Manufacturing-United States
-22 Boxes, FRTS jumbo, Lace Sensor Pickups
-Bridge has two anchor points (Fender modern).
-5 Positions, volume and tone all microphones except chevalet.TBX Tone (booster mduim) coupled Tone button on the top 5 to 10 (of classical tonal 0 5.)
Fender-profile handle current C-section, radius 9.5 'therefore thinner and flat (curvature of FRTS) that handles vintage.

UTILIZATION

-The handle (in my case without key rosewood and without gloss.) Diffrent provides a feeling of "big-sleeved vintage" C, V or U, is "smaller and less pais" The hands aisment belt.
The raduis flatter than the "vintage" confirms the feeling of a handle that fades to leave that place feeling.
The finish is satin (I prferr varnish bright complexion.) FRTS the wide and flat (I prferr mini jumbo).
Mechanical-locking nut + steel roller: The top is still agreement.
In short, the profile and are raduis gniaux for FRTS and varnish, it is a matter of gut.

SOUNDS

TBX influence it according to his guitar rglage:
if you open your throat to his mduims and you can approach the atmosphere texas spcial (less fat, however).. You get dirty and crunches saturations Crossed the cot humbuckers.
if instead you keep out of 5, then closed (2 Tone halfway), your guitar is in the spirit "vintage Start," with less mduims and more "crystalline".
- Two out of phase sounds exceptional but very modern and funky characters (minds strat anne 80.).
-The three microphones are only trs well, especially the neck and middle: a right, full and fleshy.
-Output Level suprieur the vintage strats or standard, so no problem to resort to the mix for playing in groups.
Overall, this is a strat modern (not vintage I think), silent (lace sensor gold), trs clean and sanitized or artificial, which may well saturated in dirty mind a little and pass gibsonnien e easy to dig funky sounds typical strat.
In short, if you do not care of "vintage" and you cherhez strat a powerful and quiet to save or to scne
your you, it will not disappoint.
I put 8 because the mind prfrre texas vintage or spcial.

OVERALL OPINION

-I played for ten years and I keep it because in my collection of strata, it is quite the big sister:
It never fails, it still itch (rglages hyper stable), it does not parasites in Systmes audioet the studio, and I love these kinds strats modern sound in the middle of my roots could different tone.
-A little too clean I got.
-At the time we bought it about 1000, it can have OCCAZ around 900.
-In hindsight, I buy a standard Amrican key rosewood era: more roots, more classical and original strat.
(Nb: I play a Fender Champ 25 SE, 1993.)