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Soot_and_Stars « Heavy (literally and figuratively) »
Published on 07/14/13 at 22:52Amp all lights as they say, 50 Watts sending wood.
There is an effects loop, a connection for a z5 pedal (which costs an arm and dispensable if you like a pedal Boss FS 6). For references lamps, see the site builder I did have in mind.
Settings of its usual two bitoniots for drive and distortion.
UTILIZATION
Very simple, one branch is played, the settings are quite delicate as sensitive on the other hand.
SOUNDS
In distortion, that the amp or via a dedicated pedal is simply a SLAUGHTER.
Pop rock, punk, metal, it gives free rein to your savagery. The distortion of the amp is "grainy" and controlled the game is well made and faithful. Crunch is also very nice, crisp and responsive, and when you combine the drive and distortion, tell the neighbors that hard.
Clearly, a lot of treble, you will be asked as a group to reduce because it can break the ears, with the setting of tone, no worries, add bass and midrange hop and voila. Note the presence of a Clean button you can push the volume of clean without it crunch.
The effects loop, which can be adjusted via a knob presence behind the amp, complies with the modulations that you send, no worries, I personally could do without as plugging in frontage or in the loop, no I do not care.
And I play with a Mustang and a Telecaster (Aerodyne) mainly above, and an array of Boss (DD20, SD2, CE 3, BF2) mainly.
Beef up you: the amp weighs a dead donkey.
OVERALL OPINION
I use it since 2006 and this is my first tube amp.
At the time I had let myself be seduced by the sound reproduction, the distortion of the amp, his mouth (rugged and cool design) but with hindsight and experience, I think that 50 watts is already too much (for me anyway). A 30 watt would suffice.
Amp great for distorted sounds, but for cleans sounds can be a Fender or Vox prefer, there may be lack of heat for that, because the Screamer is a beast of distortion you need to know prepare.
There is an effects loop, a connection for a z5 pedal (which costs an arm and dispensable if you like a pedal Boss FS 6). For references lamps, see the site builder I did have in mind.
Settings of its usual two bitoniots for drive and distortion.
UTILIZATION
Very simple, one branch is played, the settings are quite delicate as sensitive on the other hand.
SOUNDS
In distortion, that the amp or via a dedicated pedal is simply a SLAUGHTER.
Pop rock, punk, metal, it gives free rein to your savagery. The distortion of the amp is "grainy" and controlled the game is well made and faithful. Crunch is also very nice, crisp and responsive, and when you combine the drive and distortion, tell the neighbors that hard.
Clearly, a lot of treble, you will be asked as a group to reduce because it can break the ears, with the setting of tone, no worries, add bass and midrange hop and voila. Note the presence of a Clean button you can push the volume of clean without it crunch.
The effects loop, which can be adjusted via a knob presence behind the amp, complies with the modulations that you send, no worries, I personally could do without as plugging in frontage or in the loop, no I do not care.
And I play with a Mustang and a Telecaster (Aerodyne) mainly above, and an array of Boss (DD20, SD2, CE 3, BF2) mainly.
Beef up you: the amp weighs a dead donkey.
OVERALL OPINION
I use it since 2006 and this is my first tube amp.
At the time I had let myself be seduced by the sound reproduction, the distortion of the amp, his mouth (rugged and cool design) but with hindsight and experience, I think that 50 watts is already too much (for me anyway). A 30 watt would suffice.
Amp great for distorted sounds, but for cleans sounds can be a Fender or Vox prefer, there may be lack of heat for that, because the Screamer is a beast of distortion you need to know prepare.