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chabb
Published on 09/02/04 at 19:19
Best value:
Excellent
Shotgun microphone static
OVERALL OPINION
I use it for 3 years to capture voices and noises on cinema shooting.
It is warm, harmonious, sometimes a bit sensitive to SIFL without being aggressive so far. It allows you to stamp indicating the votes while capturing a smooth transition to what comes out of the axis. It can isolate the sounds in a noisy environment, even a few meters from the source.
As a static one is not very sensitive to moisture which causes the to "warm up" a little taken an APRS in wet conditions (rain) under penalty of capture for some time to sputter LIGHT.
Apart from a, it is sublime.
I think it is expensive, but good value quality price.
Without denying the KMR 81, if I had to go buy another view of the cot in Shoeps, just to be able to play between different colors.
OVERALL OPINION
I use it for 3 years to capture voices and noises on cinema shooting.
It is warm, harmonious, sometimes a bit sensitive to SIFL without being aggressive so far. It allows you to stamp indicating the votes while capturing a smooth transition to what comes out of the axis. It can isolate the sounds in a noisy environment, even a few meters from the source.
As a static one is not very sensitive to moisture which causes the to "warm up" a little taken an APRS in wet conditions (rain) under penalty of capture for some time to sputter LIGHT.
Apart from a, it is sublime.
I think it is expensive, but good value quality price.
Without denying the KMR 81, if I had to go buy another view of the cot in Shoeps, just to be able to play between different colors.