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4.5/5(6 reviews)
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Hatsubai
Awesome pattern on this guitar
Published on 07/07/11 at 20:26This guitar can be a bit of a pain to get ahold of as they weren't made for a very long time. They're also hard to find in good condition considering the top itself is a cloth. The guitar has a basswood body with a maple neck, rosewood fretboard with 24 frets, special vine inlay, unique handle carved out in it, an Ibanez Lo Pro Edge tremolo, last few frets scalloped, HSH configuration, all access neck joint, one volume, one tone and a five way switch.
UTILIZATION
This guitar had some wear going on, but considering its age, it's hard to take off points for that. There was some tarnishing on the hardware, and you could see some fretwear. Someone obviously played this guitar, but...…
UTILIZATION
This guitar had some wear going on, but considering its age, it's hard to take off points for that. There was some tarnishing on the hardware, and you could see some fretwear. Someone obviously played this guitar, but...…
Read more
This guitar can be a bit of a pain to get ahold of as they weren't made for a very long time. They're also hard to find in good condition considering the top itself is a cloth. The guitar has a basswood body with a maple neck, rosewood fretboard with 24 frets, special vine inlay, unique handle carved out in it, an Ibanez Lo Pro Edge tremolo, last few frets scalloped, HSH configuration, all access neck joint, one volume, one tone and a five way switch.
UTILIZATION
This guitar had some wear going on, but considering its age, it's hard to take off points for that. There was some tarnishing on the hardware, and you could see some fretwear. Someone obviously played this guitar, but that's more proof that this was a very good and resonant guitar. The frets still felt nice, and I was able to achieve low action without much of an issue. The inlay work was nice, and the top was awesome on this. This is easily one of my favorite looking JEMs out there. I never really understood the whole handle business, but I guess it works.
SOUNDS
The guitar sounds pretty awesome. This one actually had some different pickups installed in it. It had a PAF Pro in the neck and bridge with an FS1 in the middle. The PAF Pro in the bridge is like a hotter, cleaner PAF. It works great, especially if you're running into a bunch of effects. One thing is that it tends to stay open sounding, and that can be good or bad depending on what you're going for. The PAF Pro in the neck sounded great, and it delivered high quality lead tones. The FS1 split nicely with them to deliver some really cool strat tones, and it was powerful enough to stand out on its own.
OVERALL OPINION
These can be a bit hard to find considering how rare they are. That said, they're worth the coin if you enjoy the top. They play great, sound great and work awesome for shred music. Honestly, these could really do just about any genre you can think of, but I find they work best for those who are shredders. Either way, good luck finding one at a decent price as most like to hang onto these.
UTILIZATION
This guitar had some wear going on, but considering its age, it's hard to take off points for that. There was some tarnishing on the hardware, and you could see some fretwear. Someone obviously played this guitar, but that's more proof that this was a very good and resonant guitar. The frets still felt nice, and I was able to achieve low action without much of an issue. The inlay work was nice, and the top was awesome on this. This is easily one of my favorite looking JEMs out there. I never really understood the whole handle business, but I guess it works.
SOUNDS
The guitar sounds pretty awesome. This one actually had some different pickups installed in it. It had a PAF Pro in the neck and bridge with an FS1 in the middle. The PAF Pro in the bridge is like a hotter, cleaner PAF. It works great, especially if you're running into a bunch of effects. One thing is that it tends to stay open sounding, and that can be good or bad depending on what you're going for. The PAF Pro in the neck sounded great, and it delivered high quality lead tones. The FS1 split nicely with them to deliver some really cool strat tones, and it was powerful enough to stand out on its own.
OVERALL OPINION
These can be a bit hard to find considering how rare they are. That said, they're worth the coin if you enjoy the top. They play great, sound great and work awesome for shred music. Honestly, these could really do just about any genre you can think of, but I find they work best for those who are shredders. Either way, good luck finding one at a decent price as most like to hang onto these.
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serialeq1
Published on 12/19/04 at 00:52 (This content has been automatically translated from French)
My poor LeMikou ...
USE
My poor LeMikou ...
SONORITS
My poor LeMikou ...
NOTICE GLOBAL
Will learn to play and make a sound other than his arch PREM Strat Hendrix (rip) and then come back to us a true critical but tell us that the guitar is bad but that after all you do not know anything j ' not see the interest my poor LeMikou ...
USE
My poor LeMikou ...
SONORITS
My poor LeMikou ...
NOTICE GLOBAL
Will learn to play and make a sound other than his arch PREM Strat Hendrix (rip) and then come back to us a true critical but tell us that the guitar is bad but that after all you do not know anything j ' not see the interest my poor LeMikou ...
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rageback
Published on 12/26/04 at 04:04 (This content has been automatically translated from French)
The comment was made by t "Lemikou" is the kind ==> NUL
in the world of guitar ... do not know the great Steve Vai, it's really not connetre the great classic guitar.
of your test this guitar into an amp FENDER 15W or so .... PARK 15W ... !!!!
critical tone of nivau reaches 0 points.
USE
Lemikou ....
the handle can not be qu'agrble ... his game down on the rapidity ... he puts crazy lines!
... Fair its not a pleasant round would soon Prieux: P
SONORITS
... Guitar made for several types of games.
==> For the BIG solo c the top ... but it still must know jou
your criticism sue the rglage button to micro .. LOL ==> but lorque that your microphone 3, 2 double and 1...…
in the world of guitar ... do not know the great Steve Vai, it's really not connetre the great classic guitar.
of your test this guitar into an amp FENDER 15W or so .... PARK 15W ... !!!!
critical tone of nivau reaches 0 points.
USE
Lemikou ....
the handle can not be qu'agrble ... his game down on the rapidity ... he puts crazy lines!
... Fair its not a pleasant round would soon Prieux: P
SONORITS
... Guitar made for several types of games.
==> For the BIG solo c the top ... but it still must know jou
your criticism sue the rglage button to micro .. LOL ==> but lorque that your microphone 3, 2 double and 1...…
Read more
The comment was made by t "Lemikou" is the kind ==> NUL
in the world of guitar ... do not know the great Steve Vai, it's really not connetre the great classic guitar.
of your test this guitar into an amp FENDER 15W or so .... PARK 15W ... !!!!
critical tone of nivau reaches 0 points.
USE
Lemikou ....
the handle can not be qu'agrble ... his game down on the rapidity ... he puts crazy lines!
... Fair its not a pleasant round would soon Prieux: P
SONORITS
... Guitar made for several types of games.
==> For the BIG solo c the top ... but it still must know jou
your criticism sue the rglage button to micro .. LOL ==> but lorque that your microphone 3, 2 double and 1 single .... obliged to have t ...
(No lemikou t: s)
NOTICE GLOBAL
Lemikouu .....: S
in the world of guitar ... do not know the great Steve Vai, it's really not connetre the great classic guitar.
of your test this guitar into an amp FENDER 15W or so .... PARK 15W ... !!!!
critical tone of nivau reaches 0 points.
USE
Lemikou ....
the handle can not be qu'agrble ... his game down on the rapidity ... he puts crazy lines!
... Fair its not a pleasant round would soon Prieux: P
SONORITS
... Guitar made for several types of games.
==> For the BIG solo c the top ... but it still must know jou
your criticism sue the rglage button to micro .. LOL ==> but lorque that your microphone 3, 2 double and 1 single .... obliged to have t ...
(No lemikou t: s)
NOTICE GLOBAL
Lemikouu .....: S
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00
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Gergo
I love ... but!
Published on 06/18/12 at 08:30 (This content has been automatically translated from French)USA Ibanez Prestige model
JEM77's Edge tremolo bridge (Floyd Rose-type)
Channel 24 frets, 21-24 scalloped
DiMarzio ® Evolution ® (H) neck
DiMarzio ® Evolution ® (S) middle
DiMarzio ® Evo 2 ™ (H) bridge could
Tone, Volume, 5-way switch
UTILIZATION
I bought this guitar after having dreamed for years and after a long run, very long ... The model FP2 Floral me doing crack.
The handle is great for those familiar with the brand, fast, easy, perfectly tuned.
However after some time of use I find it much worse than my Jackson Soloist same range: I'm used to the neck-through, the gene set neck access key despite acute scalloped end of the round.
This is very personal,...…
JEM77's Edge tremolo bridge (Floyd Rose-type)
Channel 24 frets, 21-24 scalloped
DiMarzio ® Evolution ® (H) neck
DiMarzio ® Evolution ® (S) middle
DiMarzio ® Evo 2 ™ (H) bridge could
Tone, Volume, 5-way switch
UTILIZATION
I bought this guitar after having dreamed for years and after a long run, very long ... The model FP2 Floral me doing crack.
The handle is great for those familiar with the brand, fast, easy, perfectly tuned.
However after some time of use I find it much worse than my Jackson Soloist same range: I'm used to the neck-through, the gene set neck access key despite acute scalloped end of the round.
This is very personal,...…
Read more
USA Ibanez Prestige model
JEM77's Edge tremolo bridge (Floyd Rose-type)
Channel 24 frets, 21-24 scalloped
DiMarzio ® Evolution ® (H) neck
DiMarzio ® Evolution ® (S) middle
DiMarzio ® Evo 2 ™ (H) bridge could
Tone, Volume, 5-way switch
UTILIZATION
I bought this guitar after having dreamed for years and after a long run, very long ... The model FP2 Floral me doing crack.
The handle is great for those familiar with the brand, fast, easy, perfectly tuned.
However after some time of use I find it much worse than my Jackson Soloist same range: I'm used to the neck-through, the gene set neck access key despite acute scalloped end of the round.
This is very personal, therefore subjective.
Ergonomics is otherwise perfect, rather light this guitar is not exhausting!
SOUNDS
Micro side nothing to say!
Do not think that this guitar is reserved for schreders!
We find very easily what its soft and rich in harmonics of the great Steve.
But it can give much more attack and even excellent crunch.
Clear his side a surprise: perfect for a well balanced and pure, but with some adjustments, it can generate sounds crystal clear ideal for funk and even a certain dullness sound of jazz.
One note: even with a fat sound of this guitar is breathtaking sonic accuracy!
A set of micro astounding versatility.
I use it for me with a Line 6 Flextone III and a single Vox wah.
OVERALL OPINION
Use for approximately 3 months.
Only the handle (and I say: only access to acute!) Puzzles me.
In value, this does not seem exaggerated, at a good bargain it remains in the same price range as its competitors, and do not forget the look "Signature Model Limited".
At the risk of surprising you, no I do again this choice!
A Jackson Soloist with premium Seymour Duncan pickups and neck-through remains the best choice for me (I own one).
On the other hand side look, what a slap, the pattern is sublime, the impeccable finishing ...
Favorite? No doubt! I love it ... but ...
JEM77's Edge tremolo bridge (Floyd Rose-type)
Channel 24 frets, 21-24 scalloped
DiMarzio ® Evolution ® (H) neck
DiMarzio ® Evolution ® (S) middle
DiMarzio ® Evo 2 ™ (H) bridge could
Tone, Volume, 5-way switch
UTILIZATION
I bought this guitar after having dreamed for years and after a long run, very long ... The model FP2 Floral me doing crack.
The handle is great for those familiar with the brand, fast, easy, perfectly tuned.
However after some time of use I find it much worse than my Jackson Soloist same range: I'm used to the neck-through, the gene set neck access key despite acute scalloped end of the round.
This is very personal, therefore subjective.
Ergonomics is otherwise perfect, rather light this guitar is not exhausting!
SOUNDS
Micro side nothing to say!
Do not think that this guitar is reserved for schreders!
We find very easily what its soft and rich in harmonics of the great Steve.
But it can give much more attack and even excellent crunch.
Clear his side a surprise: perfect for a well balanced and pure, but with some adjustments, it can generate sounds crystal clear ideal for funk and even a certain dullness sound of jazz.
One note: even with a fat sound of this guitar is breathtaking sonic accuracy!
A set of micro astounding versatility.
I use it for me with a Line 6 Flextone III and a single Vox wah.
OVERALL OPINION
Use for approximately 3 months.
Only the handle (and I say: only access to acute!) Puzzles me.
In value, this does not seem exaggerated, at a good bargain it remains in the same price range as its competitors, and do not forget the look "Signature Model Limited".
At the risk of surprising you, no I do again this choice!
A Jackson Soloist with premium Seymour Duncan pickups and neck-through remains the best choice for me (I own one).
On the other hand side look, what a slap, the pattern is sublime, the impeccable finishing ...
Favorite? No doubt! I love it ... but ...
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Tech. sheet
- Manufacturer: Ibanez
- Model: JEM77 (2010)
- Series: Steve Vai
- Category: STC-Shaped Guitars
- Added in our database on: 09/06/2011
We have no technical specifications for this product
but your help will be much welcomed
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Other names: jem77 2010, jem772010, jem 77 2010, jem77 20 10, jem7720 10, jem 77 20 10