All user reviews for the Diezel Herbert

Model: Herbert
Output: 180 W
Channels: 3, with second master and mid-cut up to 6 voicings
Loops: 1 parallel, 1 insert loops, 1 switchable insert loop midi in & thru / phantom - power
Equalization: gain, treble, mid, bass, volume per channel add. gain switch on Channel 2 switchable mid. cut with adjustable volume
Preamp: 3 individually voiced, all tube pre- amps. Clean, crunch, lead
Poweramp: 6-tube power amp section. Recommended: EL34BHT, 6L6GC. Pairwise mixings possible, pairwise bias control
Dimensions: 74x29x28 cm

UTILIZATION

The general idea behind the herbert is that it's a vh4 with a less tight and more forgiving voicing. I had a vh4 years ago and I found it a little too "metal" sounding for my tastes in the voicing, so I was one of the first to try a herbert. The layour of the herbert is fairly simple. 3 channels, no big surprises. It does have a global mid cut feature that I honestly never use since I happen to like my mids. I suppose you could leave it on all the time and turn it off for solos? Not sure if that's how it was intended to be used. The effects loop is great, and for the price it better be. With my herbert I used an eventide eclipse along with a line 5 echo pro in the loop.

These amps are bulletproof, and I'm the kind of guy who won't buy a brand's stuff again after something goes down on me. With all the wiring in these, Diezel wouldn't be around long if their amps were going down on everybody. If you take care of it, then it will take care of you.

SOUNDS

I have all El34's in mine. That's just my preference. I like the extra mids they give me. The clean channel is somewhere in the Fender blackface/Hiwatt clean realm. I think the EL34's give it a little more hiwatt and less fender hollowness. It's not going to sound better than a good blackface original or even an original hiwatt, but it's better than a lot of channel switchers.

Channel 2 is where I spend most of my time. Serious range of gain when you use the guitar volume knob. You can go from plexi crunch to jcm800 roar to a high gain hair metal destruction. Probably one of my favorite channels from any amp ever. This channel alone would make for a great amp. AHEM

Channel 3 is basically your soloing channel. It starts at mesa rectifier territory and from there goes to some scary places. You heavy metal and noise metal...etc guys will know what I mean when I say "ridiculous amount of gain." It's a pretty versatile channel for voicing.

OVERALL OPINION

I ultimately got rid of my herbert because I rarely need to use all 3 channels. I have discovered I am more of a 2 channel guy, and most of my 3 to 4 channel amps have been removed from the collection. That's not to say this is a bad amp. It's a great amp actually. More for the guy who needs to cover a ton of bases though.

I have used the Diezel Herbert to pump up the volume of my acoustic when I play in church. I blow the roof off of the place (actually I fill the space up very nicely) with this . I love the fact that the batteries last for hours and hours. I own two other small amps and never touch them that much because of the sound of this one.

UTILIZATION

At first doubted the power i would get from it, but plugging my guitar in, i made the mistake and turning it all the way up. LOUD!!! The effects are really helpful, and so is the tuning fork. Very useful if you need to travel, or even for just home use. batter power is great as well.

SOUNDS

I would give this a higher than perfect score if i could. when i was thinking about buying this, the main worry i had was volume. it says 2 watts and is pretty tiny (and awesome!). But when i opened the thing up and turned it on the classic stack setting thats modeled after the Marshall amps, my mom kept yelling at me to turn it down, now i can't even play it at quarter volume without getting yelled at. Its very loud. also, its battery powered which makes it so much easier. you don't have to plug it in every time you want to rock out. Plus you don't have to worry about finding an outlet every time you have a gig, just plug in your guitar and play.


OVERALL OPINION

The thing i love most about this thing is that it's small. all my friends are lugging around huge marshall and fender amps and i have this tiny little amp that's almost as loud. I recommend this amp to anyone that’s on the run or the go and wants to continue playing.

Mine is the older Mk. I version.

- 180watt, 6x almost any type of power tubes, EL34, 6L6, KT88, 6550 etc.
- 3 completely independent channels with EQ, gain, treble, mid, and bass control
- Additional gain +/- switch on channel 2
- 1 insert loop, 1 series loop, 1 parallel loop, 1 switchable series loop, tuner out, MIDI in & thru.
- Mid cut feature, presence, deep controls
- Mute switch
- Channels and mid cut on/off midi assignable

UTILIZATION

It is very easy to get a good sound, I usually keep the controls near noon. I like the presence and deep controls fairly high and the mid cut around 10 o'clock. Using the midi is very easy, just push "store" on the amp, select the place where you want to assign it on the footpedal, press "store" again.

SOUNDS

I play a baritone scale 7-string tuned to B. I mostly play melodic and progressive death metal. I like how smooth and clear the gain is. I prefer the channel 3 because of it's compression and saturation. The 2+ channel sounds slightly bigger and more raw which can be preferable for some players. The clean channel is bell like very bright and clear, probably more voiced with metal players in mind.

OVERALL OPINION

What I like the most is the ability to change power tube types, and the fact how clear it sounds with the SED =C= 6550's I have in it now.

I'd buy one again in a hearbeat for the price I paid for it. I wouldn't however pay full price for it ever. I pretty much bought it as an investment since I can sell it for more than what I paid but it seems that I can't really let it go anymore since I like it so much.

See www.diezelamplification.com
The site is well done.
And I do not really want any details.

It has everything you could want from an amp, I think.
I shall not want, anyway.

UTILIZATION

Simple configuration.

The good sound is not easy to obtain, the range of sounds is huge.
However, I consider this feature as one of the highlights of the head.

The manual is downloadable from the website above. It is comprehensive and full of useful information.

A forum is accessible via the site.
Peter Diezel himself answered questions.
It's still a small company (that is relative, of course) ... take advantage of it.

SOUNDS

There he is wonderful.
Obviously this is a matter of taste, but in my case, I find his sounds all the more incredible than the other.

The clean is clear, bright, and very flexible.

The crunch is precise, round, also very flexible ... switch + / - add or remove gain. + Mode has a little too much gain for my taste ... I only use the method - at the moment.

The third channel is enormous. The gain is generous. The grain is wonderful, the sustain is amazing ... Personally, so as not to compress the sound and gain in accuracy, I put the gain at 10 or 11 am ... It's good enough.

Mid-Cut function is a "plus" significant.
Well regulated, it offers the possibility to switch a sound with a lot of mediums to a more digging, but just as "present" (thanks to the two knobs of intensity and level of function Mid-Cut)

In short, it's really the high end.

I use it with an Ibanez J-Custom RG-Metal1.

Feel free to send me a message if you need information.

OVERALL OPINION

I have been using qques months.
I never "loved" an amp before this one ... and I have owned a series.
Its sound, its texture, its sustain, its scalability (you'll pardon the expression) are incredible.

It is very expensive, but so worth it. This choice I would do without hesitation.

Do not hesitate, I repeat, to contact me if you want information about it.

180w head! Fully lamps (original: 6xEL34. Quip, but can be paired with any type of power tube)

There are three channels:

Clean: volume, bass, mid, treble
Crunch: gain, bass, mid, treble, volume (+/-) and a switch that allows you to choose between two gain levels (+ and -)
Lead: gain, bass, mid, treble, gain

There is a small section MID CUT (cut mdiums) that will delight mtaleux like me There are two knobs: SETTING THE rduction of frequencies and volume (used to compensate for the loss volume general). This section can be trigger via a small button on the front panel or via footswitch or MIDI.

At the Tagus power we have: prsence, rsonance, Volume1 and Volume2

The head is compatible noon. There are two effects loop (and in a parallle SERIES) with level knobs. There is also an adjustable noise gate and Intgr (the rear).

Much of the amp is made by hand. The finish is perfect. We are really in the very high end. Can not do above l!

I suggest you to go on the Diezel website for more info.

UTILIZATION

The setup is classic. The only innovation is the small MID CUT but it's not rocket science. There is a button that allows you to dig mdiums and the other knob is used to compensate the loss in volume from the drop mdiums.

You want a clear sound? You snap the clean channel. You want a crunch? You snap the channel 2 and set the switch on (+/-) -. You want a big distortion? You put on the same switch +. You want a lead sound? You snap the channel 3. MID CUT can be switched on or dsenclench indpendemment selected channel. The effects loop can be added as we want o you want and any time we can start the Volume 2 of the Tagus power (which will rgl Prior volume above the volume one) if you want every time out from the crowd. It's simple.

SOUNDS

Well, I identify; mtaleux (I never gain ass!)

I test the head of a cabinet 4x12 "unnamed quip in V30. I do not beat around the bush: channel 3 gain bottom 14h of bass, mid 10h on, 14h treble, volume 9, volume gnral 9am prsence 12h, 12h rsonance. AEEEEEEEEEEEEE! ! !
I fried the instantaneous heart stopped! The gain is so intense, it makes you Seigner ears!
Ok, I changed tactics: calnal 2, gain of 3 hours, switch on (+/-) +, 2h on bass, mid 12h, 2h on treble, volume 9, volume gnrale 9am, 12am prsence , rsonance 12. Oh, p. .... ! What a sound! Exceptional levels of gain, a grain gnial, the sound is big trs, trs "Toufu", full of harmonics, bass and a tot prsence and a copy DEFINITIONS . The dynamic is incroyble! .... As superlatives, eh? And yet I know not how to express it differently.
Channel 2 has gain much ass to make rhythmic thrash, death trs saturated and even solos. Channel 3 pushes the cap even further. In the thoriated is fun "ever, ever further," but our friend Herbert reached the limit of human hearing. This is the nirvana of saturax junkie! Point.

If we now Inrush the small MID CUT ... WHOUUUMMMMMMM! It falls to the depths of hell. I never heard a head lamp that could widen as the mdiums! And it works perfectly even a high volume without losing trs The definition and dynamics of sound. INCREDIBLE!
With an unparalleled and 180w dlivre as the head, have to be careful ... the speakers will have to find something to hold on and collect the dynamic pressure of the sound. And the gaffe ears!

Channel 1 does not saturate. The clean sounds are fun. Fawn any APRS what I VCU just before, I do not care.

OVERALL OPINION

It is a concentrate of superlatives, the ultimate weapon for mtal and yet versatile.
It CHRE trs. We'll have to break the pig ...
But there is no doubt that my next amp!

Objective analysis:
Head tube amplifier 180w
with three sections of a more comprehensive EQ section and a global section Midcut
MIDI foot controllable not

Objective analysis:
Again, finish polished, more elegant than its big sister VH4, the knobs have a race specific, sensitive and regular (yet happy)!

(10) everything is there, it is built

UTILIZATION

180w ... it was completely unnecessary. Just to be able to blow up the U.S. market ... pfff ... So, forget the domestic, the type with whom I tried this head lives in a house, but is at war with all the legal neighborhood!

Please note that the head performs well at low volume, but the preamp must be pushed beyond the half for a sound that has good fishing.

Good idea, there are two volumes to choose for each channel, so in theory, each channel can be a leader, to do what you love so.

(9) You were not to make unnecessary expensive 180w Peter, that's what cost you points here!

SOUNDS

All used pure, as that's already nice, shake it well. Note the switch "more gain" on channel two, which I find useless, because like its big sister, the transition clean crunch is not his specialty is when you send it good.

Just for info ... the channel is oriented a clean / crunch, crunch channel 2 instead / nuclear bomb in a convent of nuns and three channel sounds like the cannibal of Rothenburg during the festival of virgins.

But it is the Midcut is the ultimate weapon on the head! it allows you to sculpt the sound and expand opportunities to infinity (in fact if the night had not fallen, I'd still). The sound is massive, full, like a large tree that crashed into a forest full of white rabbits, but it cracks juicy same time. The cabinet of Norman Bidochons resurrected to crash all the time. We get it sounds more woody, but still very "diode" or so sounds more metal cooler. In fact, you can have fun days

"More violent, more hot
even hotter, less violent
colder, more violent
more ... "

Construction noise is, like its sisters, built around a buzz, but its more extreme makes it more coherent than its big sister the VH4.

The clean is always a killer, I found it a bit narrower than the VH4, but not so far way (knowing that the queen of clean is einstein).

(8) A big piece of blood!

OVERALL OPINION

I do not use it, I just watch it ... I aligned next to my collection of famous murderers axes and wait for the right moment to use it ...

not kidding, do not believe a word ... I just have the opportunity to play from time to time it and I wanted to share with you my impressions!

Ciao!

Constructor see site ... there are slightly different version
wholesale 3 Channel EQ with mid cut + independent (which can work on the sound as any other amp!), bass boost and presence, and 2 master volume, series or Parallel loop with adjustable ratio of wet / dry, dock accepts all models and combinations of the most common tube

UTILIZATION

very simple and knobs are very responsive so it's all good, the master is really very well done for, you can play at home at low volume without problem and it sounds good ... of course not as good as when you push a little but still it's pretty impressive if we consider that we have 180Watts lamp under your fingers!

SOUNDS

is an amp that was there jai qq annnees but I do not lay more now
as the guitar was very different results so it has taken into account, I used the original model of tubes

sounds good clean sound, there is a pretty huge headroom (180 watts!) on the other hand is pretty "stiff" so it depends on the type of clean sound that is sought. Adapts very well to the type of rock, but blues rock, or funk. Channel 1 also allows for nice overdrive when pushed. godin LGXIII with pushing a bottom jarrivais a sound enough "hendrixien"

Channel 2 goes from slight crunch to a huge distortion, it reminded me of a sort of "modeling a lamp" in the sense that it can play almost anything on that channel depending on the settings!
the crunch of herbert differnet sound good but all are very precise, again it depends on what one seeks.
Channel 3 is planned for the lead, the sound is a bit more compressed than the channel 2 I would say.

for the distortion is clearly his field, rock, hard rock, metal, thrash, death metal, grindcore etc ... she knows absolutely everything and styles for the most violent one obtains low huge but very clean (depends also the cab) and "clarity" joint game pretty impressive even with distortion levels of students! sweeping, tapping etc all sounds very clean (as long as we play well of course!)

Can we blame him it's just one side hi-fi (like a little "fizzy") but it has that price we sound so precise.

I've never had a problem I heard a year group, as I sometimes read here or after ca ... is my experience!

OVERALL OPINION

I used two years after I left to live abroad so farewell herbie!
but it's an amp I would probably never be sold to the metal because it suited me 200%!

Personally even if the clean is very good is not an amp that Jachet if I played very often in clean, or to jazz (although again with a good guitar is obtained very convincing results, like a PE net flat .. yum!).

to crunch all depends on the type of crunch ... we are looking for a crunch "electric" and very rock'n'roll, yes, a rather bluesy roots and not really something better like that.

for fat distortion, think Pantera, Death to name just two ... the clear and precise .... if that's what you are looking for then no problem, it is the top. It is also very suitable for all music but not particularly violent enough "technical" or requires a certain "intelligibility" as progressive rock .... and that's where the head excels.

3 completely independent channels with:
- Gain, treble, mid, bass, volume per channel
- (+/-) Gain switch on Channel 2
- Switchable mid cut with adjustable volume

Tubes:
- (6) 12AX7s in the preamp
- (6) Octal power tubes of any configuration, as long as they're in sets (2 EL-34s, 2 6L6s, 2 6550s, etc) @ 180w

Master Section:
- (2) Volume controls
- Presence
- Deep
- FX – return MX

4, 8, & 16 Ohm speaker outs

FX Loops:
- 1 parallel
- 1 insert loops
- 1 switchable insert loop

MIDI in & thru with phantom - power

Bias Test Points (on the model I have)

UTILIZATION

This thing has TONS of options, and can be a bit daunting at first, but honestly, I don't think there's any way you could get a bad tone out of this amp. Simply set all the knobs to 12 o'clock (except the master volumes, unless you want your head to explode), and you have an instantly gratifying tone. Adjusting from there, it only gets better!

The switches on the front are among the nicest I've seen. Everything on this amp screams quality. You will find absolutely no cut corners on this amp.

SOUNDS

From the first time I heard this amp 4 years ago, I knew I had to have it. Sitting in Guitar Center one night before they closed and seeing a guy walk in to pick this amp up, was a monumental day in my music career. What I heard come out of that amp was shear awesomeness. 180w of power coming out of a V30 loaded Mesa 4x12 made me giddy with excitement, until I asked the guy how much he paid for it! I've been building up to it ever since, buying, trading and selling others to see if there's anything out there that can rival its sound, and there's not a single amp I've owned or tried that can even come close.

I mainly play metal, and Channel 1 I use as my clean channel (though it can get some pretty cool lower gain tones with the volume cranked), the amp is surprisingly very versatile. This channel is simply beautiful, it's the clean tone I've been hearing in my head for years, that no high gain amp has been able to achieve. The cleans are bright, chimey and full of body and life. I tend to scoop my mids here, because I don't like warm clean tones, because they always sound sterile and lifeless to me. The cleans on this amp are second to only one amp I've ever played... an original 1965 Fender Super Reverb.

Channel 2 is perhaps my favorite channel of the 3. It's super tight, and has a huge grind to it that's perfect for metal riffing. While it doesn't have as "big" of a sound as the 3rd channel, it's more defined and aggressive for rhythms. The + and - setting on the amp allow for a lot of versatility, the - setting being used for more mid gain settings and the + for all out destruction. Very articulate gain structure and with the mid cut engaged, can get a HUGE sound.

Channel 3 is what I usually stick with for leads, or rhythms that require a little more oomph. It's thick and saturated with a TON of gain. It's great for aggressive leads on the bridge pickups (I can't stand the smoothness of most neck pickups I've had), and with the mid cut engaged, can really get a brutal rhythm tone. I tend to like a more searing tone, so I keep the Presence high on the amp, and the Deep around noon.

The MIDI features of the amp are great, and allow me to control my TC Electronics G-Major, and Diezel at the same time with my Behringer FCB1010, which is great for setting up a ton of awesome patches to switch through.

OVERALL OPINION

Right now, I'm running this through an Emperor 4x12 with Celestion G12K-100s and Vintage 30s in an X pattern and it sounds MASSIVE! Before, i was using a Mesa OS 4x12 with Vintage 30s, and while it sounded great, the GK100s really push this amp over the top with awesome tone.

Honestly, I probably wouldn't own this amp if it hadn't been for a great trade deal I got, which allowed me to sell the amp I had before it, and pick up the Herbert for only slightly more than what I got from selling the previous amp (Soldano SLO). While this amp does sound AMAZING, I'm not sure I would pay the amount of money that I did, had I not gotten the trade deal I got before buying it, while the amp sounds great, I would never pay the new price of $4600 for it.

Don't get me wrong, I would certainly recommend this amp to anyone who has the cash to spend, because in all honesty, it is the best sounding amp I've ever heard, no competition... but in my experiences, after about the $1500 mark new, anything higher priced is really not a huge, drastic, change in sound quality. While this amp certainly sounds better than my 5150, I don't think it sounds $2200 better :P
If I had to base just off of sound quality, I would give this amp a 10 out of 10 without question. Based on sound to price, probably more like a 7 out of 10, just because the price of these amps are so steep.