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doha1696
Published on 01/11/08 at 08:52
I do not m'tendrai on the bte CHARACTERISTICS, I suppose if you made it this far your is that you know a little what it is ... Just some basic info:
100 W lamps, two effects inserts (parallle / SERIES), four separate channels, each with three modes (green / orange / red) which is minimum 12 sounds DIFFERENT, pdalier programmable channels and Marshall 6 above, all programmable via MIDI !!!!!
UTILIZATION
We enter the heart of the matter ...
Marshall, who used to deal with the Intellectual fnantise scratch using the above made simple! It is not immediately apparent by a forcment ahead dashboard full of buttons that suggests we will have a factory gas grate but that is the case. In fact, it would almost Whereas we have 4 amps DIFFERENT grouped into one and the same unit. And took indpendamment, there is a classic Schma Vol-Treble-Mdiums-Graves-Gain ... with three options for each channel diffrent its "green" - "orange" - "red" that affect the gain level (plus it goes to red and the greater the gain of the channel). To all this is added with a rverb numrique SETTING THE level, a "contour" (like loudness) and one of potentiomtre prsence adjustable for all 4 channels according to the ( s) speaker (s) utiliss. It also has two master volume, in short is the top: a simple and effective!
Ct connections, nothing very original, still simple. There are two effects loops (one programmable), a cable (jack) to connect the pdalier provided and a SERIES of possible connections for the (s) speaker (s) ... Between instrument and many sr.
And does not even complicated to program sound (as I remind you that this is the one of the main advantages of this amp: it is ...). Fully programmable No need to be a pro the south, just be "guitar" (that is, an IQ of 45 is more than enough ...) and read the user manual of three pages in French (and many translated into more, it's not so frquent ...). There are two options:
1/Vous use the amp alone (or at least no effect twelve o'clock or twelve o'clock pdalier external) you can program six DIFFERENT sounds accessible via the Marshall pdalier provided. To do this, you do your rglages, turn the knobs in all directions, press 3 seconds on one of the switches pdalier, is ay!
2 / You use peripherals noon because pdalier, both sets ... Even simpler: APRS have the religious head amp midi (IN) with (s) peripherals (s) (OUT), you do your rglages you select a program "effect" "pdalier" ay is it in the bote !!!!! No manipulations do not channel rgler Droulez swallow and menus, just watch, listen, play ... Deadly!
The intrt? Is empty: we pass a click sound Mtal no punk hyper saturated with heavy reverb (which is not my cup of tea but ...) and 500ms delay in the Mark Knopfler with rverb compress a bit of background, each with its own effects carefully planned in advance by your little finger enjous ... All shades of legalization, volume, gain are possible within the limits of available memory 128 ... I tell you not walk with squence noon and Program Change ... Y amme need to pdalier, sounds change all alone in gr music that dfile and I have plenty of time to concentrate on the essentials ...
In fact, I've had three days, and I know the amp dj on the fingers so everything is easy. Marshall has really trs trs fort. It gives me the rve watch what I expected for so long and what is the plutt or sounds, the toy is no exception either!!
SOUNDS
What can I say? Everything is possible! With effect numrique simple (I personally use a G Major) we obtain a panel of sonoritsdlirant. The saturation is most important for me always but I do not want a dirty trick, I'm in the register plutt Lukather, Van Halen, Gilmour and Co, Gary Moore, Andy Timmons ... I do not play many sounds "crunch", I want the real distorting pure and flawless, sometimes with a little chorus and delay a lightweight. L I have everything! And when I venture into the register Hendrixien, no problem either, simply meter the gain by playing between DIFFERENT channels and their respective modes ... It's really trs trs fort! And yet, I have currently a cabinet "unworthy" of this toy dj hell and is standard!
In terms of its clear, I had a lot of amps and setups diffrent, I have never heard a. .. Who said that Marshall could not make his clear? The crystal blues hot oil, there is the time to spend to get what you want. Although sr, I play the guitar and I Vigier going well but I am sr that even with a shovel, a ring!
The only BMOL is that you need the appropriate mix of DIFFERENT effect levels, the amplifier, the gain and possibly invest in a noise gate worthy of the name (I personally Hush 2 pm) in order to push back the gain and get all the distorted sounds without any limitation. But this is the case with all amps that have!
OVERALL OPINION
Well here I will say one thing to finish: forget everything you could connatre before, I have a premium Rivera, a Fender Hot Rod, I had several Marshall I n ' I t never a huge fan but the one worth dtour and especially, its MIDI-ct is unique. I do not mean the price is expensive but we certainly worth the money ...
Simplicity of use copy
Sounds of hell either plain or saturated (never heard anything so good and versatile)
Sounds even without the 1960 A to go with
Sounds even low volume
Deadly!
Is what I would do this choice?
Ben j'hsite l. .. Finally, Carlsbro c'tait lot too ... really cheap ... and the more they sell at Aldi! (You see I do not bump in Marshall!)
100 W lamps, two effects inserts (parallle / SERIES), four separate channels, each with three modes (green / orange / red) which is minimum 12 sounds DIFFERENT, pdalier programmable channels and Marshall 6 above, all programmable via MIDI !!!!!
UTILIZATION
We enter the heart of the matter ...
Marshall, who used to deal with the Intellectual fnantise scratch using the above made simple! It is not immediately apparent by a forcment ahead dashboard full of buttons that suggests we will have a factory gas grate but that is the case. In fact, it would almost Whereas we have 4 amps DIFFERENT grouped into one and the same unit. And took indpendamment, there is a classic Schma Vol-Treble-Mdiums-Graves-Gain ... with three options for each channel diffrent its "green" - "orange" - "red" that affect the gain level (plus it goes to red and the greater the gain of the channel). To all this is added with a rverb numrique SETTING THE level, a "contour" (like loudness) and one of potentiomtre prsence adjustable for all 4 channels according to the ( s) speaker (s) utiliss. It also has two master volume, in short is the top: a simple and effective!
Ct connections, nothing very original, still simple. There are two effects loops (one programmable), a cable (jack) to connect the pdalier provided and a SERIES of possible connections for the (s) speaker (s) ... Between instrument and many sr.
And does not even complicated to program sound (as I remind you that this is the one of the main advantages of this amp: it is ...). Fully programmable No need to be a pro the south, just be "guitar" (that is, an IQ of 45 is more than enough ...) and read the user manual of three pages in French (and many translated into more, it's not so frquent ...). There are two options:
1/Vous use the amp alone (or at least no effect twelve o'clock or twelve o'clock pdalier external) you can program six DIFFERENT sounds accessible via the Marshall pdalier provided. To do this, you do your rglages, turn the knobs in all directions, press 3 seconds on one of the switches pdalier, is ay!
2 / You use peripherals noon because pdalier, both sets ... Even simpler: APRS have the religious head amp midi (IN) with (s) peripherals (s) (OUT), you do your rglages you select a program "effect" "pdalier" ay is it in the bote !!!!! No manipulations do not channel rgler Droulez swallow and menus, just watch, listen, play ... Deadly!
The intrt? Is empty: we pass a click sound Mtal no punk hyper saturated with heavy reverb (which is not my cup of tea but ...) and 500ms delay in the Mark Knopfler with rverb compress a bit of background, each with its own effects carefully planned in advance by your little finger enjous ... All shades of legalization, volume, gain are possible within the limits of available memory 128 ... I tell you not walk with squence noon and Program Change ... Y amme need to pdalier, sounds change all alone in gr music that dfile and I have plenty of time to concentrate on the essentials ...
In fact, I've had three days, and I know the amp dj on the fingers so everything is easy. Marshall has really trs trs fort. It gives me the rve watch what I expected for so long and what is the plutt or sounds, the toy is no exception either!!
SOUNDS
What can I say? Everything is possible! With effect numrique simple (I personally use a G Major) we obtain a panel of sonoritsdlirant. The saturation is most important for me always but I do not want a dirty trick, I'm in the register plutt Lukather, Van Halen, Gilmour and Co, Gary Moore, Andy Timmons ... I do not play many sounds "crunch", I want the real distorting pure and flawless, sometimes with a little chorus and delay a lightweight. L I have everything! And when I venture into the register Hendrixien, no problem either, simply meter the gain by playing between DIFFERENT channels and their respective modes ... It's really trs trs fort! And yet, I have currently a cabinet "unworthy" of this toy dj hell and is standard!
In terms of its clear, I had a lot of amps and setups diffrent, I have never heard a. .. Who said that Marshall could not make his clear? The crystal blues hot oil, there is the time to spend to get what you want. Although sr, I play the guitar and I Vigier going well but I am sr that even with a shovel, a ring!
The only BMOL is that you need the appropriate mix of DIFFERENT effect levels, the amplifier, the gain and possibly invest in a noise gate worthy of the name (I personally Hush 2 pm) in order to push back the gain and get all the distorted sounds without any limitation. But this is the case with all amps that have!
OVERALL OPINION
Well here I will say one thing to finish: forget everything you could connatre before, I have a premium Rivera, a Fender Hot Rod, I had several Marshall I n ' I t never a huge fan but the one worth dtour and especially, its MIDI-ct is unique. I do not mean the price is expensive but we certainly worth the money ...
Simplicity of use copy
Sounds of hell either plain or saturated (never heard anything so good and versatile)
Sounds even without the 1960 A to go with
Sounds even low volume
Deadly!
Is what I would do this choice?
Ben j'hsite l. .. Finally, Carlsbro c'tait lot too ... really cheap ... and the more they sell at Aldi! (You see I do not bump in Marshall!)