Dynacord

(Originally written by Zanzibar/translated from Audiofanzine FR) Features: Internal amp (2 x 300 watts, 4 ohms) - Six mic/line channels - Two stereo line inputs - Two aux sends - Two 24 bit stereo effects - Two speaker outputs on speakon connectors - 7-band master EQ I've been using it for over one year at the place I work. We use it for small events with two or four mics. Especially for locations without PA system. Just place the speakers, connect the mixer and the mics, open the channels and that's it... Pros: very convenient internal amp. Compact size. Cons: no channel mutes. No semi-parametric EQs, few outputs. I use several mixers, like the Powermate 1600 but I also use different analog Yamaha and Crest mixers very often, as well as an LS9, an M7CL, etc. The price is ok for a complete system (2 x 340-watt amp + mixer). It's not very versatile and the routing possibilities are very limited. It isn't bad for some applications. But it has not enough inputs/outputs to handle a rock band in a pub. It's ok for a duet or a small trio. Its main advantage are reliability and long life.

I mustn't forget to mention that this unit also offers a spring reverb, and the two effects can be combined with a simple potentiometer! This model has much more character and grit compared to the classic Roland Space Echo. Made in Germany in the 70s, this tape echo is certainly dirty and noisy, but it's a small price to pay for a powerful preamp. The device features two channels, two speeds, and a reliable slider, with an impressive self-oscillation capability. And that's not all! The tape I use is half a meter of Scotch 203 Dynarange. It doesn't degrade, barely deforms, and far outperforms the highly recommended BASF LGR50. It might be a matter of bias, but in the end, it doesn't matter. On a lighter note, it was thanks to this Dynacord Echocord Super 76 that I learned to solder DIN connectors.

Specifications Made in Germany in 1974. Tube amp with two 12AX7, two 6V6GT, and one EZ81. Original 12-inch speaker. Controls: volume, tone, tremolo intensity, tremolo speed. Pros Sound: Warm and bright at the same time, with excellent frequency response, ideal for guitars and keyboards like Rhodes or Wurlitzer. 12-inch speaker: Provides good volume and a wide frequency range. Versatility: A good platform for effect pedals, works well even with low-output pickups. Tremolo: Adds a beautiful vintage texture, especially when pushed to the max. Cons Tremolo: My unit lacks a bit of character, might need some maintenance to improve intensity. Less pronounced "crunch" with the 12-inch speaker; a smaller (10-inch) speaker could offer more distortion.

I have a Powermate 1600 which is irreparable due to Dynacord Policy. I loved using this desk. Very user friendly, robust, huge power, all the inputs and outputs you could need, fantastic effects, I could rave about it for hours. The trouble is it has developed a fault and Dynacord will not release the schematic. Three different, highly reputable service engineers have told me that Dynacord are unique in not helping customers in this respect. This renders Dynacord products irreparable. If they had good customer relations I would recommend but I am forced to say do not buy.

As a semi-proffessional I bought this amp in 1985 because at is powerfull and handy bass amp build in flightcase. The amp before I use was a Fender bassman, but it was too difficult to transport it and I didn't like the sound: too boomy. I wanted an agressive sound with attck and lots of definition. This amp was build in 1981. It is 250 watts RMS, 350 Watts peak. Very robust and compact amp for professional use. You can say it was expensive. This amp never disappointed me. I play almost for 30 years now, very different styles, from blues/jazz, punk/funk, afro/reggea. It can handdle very low bass for reggea to the bright slapping funk. Even at the highest volumes never heard distortion. You don't see much this amp. (limited production) I've never used the distortion it's a useless thing. The compressor can be better (noisy) but is usable. It is very heavy. I put wheels on it to move it easier. It was very expensive too. Hi and low inputs, pre and post amp, adjustable compression and distortion, 7-band graphics eq with hi and low cut off, send and return jacks, DI, speaker extension. This combo is build in a flightcase. Dimensions: 66x52x45 cm, weight: 42 kg. I've being playing for 32 years and own many gear. If it is stolen, I would buy it again. But nowadays I would buy something smaller and lighter. What I love about it, it is reliable enough for all gigs without a back up standing buy. This review was originally published on http://www.musicgearreview.com

I have had the D-lite 2000 for 2 1/2 now. What I like most about this system Is how light It Is. It Is very light to transport I did try other models before I bought this system such as EAW, Mackie, Yorkville, QSC. The System Is very good and reliable, but I think that system Is a bit over price. Knowing what I know now I would still buy that system, but I would now from the get go also purchased the Powermax controller too, or the DSP244, or the DSP260 to go with the D-lite system. The signal proccessor I had was a DBX PA system was not compatible with the Dynacord system I also added an Aphex 204 to the system to get full bass and kick out of the system.