this preamp recently, it is possible that this opinion I see when I master it.

    The preamp is able to be defined mulate the sounds of classic amps, the spresets also carry their names (as in Line 6). some are available listening su rle site Tech21. well, there are 10 preset marshamall, 10 fender, boogie 10, 10 and 10 different low ...

    I do not know much about the hardware of the original but the limits regardless of the preamp sounds good to my ears. I found him a true Personal and a wide range of sounds, especially saturated, of its own or in dirty boogisien fenderien.
    I Interacting with Roxanne, a junior and a Start in front of a Marshall EL84 20/20 and qques pedals in the effects loop - see my pedal board on my profile) long live the 50/50 switch, ideal for testing transparency of Multi Fx The GX is not like that ....

    OVERALL OPINION

    I use it for 1 year (bought used on AF), the diffrence with my stuff is blatant Previous ....
    I like the sound, the knobs available on the connector.
    I like the least difficulty setting (although I think it sounds anyway ...)
    Good quality price, but the midday light pramps not lgion ... ADA MP, Marshall JMP-1 and the recess TriAxis but that's another fee.

    I had long coveted, I esay the JMP-1, that I do not versatile enough.
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  • Tech 21 SansAmp PSA-1Published on 12/27/05 at 07:43
    (This content has been automatically translated from French)
    See below.

    UTILIZATION

    See below.

    SOUNDS

    See below.

    OVERALL OPINION

    Of course there will never be worth a real amp lights when den sagit get sound, but I find that the PSA-derived sen a trs well in limited while having a real personality.

    One important thing to know and discovering that a long time jai: This preamp is designed to operate with power transistors Tage (Tech 21 advises) and often had actually jai loccasion plugging Marshall quipent in studios in Paris and RPET cest of the slurry (in lentre guitar like the back of the loop deffets).

    JOperation the preamp connected to a head Ampeg G-410 120W (Ampeg combo rcupredun transistors of the 70 and plugged into a......
    Read more
    See below.

    UTILIZATION

    See below.

    SOUNDS

    See below.

    OVERALL OPINION

    Of course there will never be worth a real amp lights when den sagit get sound, but I find that the PSA-derived sen a trs well in limited while having a real personality.

    One important thing to know and discovering that a long time jai: This preamp is designed to operate with power transistors Tage (Tech 21 advises) and often had actually jai loccasion plugging Marshall quipent in studios in Paris and RPET cest of the slurry (in lentre guitar like the back of the loop deffets).

    JOperation the preamp connected to a head Ampeg G-410 120W (Ampeg combo rcupredun transistors of the 70 and plugged into a Marshall cabinet) and all EST on much more convincing, I served as mtal play of the pop / rock with this possibility davoir sound convincing and original (something that is rare) as in plain or saturated crunch .

    We often compliment me on my end of the concert and silent wonder what this stuff and they picked me to play in my current group including through my sound.

    So our answer to wash of 3prod below I would say that I do not try to compare processors modlisation today but I can not find it at all deprecated the point where the guitarist with whom I Chang is currently playing his POD XT live for a half stack Mesa Boogie Dual Rectifier APRS happens in my group in order to fight (such dexemples seems to me speaking!)
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  • Tech 21 SansAmp PSA-1Published on 01/25/06 at 01:44
    (This content has been automatically translated from French)
    SansAmp preamp with technology, that is to say, a circuit without lamp, built entirely with transistors but while maintaining (imitating ~ simulating) the sound of the lamps.
    The réglagles are made directly by pots, no menus to enable or place, we find the following settings:

    Traditional settings:
    - The level of the preamp button: Pre-Amp
    - The level of distortion ave button: Drive
    - The active EQ on the bass and treble: Low and High
    - The output level: Level

    We can saturate the sound by combining the control and Pre-Amp Drive.
    SansAmp specific settings to build the grain and color of sound:
    - Buzz: distortion bass with a positive and negative control.
    - Punch:......
    Read more
    SansAmp preamp with technology, that is to say, a circuit without lamp, built entirely with transistors but while maintaining (imitating ~ simulating) the sound of the lamps.
    The réglagles are made directly by pots, no menus to enable or place, we find the following settings:

    Traditional settings:
    - The level of the preamp button: Pre-Amp
    - The level of distortion ave button: Drive
    - The active EQ on the bass and treble: Low and High
    - The output level: Level

    We can saturate the sound by combining the control and Pre-Amp Drive.
    SansAmp specific settings to build the grain and color of sound:
    - Buzz: distortion bass with a positive and negative control.
    - Punch: distortion with a midrange setting positive and negative.
    - Crunch: Who acts on the brilliance and harmonic sound.
    The unit is fully twelve o'clock, there are 49 presets and 49 factory storage space for personal settings. There are key MIDI: midi and midi dump map. You can also program a sequence of sequence of presets. A function to lock the action of the pots to prevent maladjustment during a concert.

    The connection is complete:
    - Two guitars inputs (front and rear high-impedance).
    - An effects loop with possible in parallel with a mixer set at 50%. The return can be done in stereo.
    - Two stereo output jack classic format and the format balanced XLR for connecting a console for example.
    - All outputs (loop and output) are located at the line but can be attenuated by-10dB to find a level instrument. Similarly, the instrument input can be reduced back to-10dB.
    - A footswitch input.

    UTILIZATION

    It is simplicity itself, turn, listen, if we like it, you can save. on the other hand, at the beginning get familiar with the settings: Buzz, Punch and Crunch. But the factory settings are very well built and serve as an excellent basis for work and help to tame the beast.

    SOUNDS

    The advantages of this preamp is the versatility and control. The sounds are really good or excellent. As they say some, this amp is really good for large distortions, personally I bought it mainly for that test. The clean sounds are also good, but they seem a bit less efficient, or at least it takes a bit more tweaking the settings.
    The advantage of this machine is versatile (it is difficult to ask for as much tube amp) and control. Once we understand the interest adjustments Buzz, Punch and Crunch, we take great pleasure to build its grain. We can then build a full sound by adding a rack effect for example.
    Another highlight of the PSA is its flexibility on the connection. Unlike conventional tube preamps, it has not been optimized for connection to a power amp tube and a slap guitar quality, such as the excellent TriAxis can be expressed only the addition of a great power amp and a good slap, it's quite normal, because the philosophy of the manufacturers is that each link amp (preamp-amp-slap) brings color to the sound. With the PSA, the philosophy is different, the designers designed the preamp so that it provides a sound that is already built entirely in terms of grain and color. Thus, it can plug directly into a console, in a classic tube amp or transistors. Of course the quality of the amplification occurs, but rather in terms of transparency rather than in terms of color. As against the PSA does not have a real simulator HP configurable, therefore it must change its equalizer when changing type of amplification.
    The only downside is the sound on the dynamic response that seems less powerful than an all-tube amp. Similarly, the rate control of distortion by the volume knob on the guitar is less effective than a tube amp.

    OVERALL OPINION

    It is now just a month since I bought it on occasion. I am completely satisfied, I'll have a lot of practice to capture all the subtleties of adjustments. What I like above all in this unit is the philosophy of the unit, we construct the basis of sound with the PSA (grain, color), he added a good rack of effects to beautify and refine the sound, partite amplification need only send the sound to our ears without distorting it. The sounds generated are really quality, only the dynamic is less convincing in comparison to that of an all-tube amp.
    See less
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