Log in
Log in

or

Thread I would like an opinion on my mixing skills

  • 1 comment
  • 2 participants
  • 575 views
  • 0 follower
booyaka

booyaka

2 posts
New AFfiliate
First post
1 Posted on 09/13/2004 at 15:17:26
hi! well the title says all

i'd like to have some professional and amateur opinion on my mix just to let you know it's drum and bass but melow nicy kind of drum and bass not hardcore HERE is the file
Axeman

Axeman

591 posts
AFfectionate Poster
2 Posted on 09/14/2004 at 05:50:42
booyaka-

The mix is decent. The thing I noticed the most is that the elements are competing for space sonically.

Consider this-

A stereo signal is where there is a left and a right side, right? A straight up stereo signal has equal amounts of signal in both sides. And you get a nice full sound, especially with synth patches. It's addictive! But if you start layering stereo synth patches on top of each other with out giving the elements some left/right separation, things sort of turn to mud very quickly.

When ALL of the instruments with in a mix are in stereo, the mix IS NOT a stereo soundstage.

What I hear in your mix is a couple of elements that are panned straight up the middle, and everything else seems to be full width stereo, panned hard left/right. I think you need to work on "narrowing" the stereo field on your patches considerably, and then placing them in a positional focal point within the stereo soundstage within the mix. Even though you're doing electronic music, you need to create the sonic illusion of some sort of soundstage.

I would try doing a mix where the synths are NOT in stereo, and use panning of the mono signal to create a soundstage in your minds eye of where the players are sitting as you watch the stage. Use pan to set elements up to the left or right on the stage, and use very small amounts of reverb or delay to bring things front/back distance-wise on the stage. Play with that for awhile, and then try another mix where the synths ARE in stereo, but not hard panned left/right. For example, take your main synth patch, and run the left side panned at 9 o'clock and the right at 11 o'clock. That will give you a narrower stereo field that is centerd around 10 o'clock on the left side of the soundstage. For added interest, you could try making your lead lines move around the soundstage. Don't get too crazy with that, though!!
The Axeman (##(===> Cuts From My New Blues CD
cookies
We are using cookies!

Yes, Audiofanzine is using cookies. Since the last thing that we want is disturbing your diet with too much fat or too much sugar, you'll be glad to learn that we made them ourselves with fresh, organic and fair ingredients, and with a perfect nutritional balance. What this means is that the data we store in them is used to enhance your use of our website as well as improve your user experience on our pages and show you personalised ads (learn more). To configure your cookie preferences, click here.

We did not wait for a law to make us respect our members and visitors' privacy. The cookies that we use are only meant to improve your experience on our website.

Our cookies
Cookies not subject to consent
These are cookies that guarantee the proper functioning of Audiofanzine and allow its optimization. The website cannot function properly without these cookies. Example: cookies that help you stay logged in from page to page or that help customizing your usage of the website (dark mode or filters).
Google Analytics
We are using Google Analytics in order to better understand the use that our visitors make of our website in an attempt to improve it.
Advertising
This information allows us to show you personalized advertisements thanks to which Audiofanzine is financed. By unchecking this box you will still have advertisements but they may be less interesting :) We are using Google Ad Manager to display part of our ads, or tools integrated to our own CMS for the rest. We are likely to display advertisements from our own platform, from Google Advertising Products or from Adform.

We did not wait for a law to make us respect our members and visitors' privacy. The cookies that we use are only meant to improve your experience on our website.

Our cookies
Cookies not subject to consent

These are cookies that guarantee the proper functioning of Audiofanzine. The website cannot function properly without these cookies. Examples: cookies that help you stay logged in from page to page or that help customizing your usage of the website (dark mode or filters).

Google Analytics

We are using Google Analytics in order to better understand the use that our visitors make of our website in an attempt to improve it. When this parameter is activated, no personal information is sent to Google and the IP addresses are anonymized.

Advertising

This information allows us to show you personalized advertisements thanks to which Audiofanzine is financed. By unchecking this box you will still have advertisements but they may be less interesting :) We are using Google Ad Manager to display part of our ads, or tools integrated to our own CMS for the rest. We are likely to display advertisements from our own platform, from Google Advertising Products or from Adform.


You can find more details on data protection in our privacy policy.
You can also find information about how Google uses personal data by following this link.