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5.0/5(2 reviews)
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arnoterra
Published on 09/06/05 at 07:26 (This content has been automatically translated from French)
Static condenser microphone. Instruments and versatile enough to catch sounds collection outdoor. Attnuateur-10dB and low-cut filter.
OVERALL OPINION
Used for 2 years. This small microphone is very thundering because it sounds pretty good! This is especially the high mdium is good, somewhat accented but not as aggressive on the K6. Compar ATM 33a in audiotechnica, this one is brighter. The ratio quality price is excellent. He surprised me by giving better than a Schoeps MK4 rsultats on the treble of a harp (the space is less well made but it is a bit sharper). …
OVERALL OPINION
Used for 2 years. This small microphone is very thundering because it sounds pretty good! This is especially the high mdium is good, somewhat accented but not as aggressive on the K6. Compar ATM 33a in audiotechnica, this one is brighter. The ratio quality price is excellent. He surprised me by giving better than a Schoeps MK4 rsultats on the treble of a harp (the space is less well made but it is a bit sharper). …
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Static condenser microphone. Instruments and versatile enough to catch sounds collection outdoor. Attnuateur-10dB and low-cut filter.
OVERALL OPINION
Used for 2 years. This small microphone is very thundering because it sounds pretty good! This is especially the high mdium is good, somewhat accented but not as aggressive on the K6. Compar ATM 33a in audiotechnica, this one is brighter. The ratio quality price is excellent. He surprised me by giving better than a Schoeps MK4 rsultats on the treble of a harp (the space is less well made but it is a bit sharper).
OVERALL OPINION
Used for 2 years. This small microphone is very thundering because it sounds pretty good! This is especially the high mdium is good, somewhat accented but not as aggressive on the K6. Compar ATM 33a in audiotechnica, this one is brighter. The ratio quality price is excellent. He surprised me by giving better than a Schoeps MK4 rsultats on the treble of a harp (the space is less well made but it is a bit sharper).
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U-FLYstudio
Published on 08/01/08 at 15:36 (This content has been automatically translated from French)
Condenser microphone with HPF and heart att
a look through, very light, micro surprises when you open the slice!
OVERALL OPINION
"Unbelievable," the blind micro rivals live with mythical references (DPA 4011, MKH40 Sennheiser, Schoeps MK4)
live it the ideal tool to get a tray with a complex source rendering perfectly natural, a very well chosen sensitivity (highly insensitive to feedback), a relatively high output level and a noise level equivalent to stars of the genre.
live this micro surpasses almost all other standarts (Neumann KM184, AKG C480, Shure SM81 etc ...)
a little less detailed than the first generation AT 4051a, it is less efficient in the studio as its big...…
a look through, very light, micro surprises when you open the slice!
OVERALL OPINION
"Unbelievable," the blind micro rivals live with mythical references (DPA 4011, MKH40 Sennheiser, Schoeps MK4)
live it the ideal tool to get a tray with a complex source rendering perfectly natural, a very well chosen sensitivity (highly insensitive to feedback), a relatively high output level and a noise level equivalent to stars of the genre.
live this micro surpasses almost all other standarts (Neumann KM184, AKG C480, Shure SM81 etc ...)
a little less detailed than the first generation AT 4051a, it is less efficient in the studio as its big...…
Read more
Condenser microphone with HPF and heart att
a look through, very light, micro surprises when you open the slice!
OVERALL OPINION
"Unbelievable," the blind micro rivals live with mythical references (DPA 4011, MKH40 Sennheiser, Schoeps MK4)
live it the ideal tool to get a tray with a complex source rendering perfectly natural, a very well chosen sensitivity (highly insensitive to feedback), a relatively high output level and a noise level equivalent to stars of the genre.
live this micro surpasses almost all other standarts (Neumann KM184, AKG C480, Shure SM81 etc ...)
a little less detailed than the first generation AT 4051a, it is less efficient in the studio as its big brother the 4051a, but on stage is exactly the right thing.
we currently have 24 in service on the percussion instruments of many philharmonic orchestras.
<img border="0" alt="" />
a look through, very light, micro surprises when you open the slice!
OVERALL OPINION
"Unbelievable," the blind micro rivals live with mythical references (DPA 4011, MKH40 Sennheiser, Schoeps MK4)
live it the ideal tool to get a tray with a complex source rendering perfectly natural, a very well chosen sensitivity (highly insensitive to feedback), a relatively high output level and a noise level equivalent to stars of the genre.
live this micro surpasses almost all other standarts (Neumann KM184, AKG C480, Shure SM81 etc ...)
a little less detailed than the first generation AT 4051a, it is less efficient in the studio as its big brother the 4051a, but on stage is exactly the right thing.
we currently have 24 in service on the percussion instruments of many philharmonic orchestras.
<img border="0" alt="" />
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Tech. sheet
- Manufacturer: Audio-Technica
- Model: AT3031
- Category: Small diaphragm condenser microphones
- Added in our database on: 03/28/2004
We have no technical specifications for this product
but your help will be much welcomed
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Other categories in Condenser Microphones
Other names: at3031, at 3031, at30 31, at 30 31