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babooyn'
Published on 02/05/08 at 06:56
Head amp 100W all-tube, pro hardware, trs complete its multiple rglages.
- Between 1, 2 effects loops (non-ngligeable) sparment assignable or jointly which opens the field of possibilities
- Speaker outputs: 2X4, 1X4, 2X8, 1X8, 1x16 ohms roughly the bte little prs can attack all speakers (personally, I added a 4X12 Laney GS412 who never complained).
- Output emulated line out for recording live (I tried & am not sure, stick him under a Palmer in the ass ...)
presence, mix effects loops, reverb sparemment assignable to clear a & ct the crunch / lead of the other. Ditto for the civil tone shift (the hollow mdiums) & deep (below reinforces mdiums)
qualos conventional (low mdiums, treble) & volume & gain SETTING THE indpendents for 3 channels.
A mid boost on the clean channel
rglages if with all these, we come not find happiness ...
10 I will not because I'm kind of picky and that the emulated line out seems to me not useable in a professional context.
UTILIZATION
The config 'does not seem to me complex, there are many rglages but the rest of the "classic": bass, mid, trebble, reverb, etc ... is clear, not fantastic titles like: "punch", "growl" or "bite" as can be found in some competitors.
You turn the knobs & quickly found a sound! Personally, I like the "deep", which flatter the bottom of the spectrum, I got, is often a bit lightweight in Marshall: big rhythmic Dropped D or 7-string welcome!
SOUNDS
The light is amazing trs for Marshall, clear & warm
Crunches are the height of what to expect from Marshall in the register, on my Start or my prs standard amricaine CE24 has always rings the moment we take the time to try all the multiple r tings: the roots of modern as rglages has still sounds warm & trs musical.
The lead is trs prcis, typ Marshall modern features deep toneshift & trs are effective on the latter for sounds & Metal Company.
+ for sounds hot, I deprecated the toneshift that "smooth" over the sound I got.
For the price, it can be by the sound of the BTE, we can prfrer Engl, Bogner, Rivera, Mesa but compare the price, + twice for 3 channels in these brands l.
OVERALL OPINION
I use this head for over 3 years, I bought 900 used & nothing for the wrong price. I used it on scne & & turn them over to survcu trpidations the truck, the roadies presss, cuts & juice has never lach. Ah the quality Marshall! In the studio, it allows a fairly large variety of sounds, which is handy when one does not have to pay for a round VOX AC30 Combo, a HIWATT or a JCM 800 for crunch, a fender or a roland jazz chorus for a clear & high gain type or mesa for the Soldano sounds big.
A report of qualitversatilitprix more satisfying.
I pass on TT laney, fender, tech JCM2000 21 & & & in hindsight I do not regret my purchase! Certainly, one can find + high-end but, again, the price is not the same!
I regret Sparer me because I will invest in a mesa roadster and my finances do not allow me to keep the 2 ... shame because the two grains have the most complmentaires t!
- Between 1, 2 effects loops (non-ngligeable) sparment assignable or jointly which opens the field of possibilities
- Speaker outputs: 2X4, 1X4, 2X8, 1X8, 1x16 ohms roughly the bte little prs can attack all speakers (personally, I added a 4X12 Laney GS412 who never complained).
- Output emulated line out for recording live (I tried & am not sure, stick him under a Palmer in the ass ...)
presence, mix effects loops, reverb sparemment assignable to clear a & ct the crunch / lead of the other. Ditto for the civil tone shift (the hollow mdiums) & deep (below reinforces mdiums)
qualos conventional (low mdiums, treble) & volume & gain SETTING THE indpendents for 3 channels.
A mid boost on the clean channel
rglages if with all these, we come not find happiness ...
10 I will not because I'm kind of picky and that the emulated line out seems to me not useable in a professional context.
UTILIZATION
The config 'does not seem to me complex, there are many rglages but the rest of the "classic": bass, mid, trebble, reverb, etc ... is clear, not fantastic titles like: "punch", "growl" or "bite" as can be found in some competitors.
You turn the knobs & quickly found a sound! Personally, I like the "deep", which flatter the bottom of the spectrum, I got, is often a bit lightweight in Marshall: big rhythmic Dropped D or 7-string welcome!
SOUNDS
The light is amazing trs for Marshall, clear & warm
Crunches are the height of what to expect from Marshall in the register, on my Start or my prs standard amricaine CE24 has always rings the moment we take the time to try all the multiple r tings: the roots of modern as rglages has still sounds warm & trs musical.
The lead is trs prcis, typ Marshall modern features deep toneshift & trs are effective on the latter for sounds & Metal Company.
+ for sounds hot, I deprecated the toneshift that "smooth" over the sound I got.
For the price, it can be by the sound of the BTE, we can prfrer Engl, Bogner, Rivera, Mesa but compare the price, + twice for 3 channels in these brands l.
OVERALL OPINION
I use this head for over 3 years, I bought 900 used & nothing for the wrong price. I used it on scne & & turn them over to survcu trpidations the truck, the roadies presss, cuts & juice has never lach. Ah the quality Marshall! In the studio, it allows a fairly large variety of sounds, which is handy when one does not have to pay for a round VOX AC30 Combo, a HIWATT or a JCM 800 for crunch, a fender or a roland jazz chorus for a clear & high gain type or mesa for the Soldano sounds big.
A report of qualitversatilitprix more satisfying.
I pass on TT laney, fender, tech JCM2000 21 & & & in hindsight I do not regret my purchase! Certainly, one can find + high-end but, again, the price is not the same!
I regret Sparer me because I will invest in a mesa roadster and my finances do not allow me to keep the 2 ... shame because the two grains have the most complmentaires t!