Made in japan
micro ibanez hsh: s1-v7-v8
1volume, a tone
sleeve type end ibanez
The neck is thin enough so fast but faster clenching quantity we have big hands
each access to acute is good enough
the guitar is an appropriate weight
but its leaves to be desired badly because the combination of microphone is very bad
bridge pickup is difficult to saturate and a little more precise it is very sharp so unplayable in clean, micro station is non-existent against the other (c and little to say), it is far too low noise level and very flat the neck pickup can only be used for clean hot and severe reducing the saturated palette.
Luckily with a good amp you get a little something at her but she turns to a dirty metal sound.
I did run on a Marshall JCM2000 TSL
then j (y've added after the preamp JMP1 MARSHALL
Finally g obt a BOSS GT6 pedalboard in place of JMP1
and necessarily face whatever I had a flat sound dirty even playing on a laney.
I use it for 6 years
The big problem of this quitar is itself
Let me explain
The wood is very fragile,
lechevalet dor in hardware is extremely sensitive to rust (already two years and two easel g abandoned because it rust again and I live in a cave pa)
the handle is
any changes to the body causes problems
= change in bridge games at the ankles that takes up
change = change of any micro electronics (too fragile and full of buzz)
Adjust microphone = fouarage the retaining screw into the wood.
frankly that emerde.
for guitar 4000 francs at the time either with ogmentation prices and the changeover to the euro roughly 750 euro today, I am better now because of a cut arm and buy a prosthetic with sub .
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xavier13730's review (This content has been automatically translated from French)
Made in Japan
24 frets, micro V7 S1 V8 (MSM)
licensed floyd rose tremolo
slecteur 5 positions, 1 volume and 1 tonalitbr /> thin neck type with rg course made in japan: Mechanical Team Ibanez Japan
The handle is pleasant, it can play fairly quickly, ideal for making arrangements for it is not as thin as a jem 7v but of course the access to the treble is still good to do solo of any kind
RG is a therefore a form stratocaster style, which strongly resembles a JEM, but it is heavy as a guitar
The sound of the microphones is very original way, but I have possession of syemour duncan sh-6 and TB-1, and the miracle: a great big sound of metal, we pass a sound through a sound quality
It is quite versatile, but still more oriented metal when you put the gt-6 at Floyd and sh-1 in the heats
I play in C # with a mesa boogie nomad 45, mxr dimebag darrel, the sound is super powerful to do all kind of metal, the light is good enough, does not saturate easily my surprise
I use it for 10 years, we have a guitar that sounds not too bad for its 4000 francs for the era but with my configg mic is wonderful to do a good metal, we can have fun and progress with the vibrato in gold is boring, because the paint comes off with the golden hand perspiration
This guitar is very rare, you will rarely find rg Japan this price and when you change the pickups it gives everything she has ds bag