For this visit the Ibanez will be more info on ...

I want to say is that my RG2550 amend am
Di Marzio X2N-neck
-Di Marzio Tone Zone S center
Evo-Di Marzio (X2N soon too)
I install the spring on the triangle floyd (nivo tightens the screws and remove the nivo vibrato) to limit the effect of detune in the big bend and increase the progressivity of the action of floyd
I also redid the entire wiring has the old with the addition of a very large capacitor and son Paraffined

UTILIZATION

The neck is awesome, despite the habit of the handle of my JS1000, this one makes a lot of delirium and optimism, all the precise sharp round and remains clean.

Touch lacks character but this is not exactly what he is asked.
the weight is common to other standards (fender, another RG etc ...) this is not a pen but ...

sound dry (unpugged) lack of safe but still credible
plugged in and it leaves me home on my hunger, Di Marzio IBZ is "gadget" from a real microphone and not worthy of staying on such a guitar. Sadly lacking in big Ibanez: electronic violin nickel but doubtful
PS: get on a Di Marzio IBZ S470DX to work wonders
Once this change the RG shows a potential monster

SOUNDS

For style, with a little practice, you just make it do everything.
Blues, arpeggios, heavy metal
with my installation it is very hard to get her 70's or a clean pleasant to the ear but good personal choice c
For even against the amps "blues" sounds metal!

OVERALL OPINION

I play with her for 1 year
my model has sleeve markers attached to the plate bronze mirror
I like the brutality of this model, especially with visual and auditory changes that go well

I already try several before RG
RG270, RG321FM, Petrucci etc ...
It is one that transmits sound best work of guitarist

I'm waiting to mount the 2nd X2N to finish the installation

I just regret the demise of Pink Floyd, replace Lo Pro Edge be pretty but not flawless