Takstar CM-60
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Tech. sheet
- Manufacturer: Takstar
- Model: CM-60
- Category: Small diaphragm condenser microphones
- Other names:cm 60, cm60
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User reviews
4.0/5(1 reviews)
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berlGood mic for overhead
Published on 05/22/12 at 10:21 (This content has been automatically translated from French)Micro static back-electret. Cardioid.
Small diaphragm. Transformerless output. Low-cut at 100 Hz
Requires the phantom. Supplied with a windscreen.
Frequency Response: 30Hz-18kHz
Sensitivity: 36dB ± 2dB-(0dB = 1V/Pa at 1kHz)
Output Impedance: 100Ω ± 30% (at 1kHz)
Load Impedance: ≥ 1000Ω
Self Noise: 20dB A (IEC 581-5)
Max. Input SPL: 130dB (at 1kHz ≤ 1% THD)
S / N Ratio: 74dB
Low Frequency Attenuation: 12dB 100Hz/oct
OVERALL OPINION
I bought a pair for me as a microphone or overhead recovery choir on stage. I am satisfied, these pickups are good and make her a natural for all occasions, and they are excellent in overhead. For recording acoustic instruments in close...…
Small diaphragm. Transformerless output. Low-cut at 100 Hz
Requires the phantom. Supplied with a windscreen.
Frequency Response: 30Hz-18kHz
Sensitivity: 36dB ± 2dB-(0dB = 1V/Pa at 1kHz)
Output Impedance: 100Ω ± 30% (at 1kHz)
Load Impedance: ≥ 1000Ω
Self Noise: 20dB A (IEC 581-5)
Max. Input SPL: 130dB (at 1kHz ≤ 1% THD)
S / N Ratio: 74dB
Low Frequency Attenuation: 12dB 100Hz/oct
OVERALL OPINION
I bought a pair for me as a microphone or overhead recovery choir on stage. I am satisfied, these pickups are good and make her a natural for all occasions, and they are excellent in overhead. For recording acoustic instruments in close...…
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Micro static back-electret. Cardioid.
Small diaphragm. Transformerless output. Low-cut at 100 Hz
Requires the phantom. Supplied with a windscreen.
Frequency Response: 30Hz-18kHz
Sensitivity: 36dB ± 2dB-(0dB = 1V/Pa at 1kHz)
Output Impedance: 100Ω ± 30% (at 1kHz)
Load Impedance: ≥ 1000Ω
Self Noise: 20dB A (IEC 581-5)
Max. Input SPL: 130dB (at 1kHz ≤ 1% THD)
S / N Ratio: 74dB
Low Frequency Attenuation: 12dB 100Hz/oct
OVERALL OPINION
I bought a pair for me as a microphone or overhead recovery choir on stage. I am satisfied, these pickups are good and make her a natural for all occasions, and they are excellent in overhead. For recording acoustic instruments in close (when requesting a high return rate), after a few tries, I returned to the C535 which is less sensitive to feedback.
Great price for a microphone with a high quality, flawless significant and very transparent.
It is quite sensitive to handling noise transmitted by the foot or, for that I use them with pliers rubber cushioning.
Small diaphragm. Transformerless output. Low-cut at 100 Hz
Requires the phantom. Supplied with a windscreen.
Frequency Response: 30Hz-18kHz
Sensitivity: 36dB ± 2dB-(0dB = 1V/Pa at 1kHz)
Output Impedance: 100Ω ± 30% (at 1kHz)
Load Impedance: ≥ 1000Ω
Self Noise: 20dB A (IEC 581-5)
Max. Input SPL: 130dB (at 1kHz ≤ 1% THD)
S / N Ratio: 74dB
Low Frequency Attenuation: 12dB 100Hz/oct
OVERALL OPINION
I bought a pair for me as a microphone or overhead recovery choir on stage. I am satisfied, these pickups are good and make her a natural for all occasions, and they are excellent in overhead. For recording acoustic instruments in close (when requesting a high return rate), after a few tries, I returned to the C535 which is less sensitive to feedback.
Great price for a microphone with a high quality, flawless significant and very transparent.
It is quite sensitive to handling noise transmitted by the foot or, for that I use them with pliers rubber cushioning.
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