All user reviews for the Fender '65 Deluxe Reverb

lamps 2x 6V6, all transformers & inductors upgraded mercury magnetics in
25W
1 channel with one without vibrato. Modified with master volume on the back
HP 8ohm G12H30 Greenback 75
600 Euro secondhand

UTILIZATION

Can not be easier
25W with no need to go to have a good background for the lamps
Through the mix like butter group

SOUNDS

Blues, rock without pb, motown funk without pb &
In this configuration it was rather a beast of greasy rock
A copy Telecaster G & L, a Fame Forum IV (copy PRS), a grate jazz and strat
Everything is good, the amp is not made for metal or hardcore

OVERALL OPINION

I sold it in 2012, four years of use without any pb
Value for money among the best
If I would take a combo I certainly would resume another

all-tube, two independent channels, a "normal" and one with reverb and tremolo.
no effects loop, line out, or percolator.
22 watts, I put mine in a Jensen P12R Alnico since the G12 was mounted folded (the joys of secondhand), external hp output is there if needed.
To switch from one channel to another requires a / b box.

UTILIZATION

Simply put sth at the other end of the jack and it sounds.

SOUNDS

Ideal for the rockabilly or country, you can do all of the time it is associated with good guitars and good pedals.
Fender clean sound up to 4, then it starts to crunch but it's starting to be strong too. Personally, I use 4 pedals with upstream (alberta, lightnin 'boy, mudhoney, super chili picoso ...) when I need a variety of sounds, and 7 with just a boost for a crunchy sound I personally love. In this case, I insert an attenuator between the amp and the HP (P & P 50)) not to hurt the ears of my colleagues in the game and not to offend the mesa of my fellow guitarist.

OVERALL OPINION

Used for a few months, I have other amp not especially bad (Cornford Harlequin, A Wai Jack White) and I played in different places on lots of stuff. Well this one does what is expected of him, the Deluxe Reverb. If you love it is filled (or nearly have still not push), otherwise we say that it is not one manufactured 26 January 1796 at 19h28.
The only thing I dislike about this amp is its new price. This also applies to all production Marshall, Mesa et al. When we see a mass produced amp is not really know where, sold by the thousands, is the same price as amp made by a craftsman in the unit, it makes me a little. (The harlequin channel 5 watts should be around 1000 euros, the white jack 15 watts and three channels around 1400 euros).
So yes, I really like this amp but my next deluxe reverb, I'm done.

RAS see other opinions. We take it as it is, ie the old, one is warned, no reason to grumble on this point. For me on paper, it was the perfect amp

UTILIZATION

RAS

SOUNDS

Here I will explain my title and am going to contradict previous opinions that speak of heat lamps, crystal pure sound (it makes me laugh a bit overused that term). Although the clean sound is good, banging, but can be a little too precisely. Where I am critical, is that just for a tube amp, I do not sound so warm it. Certainly there are dynamics, much the same, but the grain of his shots a little towards its "pulp board" by forcing the line really. Grade I indicating that the hp that I put on were new (the original jensen, and a weber 12f150) and they have not had time to really be-oiled. Pushing the volume, some say mellow, I would describe the sound of "screaming".

Regarding the natural saturation, same remark, I find it rather resembles transistor amp that will push hard, you lose definition, and I never tu this velvety feel that some plebiscitent.

So I find it all very cold.
Now the distortion pedals. Forget the OD1 and OCD on the vibrato channel, it is ignoble, then we all agree. As I have no Tubescreamer which seems to be popular with users, I would say that a channel is not done to saturation. We must switch to the normal channel for use pedals oD, the rendering is correct but still I fall back on that feeling of cold. By no means do I feel this jubilation I feel with amps style blues or Delta blues junior.

I issue these criticisms when I really tried various configurations of lamps (5721NOS, AT7 NOs etc.) and hp.

The big plus (yes there are, anyway) of this amp lies in the effects it integrates. The reverb, first really typical Fender, deep, powerful and warm for once. To gain more definition, I recommend putting a AU7 in place of the AT7, which provides increased definition. This is a simple and effective change.

Then the tremolo; hyper dynamic and precise. Coupled with the reverb sound is easily obtained in the Duane Edddy. With my ES 355, it was the only config that I personally really triper, without restraint.

Finally, I note this evil, because I find this total lack of tolerance for distortion pedals absolutely unacceptable for an amp of this price. Some talk of changes to make, change lamps etc., to compensate. I say stop there! An amp at that price should sound as desired with the factory settings. Why did I buy it? because I am charmed by the clear, and I foolishly thought my od pedals went on any amp, and that therefore, I have not tested. Also I remained on my favorable impression about Fender, following the use of fully satisfying blues junior. I trusted the brand and wanted to get ahead with a higher end amp.
Conclusion: listen to this amp, do not buy it after reading your forums (including my blah blah). It may please you, this is the case, I think of lots of people, including the person I bought it.

OVERALL OPINION

I used it two years before selling. Miscalculation so I have not tried enough before buying. Without saying that this is a bad amp, I would say it is not endearing. You can play it, but enjoy, it's less obvious, at least for my case.

The Fender Deluxe Reverb reissue is Fender's best take on the production line Deluxe Reverb amplifier as it appeared in its golden "blackface" era (so called because of the black face on the control panel) circa 1965. It's a 1x12 tube combo that puts out about 22 watts of power and runs on 6V6 power tubes. It's pretty standard in the Fender layout of two channels. The first channel (normal) has simple volume, treble, and bass controls. The vibrato channel (with its own separate inputs) has volume, treble, bass, reverb, and controls for vibrato speed and intensity. The amp is loaded with a single Jensen speaker as stock, and other than reverb and vibrato there are no onboard effects.

UTILIZATION

Getting a good sound out of this amp is pretty simple. It does the classic blackface Fender clean really well, and there's a reason so many players like and use these amps for a variety of applications. Dialing in each channel can be a tad difficult because on occasion the EQ tonestack might appear to not be doing a whole lot when you turn the controls. I find this more apparent on the normal channel than the vibrato channel with this particular amplifier. That being said, perhaps I'm just used to more modern amps and their tweaker mindset. Other than that, the controls react like you would expect and dialing in tones is not overly difficult. Most people run pedals into the front end of these anyhow, which will change your tone up anyway.

SOUNDS

This amp is meant to do one core sound... classic Fender clean. It's not going to offer any of the overdriven sounds that many players today desire. You can get some nice drive sounds by using a pedal in front, but this is the type of amp that is used for clean and clean only. There's no master volume, so in order to get any kind of tube breakup you would need to turn the amp up to 10, which isn't feasible in many places. It's a very clear sounding amplifier overall, great for funky or bluesy tones. I find it a little bit sparkly in the top end for true jazz tones (which to my ears should be darker and richer) but for those types of tones where you need a classic wiry sounding blackface style clean at a reasonable wattage point, you can't get much better than this amp.

OVERALL OPINION

All in all I think the Fender Deluxe Reverb reissue is a great amp for someone looking for great clean tones in a reasonable package. Many players like the tone of a Twin Reverb or Pro Reverb, but don't wish to contend with the huge size and huge volume that amps like that put out. For those looking for true vintage Fender cleans in a portable package, this is your amp. They sell new for about $1,100 which is a good deal considering the quality and tone that you're getting. If you're into Fender cleans and want something good for jams or gigs that won't blow your ears off, check out the Fender Deluxe Reverb reissue. You won't be disappointed!

All Tube Amp, 65 Schma original with a few modern adaptations: gnral best components. Progress has been made t 65
Tration power of 22 watts, but the performance is exceptional, a like of 80 transistors. 7 or 8 to the sound with its twists trslgrement bluesy crmeux trs.
Vintage effects: Accutronics reverb and trmolo.
Quality components and assembly trs solid.

UTILIZATION

No problem getting started

SOUNDS

It's a jazz or blues amp for small club or a resume on a sound system with a good Shure SM 57. Hard rocker metalhead go your way!
Paradoxically, it is with a Gibson 335 it sounds like the best (Blues) in his otherwise clear trs a pure stratum or are perfect tl

OVERALL OPINION

I use various versions for over thirty years!
It's expensive but it's solid.
Buy risk-free investment as far as we asked him why he does this Designed.
Go try one.

It is a combo of 22 W lamps with a spring reverb, a 12 "Jensen Vintage era of. Two channels clear spars, possibility to plug 2 guitars per channel. Vibrato footswitch and provided. I tol re the fact that there have not saturated because this channel is pure ammpli Vintage.

UTILIZATION

The config is simple: Power, Stand By, it connects to a channel, the pot is heated. The sound is clear of trs voluptuous and rich in nuances. We feel the quality dpart the ds (I had a combo Peavey Classic 30).

SOUNDS

It is ideally suited my style blues, rock and even, let's be crazy, a little hard of the 70 before there was the rising power of Marshall: I think Clapton, Harrison nerv Jonnhy Winter ... But do against a good overdrive pedals. I play on a Strato and a Les Paul. This amp and strato is the great love they are made for each other. With the Les Paul was okay. The amp rpond it sounds. No saturation: it must turn up the volume for a crunch. What EHJV! Power level, it is impressive.

OVERALL OPINION

I use it for one month and I feel that I will keep it long. I am surprised by the quality trs sound of the amp: it's the spitting image of Fender and I could reconnatre 100 km. I like the Aesthetics of the craft and the precision with which it reproduces the sound of the instrument. It can be mild or nervous, trs nuance. I have long hsit with the Hot Rod Deluxe but much less subtle and too crunchy, of poorer quality which is perceptible. Then I tried the Marshall DSL401 long but I cart on pain of having to throw the stratosphere. So I put a little more money, and I do not regret it.

'65 Deluxe Reverb guitar amp
All lamps
22 watts 8 ohms
HP Jensen C12K 12 inches
Tubes:
1 x 5AR4
2 x 6V6GT
4 x 12AX7
2 x 12AT7
19 pounds even when

Two channels each with 2 inputs
Channel 1 volume, bass, treble
Channel 2 volume severe acute reverb speed and intensity of trmolo
A foot switch for the reverb and trmolo
1 hp output supplmentaire

He will be missed for some an effects loop and a line out, but it sweated in 1965, when this era has not existed.

The power is 22 watts announcement, but in fact there are many many more ...

UTILIZATION

Trs easy to use, it all starts with the center and is modulated according to his research and the guitar.
Indeed, the potentiomtres are sensitive, but it can rglages true.
Channel 1 is a little less brilliant than the two, longer suitable for soft sounds.
You can play on the inputs (2 per channel) to push the saturation.

SOUNDS

This is where all the quality of this amp is.
A clear fall to the ground, it is powerful, with a terrible attack pass the graduation of three volumes, to be crystal-clear with a good strato, round and soft with double neck pickup or a tl rgal a clear sound.
The reverb is nice if not too pushed (the beautiful lamp), the vibrato is also a good level and does not emit too much breath. All for a superb sound.
With my Start, began cruncher to 5 / 6 the volume, but it's dj box, then hop, little crunch for TS10 hot rgal one of these lamps. With a slight chorus, the sound is superb.
I did not test substance, an amp as a ca-respecting or with a distortion of PSAL, but the effects of delay and wha it pass without problem.
What j'apprcie as is respect for the instrument branch this amp sounds as good in singles and doubles, and each guitar is seen improves heat lamps while reproducing its own each instrument.

As important, the receiver keeps a sound okay trs same low volume, the grain is respect for the attack but loses a lot (which is normal), but enjoyable all the same.

OVERALL OPINION

I have only been three days, but I know I found my amp. I like clean sounds, warm and dynamic, a real DLIR fender with good branch above the crunch, I have to wait to be alone because if not rev high volume pedals.
I redcouvre thanks my guitars this amp, it's expensive, but we quickly forget the prize with an equal.
Also, it sounds great when it is hot, after half hour of play

-DELUXE REISSUE OF ERVERB 65 Watt all-tube 22 including reverb and vibes
Two-channels: normal and reverb / v: IBES
for the rest refer to fender.
-volume/grave/aigu/reverb/intensité/speed (channel 2 = principal)
-Input 2, Low and Bright.
-9 Only because no media and no line out.

UTILIZATION

Simpler than that, you die! But where it gets complicated is that you play and play well because all means ...
The famous twin-sound: thick and sweet with a slamming varies depending on the selected micro and the determination of acute and that even a 3.
Punch not possible, 22 watts you new exiting.
comes to the crunch ie 7 very strong, so if you're apart, provide a tube screamer for crunch at low volume.
-All in setting the tone of the amp. The knobs are sensitive to near half a point.
régal.le lack of a short knob of méduim is compensated by adjusting the bass and treble on 5, then you have a very sound medium.
-With the tube screamer and a stratum, it is the nirvana of creamy overdrive, moelleux.L sensual art of pick and fingers at the game can begin ...

SOUNDS

-Ideal for blues-rock and even jazz lowering the treble, so the SRV / Hendrix at West Montgomery and Kenny Burrell.
A tube screamer, just for the crunch in counterpoint to a clear legend, and therefore reduces gear
(Go, I'll give you a wha ...).
From crystal-clear to hazy sharp as microphones, balance and severe acute attack of the pick, etc. Everything is in the affected and the volume ... very sweet crunch with sustain, remember pink floyd time "Wish You Were So here ...", kif kif ...
Nothing is to jeter.Avec the tremolo and reverb all, hello Mr Bond 007 and other surf music.

View test youtube: http://fr.youtube.com/watch?v=SVA0ODWaQBs

OVERALL OPINION

-For several months, I never get tired of this "plug and play perfect."
No line-out, ce'est beast must be transplanted to the microphone.
-Widely; 30 classic very well but well below, blues junior, very well in crunch but still below especially clair.Puis a VOX AD 60, the gas plant bonjpur despite its not too bad.
-A bit expensive (1365 Euros) but it's probably for a long time (can not get tired of a sound that opens the door), maybe for life ...

Add review after five years:

after five years, plugged into the DRRI65 I see an addiction and a format that my ears have become addicted to the fender clean vintage.J 've tried many other high-end amplifiers, mesa boogie which I think very highly, and given the tests I discovered that despite its limitations in terms of supply (no effects loop, no crunch channel, no master volume, no aténuateur integrated power ...), musicality This amp makes me keep working and the 2nd channel "to the pedal" OD type shop. (my preferences: Fulltone OCD and TS 808 but there are so many. I noticed also that dose of MXR compressor type Dynacomp made clear sound even more beautiful (one of the secret of David Gilmour ...).
So I found my amp, especially since I'm not scene (small cattle max), the amp is more than enough for me and is exploitable in the apartment. with his "beautiful".
My dream: What Fender re-edited version of "handwired" as it did for the deluxe 57.
At this point, I think I sell my deluxe to break the bank.

T says it all prcdemment.

UTILIZATION

The setup is really simple trs.
SETTING THE correcting the limited volume, treble and bass on channel 1 and ditto on channel 2 which is added a reverb knob and two knobs to DDIS vibrato (speed and intensity.

What surpend on, it is the precision of which potentiomtres rgissent Fawn trs net the slightest touch.
Clearly to refine the sound should not go the ladle as two drops are enough!

This is a 22 watt but be careful it is strong!

For weight, it is 19 kg which makes it easily transportable.

The fact is that unlike many amp lamps, even when it is possible to play low volume apartment, getting a beautiful sound "tube".

I put 9 because for me 10 means perfect and nothing is ever ...

SOUNDS

The sound? Well, it's the whole intrt of this model: AMAZING!

I use it with a "Start Over" with Gold Lace Sensor pickups primarily in blues-rock records and we are in the field of prdilection.

The clean sound is beautiful crystalline wish, but always vibrant with a nice warm sound.
However, the precision is such that all errors will play just as noticeable, so the gaffe hiccups!

The HP Jensen trsractif shows, with a tendency to produce many highs, which requires good rgler the knobs for not sound "loud".
I speak sr for use with a team of strat single coils although sr ...

The headroom is IDAL, making the Accessibility assistive certainly possible, but the crunch sound volumes trs important, so watch your ears.
For those who can use such a volume is the total growing! Or it will go through a attnuateur power.

Some regret that there is no channel saturated plutt but I see this as a good thing because we had left the choice of saturation that is desired by the bias including hundreds of various pedals and varied that exist today.

Personally I use a TS9 and the sound is really gnial.
As against this amp does not like the Fuzz, so try before buying (I had to sell a super fuzz pedals for that reason).

The vibrato channel is great but with a lightweight breath, but nothing mchant ...

I think this amp is really versatile to play all styles of music except Hard, Metal, etc.. for which there is not Designed.

So I put 9 regardless of some distorted sounds, as well is to cel

OVERALL OPINION

What to say about this sound?
This is a truly exceptional combo that will fill many guitarists that play in registers Blues, Rock, Pop, Jazz, etc..

I had several lamps amp (Marshall JCM 900 Dual Reverb 50W and 40W Fender Hot Rod Deluxe) and I possde it for eight months.
At the outset I think I will not change.

Compared to my old Hot Rod Deluxe, no photo.
Indeed, the Hot Rod as a super dj amp (even when it's a standard) we quickly realized that with the Deluxe Reverb is played in another court with more than "everything".
The Difference in weight and there is also still the Deluxe Reverb is a good compromise with 19 kg.

In any reputable her fawn is really more to do, and then it's not for nothing that the rdite, eh!

In addition, it is usable low volume making it a versatile amp apartment, rptition, concert, it can just never be put to default!

In short, excellent report qualitprix: price of around 1000 on the internet!

A small BMOL, FENDER does not provide protective cover, which is easy on the internet: Approximately 25.

I put 9 always for the same reasons!

Tube amp of 22 watts / 8 ohms

Speaker 1-12 "Jensen ® C-12K, Clay
2 channels (Normal and Vibrato / Reverb)
Controls Normal Channel: Volume, Treble, Bass,

Vibrato Channel: Volume, Treble, Bass,
Reverb,
Vibrato: Speed, Intensity

Poids19.05 kg

Lamps
4 X 12AX7,
2 X 12AT7,
2 X 6V6,
1 X 5AR4 RectifierTube

Output for external speaker but no effects loop: the former is

UTILIZATION

The configuration could not be simpler: you plug the guitar (a Heritage H150 for my part) and we listen play.
If its easy to get a good means to turn any knob in any direction while keeping a splendid, then yes you get a good sound easily.
Be careful though the volume knob: it is not very progressive and 3 were already very big sound.
The manual is like a guarantee because it does not need anything else.

SOUNDS

It is perfect for my style of music that is not determined a mixture of jazz, funk, pop, hip hop, song ...
Obtained with this amp sounds typical ... fenderriens (surprising, right?), that is the beauty of the stamp stamped Fender: clear, crystalline but terribly warm, velvety, sweet reminding our ears the sounds that have forged (for example, Motown). I think this amp fits perfectly with my heritage (neither more nor less than the equivalent of a Les Paul Standard), offsetting the fat side and drooling microphones by the clear and bright lights.
Note that by buying this amp, you'll save buying two pedals: Reverb (frankly superb) and Tremolo (simple and effective).
on the other hand for saturation, it does not drive channel, so we must add it a overdrive / distortion cash it very well: I played with a Maxon OD808 and my faith, that sent warm wood.
Last point: if you are afraid that 22 Watts are not enough to rehearse with a drummer for example, well do not be afraid ...

OVERALL OPINION

While I do not use that for two weeks, but actually I needed just 30 seconds to make my choice. I was looking primarily for an amp with a good clear sound. I tried a lot of amps (Bogner Alchemist, H & Kettner, Fender Hot Rod, Vox AC15 Heritage) and playing on this one I did not hesitate: it was clear that the sound I wanted. This does not diminish the quality of some amps I mentioned: the Vox AC15 is monumental for example overdrive.
Honestly, for 1100 euros, the price / quality ratio is interesting, even if it is not given 1100 euros. But frankly, a decade ago, have such an amp for 7000 francs was unimaginable.

All tube, 22 W, an HP 12 "JENSEN, normal channel 1, channel 2 reverb and vibrato, etc..

A footswitch reverb + tremolo

Side is very simple settings, volume, bass and treble all sound settings. The 22 w are well presented, is sturdy and generous in low and medium high. Pure Fender.

I put 10 if it is considered an amp to the old is to get a beautiful clean sound.

UTILIZATION

Simple setup, you plug and play. The reverb is very generous (beautiful, but generous), it is well determined. Vibrato breath a bit (as always), it is very well built and very warm.

We get easily full of beautiful sounds blues, pop and rock.

SOUNDS

It is a wonderful amp, I have a Blues Junior Jensen very good, but the reverb and the clean sound it has nothing to do, the deluxe reverb is over.
I hesitated with more modern stuff: Fender Hot Rod, clubster RIVERA 25, Vox AC 15. But ultimately the Fender won. Its strong point is the sound clear, and it is especially valued the fact that the instruments used and the nuances of the game I emerged from my Start Plus Deluxe that I had abandoned because of a JCM 2000 Marshall. I use it with an Epiphone Sheraton II (microphones Gibson 57), it is velvet. With my Tele pickups custom shop is very precise and incisive.

The only restriction is the absence of master, for the crunch must exceed 4 / 5 for the overdrive to 7 / 8 (where you do more ears and neighbors on the back) .
The solution is to find good pedals that do not betray the amp: the Ibanez Tube Screamer him very well.

I bought it mainly for my home studio to cover a lot of different applications, so for the types of sounds produced, I'll make a small list:

- Start + 5 + reverb vibrato pm: the beautiful intro of the last Arctic Monkeys, bridge pickup in it sounds very 60's small plane on the 007
- Start + Ibanez TS9 gain at least: SRV, beautiful sound of blues well qualified
- Tele neck pickup, volume 4, Reverb 4 / 5: Jeff Buckley, the finger, plectrum, all shades pass
- Tele bridge pickup + TS9 at noon for the general good little riff Riff Keith Hard
- Epiphone Sheraton + reverb and vibrato to 6 pm: Portishead Dummy atmosphere
- Epiphone Sheraton neck pickup, some reverb, it's jazzy fingers

That is, in fact it made a lot of different stuff, but never metal or modern, at first I search for vintage sounds good, I've used.

OVERALL OPINION

I use it for 15 days.

What I like most:

- The look Fender Black
- TWIN reverb sound with a weight and a reasonable volume
- Warm vibrato
- The true musical reverb
- Inspiring the next
- Respect the game and used guitars
- HP Jensen

What I like least:

- No Masters
- It does not forgive the approximations in the game
- The Marshall JCM 2000 I will miss the large distortion

I find excellent value for money (970 euros Pigalle), obviously we always love to pay less, but compared to a Blues Junior Vintage 30 to over 600 euros, it holds the road (BJ is great, but its price remains very high). I do it again this election easily.

Just about the most classic Fender amplifier that has ever been created. Fender has had quite a few solid amps such as the Blackface, bassman, Twin Reverb, and modern Hot Rod amps. This is one on the level as those classic amps that have rock n roll ingrained into the dna.

This amp is so colorful and rich with tonal flavor. It makes is hard to think about music without an amp such as this one. The tone that this contains coupled with a nice tubescreamer type pedal is just glorious.


Fender '65 Deluxe Reverb Features:

* All Tube Amp
* Output: 22 watts into 8 ohms
* Speaker: 1-12" Jensen C-12K, 8 ohm Speaker with Ceramic Magnet
* Channels: Two Channels (Normal and Vibrato)
* Tube Driven Spring Reverb
* Tube Vibrato
* 2-Button footswitch
* Baltic Birch Plywood Cabinet
* Normal Channel Controls: Volume, Treble, Bass,
* Vibrato Channel Controls: Volume, Treble, Bass, Reverb
* Vibrato Controls: Speed, Intensity
* Covering: Black Textured Vinyl with Silver Grille Cloth

UTILIZATION

Details
Type Tube
Number of Channels 2
Power 22W
Speakers 1 x 12" Jensen C-12K
No Effects
Reverb
EQ Treble, Bass
No Amp Modeling
Number of Models 0
Number of Tubes 9
Preamp Tubes 4 x 12AX7, 2 X 12AT7
Power Tubes 2 x 6V6, 1 x 5AR4 (Rectifier)
Inputs 2 x Instrument (Normal), 2 x Instrument (Vibrato
Outputs 2 x Speaker
Footswitch I/O Yes
No Effects Loop
Height 17.5"
Width 24.5"
Depth 9.5"
Weight 42 lbs.

SOUNDS

Glassy, chimey, sparkling cleans shimmering with tone dripping for days are all words to describe the nature of a winning amp for decades. The tone with this amp will leave you satisfied but ready for more. Try this amp out with a nice Fender Stratocaster and you will hear the combination that this amp was made and voiced for.

This amp has so much potential and all you need is some creativity for style and you will have a killer tone that will rival most professionals. Add a nice analog delay to the mix and couple that with the reverb channel and there you;ll have a sweet rich ambient tone that will give more creativity that you can dream of .

OVERALL OPINION

One of the greatest amps ever to exist and that god they made a reissue of it. At new these amps come in at around $999 which is a great price for a classic amp. I would recommend this amp to any guitar player who needs probably the best clean tone in existence. The versatility of this amp is really endless. It doesn't have much to get in the way of the tone with just a few control knobs and a second channel for a reverb feature. This is a great classic amplifier.

Return on all specificity of this combo seems unnecessary. My colleagues here have explained everything. It is in all-tube amp, modern, which derives its power from two 22w 6v6 and incorporates many features of the Fender amps of the big time. I, myself, a fan of amps with few controls and gris-gris, in my experience, it is almost always better served when only two buttons to rotate to change all that when you are six. This amp is no exception as we shall see later.

The finish did not seem spectacular. After opening my test model, I even tend to say that it cools slightly. A PCB with full cable, is a little messy. I regret the woodwork a little light that keeps me up on my amp when I crises fads. The finish not impressed me in anything, but do not make me feel bad.

UTILIZATION

In use, the simplicity of the controls allows for families to spend a lot faster than you love her. Yet it is not deprived of freedom in the choice. Everything sounds good and is quickly findable / configurable.

"I note however that sound great FORT 22W ESPECIALLY WHEN YOU WANT TO START THE CRUNCHER BESTIAAAAAAAAAAAAAAAUUUUUU!"

We are not at the critical stage of my Marshall heads, but the device shall not be construed with people who want to play in an apartment or have a / a girlfriend / are reluctant at their leisure. By-cons, it has its place in a group where he will speak, even in a pure clean to adequate.

The lack of effect loop fills me. But the only two onboard effects are démerdent perfectly.

SOUNDS

I make a deal ... haaaaaaaaaaaaa
I let a chord resonate ... hoooooooooo

Damn! It sounds great that little fender. Dynamics lies in the average single channel amps industry. We have seen better, but I know worse. His real strong point is the sound it offers panoramic scene.

Whatever your guitar, it offers, from clean to crunch, a wealth of easily attainable with a standard amp. In addition, the sound has a harmony and lightness that puts a tear in his eye. Especially with the channel effects can create beautiful tablecloths. The sound immediately adapts to the guitar / pickup / knob chosen / selected / rotated, which offers lots of beautiful sounds without touching its settings on the amp. I emphasize this point. I spent an Epiphone hollow body jazz, a Dean Flying V, a Gretsch White Falcon and a prs modern eagle through the amp. I have always received excellent sound. It's rare to have an amp that works well with everything. It's just beautiful.

The only two manquos for me were:
1) limited the side of saturation. It tends to have the lead, but do not want the road next to a Two Rock, Marsh Dumble clone or Carol-Ann OD2, are able to offer versatility (cleans with comparable course). But the price is not the same either, though (see next section)
2) some harsh harmonics between the transition from clean to crunch. That does not include false, this is done with a lot of liquidity, but something in the midrange sounded hard. I do not know if this is the horsepower or the cab file that causes this (see below)

Another negative point. The cab does that poorly digested 22w howling of the beast. The amp test tended to vibrate when I approached 6 to channel volume. that's boring, because, for the craziest of us, it will re-buy a cab to deliver quality in all (with weights and finance major).

OVERALL OPINION

... Indeed, in Switzerland, I have to almost 1500 euros to the bill. And marsh or carol-ann is just 500 euros more expensive. At the price usa however, nothing wrong. The machine is estimate to 1300 dollars, making the 1000 Euros. It's very good with the light tones.

That's a nice little Fender that will delight young and old with quality sound. I regret a little trim mean, that has nothing to do on this amp. It would also have earned a little less light-mail. But I think since the appearance of marks as Tube town, it is possible, without breaking the bank, to make high quality boxes.

It is rare that a car amp to touch many emotions. This is the case here. If you're interested, I can advise you.

EDIT: As stupid as it sounds, I was looking for a head version of this amp. Found at Fender, I turned to "Vintage Sound" who offered me a re-edition of the original model blackface PTP, for a price of 1400 euros. A test will be available soon.

The Fender '65 Deluxe Reverb is a tube based guitar amplifier with 1/4 inch inputs in the front. It has two channels and two 1/4 inch inputs for each. The first channel is the normal channel with volume, treble and bass knobs and the second is the vibrato channel with settings for volume, treble, bass, reverb, speed, and intensity (for vibrato).

UTILIZATION

The layout of this amp is simple and has the classic controls that originated in Fender and have now become ubiquitous on guitar amps. It is real easy to get a good sound on this amp - just turn it on and turn it up and sounds good! I don't have the manual to this so I don't know if it is helpful or not.

SOUNDS

This amp is great for just about any type of music, as you can get a variety of sounds and has a incredible clean tone. The effects are also top notch - the reverb is a real spring reverb and the vibrato is one of the best of its kind. This amp has become a classic because of these features and the inherent great tone and overall sound it has. I have only used this with guitar and that is what it is intended to be used with.

OVERALL OPINION

I've been using the '65 Fender Deluxe Reverb for about two years. To me it is one of the best amps on the planet, as Fender amps from this time are really just some of the best amps ever made. The overall tone is great and the effects are some of the best of their kind. If you can get an original one of these, it will cost you a bit of money but is probably worth it as it is a great amp with a classic overall tone. This is one of my top choices for amps in a lot of different situations and I can't say enough about how much this thing cranks!