All user reviews for the Peavey 6505 Head

See data sheet

UTILIZATION

The setup is super simple, super light manual! one can easily find a good sound but the sound palette is not large, difficult to dig a special sound! This is his big, fat and round then we can put more bass or more treble but the sound remains more or less the same grain
Level of use is very simple

SOUNDS

I do a lot of hardcore or thrash suddenly the sound is just perfect for me! on the other hand if you are looking for clean sounds, you just give up and go to a mesa amp as versatile ...
I play with a guitar ESP Eclipse, maxon tube screamer and ISP decimator noise gate. Some say that there is nothing original in my set but I think I am very happy! The sound of the amp without fat is TOO much bass and very loud (feedback etc) suddenly I think this amp power supplied sourtout what is normal by looking at the price, it is therefore essential to buy a noise gate in more. Isp decimator with it is just a treat! the sound is perfect even no hi gain feedback!
I really prefer more noisegate use a external amp noisegate engl powerball kind that has a noisegate internal médiocrissime.

I hesitated between this and ENGL Powerball head and I regret my choice after testing both! the ENGL is just too cold, if you want a bold and very heavy croum croum of worship where one feels good lamps, this amp is for you!
PS: I have a tube screamer that accompanies my head because thanks to him I can get this sound palette and just dig a reduced fat sound of the amp with treble more pronounced thanks to the screamer, a marvel if you have this amp that has changed my life

OVERALL OPINION

I use it for a year and I still do it again this choice as easy to use unlike a Mesa sound is really very big and bold as I like + screamer I can find the sound between 6505 and ENGL basic So with this amp if you want we can!!
niquel money! the only thing negative is that it is made for big sound very fat if you like it, it's not even worth thinking about
its weak point is its strong point for those who seek simplicity and his big, fat and very HOT

IT IS PERFECT FOR ME

# Lamps amplifier 120 Watts RMS into 4, 8 or 16 Ohms (slecteur)
# Five 12AX7 prampli
# Four 6L6GC power tubes
# Two channels prampli Lead / Rhythm and effects loop selectable at the foot
# CONTRL of prsence of rsonnance and 3-band EQ on each channel
# CONTRL gain and volume, bright and crunch switches on the Rhythm channel
# CONTRL gain and volume on the Lead channel
# Exit prampli
# Include pdalier
# Dimensions: 10.2''(259mm) H x 26.5''(673mm) W x 11.8''(300mm) P
# Weight: 48lbs (21.79 kg)

UTILIZATION

Ultra simplistic Config
Its very effective against problem of breath quite large and active with microphone feedback enomre

Manuel unhelpful (in about 8 pages)

SOUNDS

Its quite possible METAL some subtle but if you rule well.
Fits my type of game
I use it with a guitar IBANEZ Custom Baritone (given in SI) and a single EMG 81 microphone, the sound is powerful and effective in a rehearsal room with battery beeps in it mounts the volume 3 and it is already well

OVERALL OPINION

I have little use

I really like the sound that you get it fast enough

I try some other model which had given satisfaction as bcp (KRANK, Mesa, Randall, VHT)
but this value for price I do not think there is a simple + this award
Despite all I think if I sell me permettte finance to buy a previously registered name
But with about one thousandth the choice I would do without any problem

See other opinions ..

I just want to emphasize that it does well its 120w ..

UTILIZATION

The configuration is fairly simple, in fact we get a good sound quickly, but that needs to be refined ..

No complaints about the manual, everything is well explained and clear.

SOUNDS

I play mainly metal (hardcore typed) and it suits me, as it has a sound very sharp. There are a lot of distortion and mediums at the base.

The big problem is that the beast is simply unmanageable, ie the feedback fuse, and the spirit takes us on the beach, it's like because as soon as the sea rises a little sound. A good noisegate and the problem is solved (a shame to have to add something for the price ..)

OVERALL OPINION

I have now for four months, I do not regret my purchase. I put a small 8 out of 10 because of problems breathing & feedback.

The beast with a grain really special, we like it or not. I like personally, but it's certainly not only should everyone.

I do it again this choice without hesitation.

See previous opinion

UTILIZATION

Very simple.

SOUNDS

This amp head is perfect for music on the edgy side of rock For me, it's hardcore and metal is perfect for grain incredible distortion caused by the 9 lampes.Dommage the 6505 can not do without an equalizer for fine tuning and a noise gate for a recurring problem breathing. For our friends lovers of beautiful clean sounds, the reverb, and beautiful ballads, circulate, there is nothing to do ... For these reasons, I do not put the maximum score.

OVERALL OPINION

I have for about 5 months and I am delighted.
I love the saturation of the amplifier and its gain incredible.
Before, I played on a head Line 6 Spider 2 HD 150, I bought 2 years ago and a half for its versatility and price, but I was tired by the coldness of the transistors. I vowed that if I changed my amp one day, it will be for lights and it's done.
The value for money is unbeatable, because at that price (just under € 1100) gives access to a tube amp hi-gain high-quality made-in-US
If it again, I do it again this choice without any hesitation ...

See previous opinions

UTILIZATION

You turn the knobs, you gain puts high or normal gain after your preference and go!

SOUNDS

- Will it fit your style of music?
I play Death Metal with my band, and the sound suits me perfectly!

- With what (s) guitar (s) / low (s) or effect (s) do you play?
I play on a Jackson KV2 equipped with EMG 85/81, the sound is really good, much better than my BC Rich Bronze Warlock.

- What kind of sound you get and with what settings ("crystalline", "bold ",....)?
Is obtained very quickly from saturated fat. In fact, there are two channels, the pace and lead.
I use the saturated pace for a rhythm a bit in the bass, it sounds really good and palm mute ... Mmmhhh what fun! It can take clean, but need not be an idea, it sucks! You come away from clean, but that's all, after a little chorus to help beautify all that, but when you take this beast is well and truly to the metal!
Otherwise, the lead, I use one makes you stronger for solos or leads just hairy. What I appreciate with this lead is that much of the spring mix, the sound is considerably more drilling but remains in the spirit of 6505.

- What are the sounds you prefer, you hate?
Personally, playing on the home peavey 5150 cabs, I appreciate everything that comes out. My guitar has a Peavey VK, and it's night and day, knowing that we try to see the difference by putting everything on twelve o'clock, my amp sounded much better in his (the price change, too )

8 because of the clean, which could interfere with certain, but it's not my case!

OVERALL OPINION

- How long have you use it?
It's been a year now.

- What is so special that you like most and least?
The sound is really the best point of this beast. The design is both aggressive and finally all the taste but I greatly appreciate! The least would be the weight ... Although heavier than the head of my guitar (peavey VK). There is also a small breath, but I do not put in default, he personally does not bother me, in concert and transplanted, it does not interfere in the mix. on the other hand, with 5150 cabs, I can tell you in concert (at the music festival, to say) I was 3 / 10 3.5/10 pace and volume in lead, with two front speakers of 700W each just for voice. Power level in dB, you will be served!

- Have you tried many other models before buying it? (As head tube)
A Marshall, I found the sound really shit, too ... marshall too whereof, I have a transistor and I made a few chords, I almost cry, I wanted more.
Peavey JSX A (I think), so there was good sound too, but the price was a little larger and it was after my purchase, but I admit that I might be hesitant
An H & K (I do not remember the model), where I found the saturation a bit flat, nothing to do with the 6505
A model ENGL I know what (you take thomann, 3850 to the euro, something like that), there was a multi-effects when I had to try a friend, so it distorts the result, but it sounded to hell.

- How would you rate the quality / price?
I think 750euros (bought used) for a head of this quality, it's really not expensive at all. I think that level quality / price ratio, we can not do better.

- With experience, you do again this choice? ...
Without hesitation. I would conclude this short note, this amp is used by:
In Flames, Ensiferum, Neaera, Arch Enemy (at the time), Machine Head, Dark Tranquillity, Kataklysm, Aborted ... What big names (and many others) Death Metal scene and just for that, it is a guarantee of quality!

a lot of plastic, a little cheap faade

I recall that it is the same as 5150, nan because there are still the topic and asked the diffrence between 6505 and 5150.

else has had this amp (the 5150 was the basis therefore) Has Designed to Eddie Van Halen, he wanted a sound halfway between a Soldano and Marshall, here is the rsulat.

UTILIZATION

So I put the 10 seconds to understand What does the knobs, so no conpliqu although the volumes otherwise indicated on the amps marshall ..
I did not really try tons of rglages,
the sound is good trs ds The beginning, I did not have the manual but not really worth all fawn.

SOUNDS

The head is made for metal, for the moment I play a jackson ac RX10, I get even when sound exellent.
I pass a marshall JCM900 has has much to say that the diffrence is standard, powerful sound, rather ac prcis including a grain that has a lil air marshall.
Anyway this thing is a killer, for against it does not stay still enough for the heavy pantera for example, or we would lean more towards randall.
exellent a dc amplifier for the metal in gnral, then the price is correct.
I have an ac hsiter engl fireball, but can not test the samples and having heard qq, it does not convince me, much more right, cold ..
we bought a 6505 not for its clear, but I have the same tt prciser it's not the top for a, I beacoup Larsen and grsillement on this channel and level of quality is much better .
is the only negative I could find this amp up Submitted ac.

The lead is his asser prcis not like a mesa or engl prcis but anyway, the sound is round and felt I find, at last we must listen, here's a nice lead sound trs.

OVERALL OPINION

I particularly like the saturation Obviously well which I add a 10bands eq, the sound is quite unique, large, full but not has it up at night ', its a rather banal I find a cot d a mesa, is more like a marshall overboosted.
I find the report quality good but not exellent.
you must try before you buy, it may not please some of the other prfererons engl, Diezel or Mesa, but the head is really good for someone who plays acquisision of metal

The Peavey 6505 is the updated version of the famous Peavey 5150 as popularized by it's signature endorsee Edward Van Halen. The original 5150 was noted as a great rock amp, but eventually was recognized as a killer amp for metal music. Eventually Peavey took things one step further and released the updated 5150 II which had separate EQ for the channels. When Ed left Peavey in 2004 he took the 5150 designation with him... and so in 2005 Peavey renamed the 5150 the 6505. The 6505 is a 120 watt firebreather of an amp, featuring two channels.

This amp is a bit more simple than the 6505+. The two channels feature only pre and post gain controls (essentially reworked phrases for gain and volume). The EQ on this amp is shared between the channels (bass, middle, treble, as well as resonance and presence). On the back it has two speaker jacks, a switch to select between 4ohm, 8ohm and 16ohm impedence, a ground switch and send/return jacks for the effects loop.

Tube wise it features five (as opposed to six on the 6505+) 12AX7 preamp tubes and four 6L6GC power amp tubes to unleash the fire within.



UTILIZATION

The Peavey 6505 is an extremely easy amp to set up. It's not QUITE as easy as the 6505+ because you're dealing with a shared EQ for both channels, but it's still not terribly arduous. Peavey amps in general don't require much tweaking in general to sound great. The two channels are set up identically, so there's no new interfaces to learn and there's not really a learning curve with the EQ or gain structures like say a Mesa Dual Rectifier. Something to note about these amps... they are LOUD. When I had mine, I could barely dial the control to one without it being too loud for the room. In a band setting I found that two or three on the volume would overpower the drums... as a result I didn't keep it very long. Essentially, if you want one of these amps, be prepared to deal with the volume.

SOUNDS

I primarily used this amp with a Les Paul, a PRS and a few other various humbucker loaded guitars in a studio setting. The two channels are meant to be a clean and lead, however the clean channel really doesn't do great cleans. The clean channel is more useful as a crunch channel, especially when boosted with a good overdrive. I tried to get decent cleans out of this amp, but what I was greeted with was fairly flat and unremarkable. I had more fun turning the gain up full bore and just using channel one as a crunch channel. Channel two is a great high gain lead sound for any modern player. Despite the fact that I never tried it with any delay/reverb effects, I noted that on its own, the amp had more than enough sustain (via saturation) to play great lead passages as well as quite a few different types of hard rock and metal riffs. It doesn't really do the eighties thing all that well... which is somewhat surprising considering it's basically the EVH signature amplifier (though I've noticed that EVH has steadily gone for a more modern tone over time). The thing about this amp compared to the 6505+ is that the shared EQ makes things a fair bit more limiting as far as balancing the channels tonally. Fortunately Peavey's EQ structure isn't too bad as far as the learning curve and it works well enough that I don't feel the need to complain about it TOO much.

OVERALL OPINION

All in all, the Peavey 6505 is a great sounding amplifier head for anyone who wants a loud, gain heavy, loud, really saturated, loud tone. They are about $1,000 new and can be had for a fair bit less than that used, which is a killer deal for a USA made head. Peavey gear is quite reliable and I'd have no qualms using the 6505 for more rigorous applications. I partly wish that the "clean channel" was cleaner and sounded a little clearer, but used as a crunch channel it's fine. The lead channel is high gain, but it's still controllable and the excess saturation can be used to your advantage if you allow it to. The shared EQ is a bit of a frustration compared to the 6505+ and ultimately I'd prefer to spend the little bit extra to have the separate EQs at my disposal. Still, it's definitely worth looking into if you want a great metal amp for not a whole lot of money.

Peavey is one of those companies that provide affordable guitar gear for the budgeting musician who wants pro quality gear. The more I start listening to Peavey amps the more I start to love them. Peavey has taken a strong position on the metal market. This amp is a heavy duty metal amp capable of giving you some sizzling tones.

This amp unlike the 6505 + or Plus amp doesn't have separate EQ's for each channel. That is really the only difference in the two amps. The 6505 amp has a shared EQ between channel one and channel two. This limits the ability to have two differently EQ channels from one another. If it were me I would pay the extra $200 and get the 6505+ just for future in case I ever needed it.

UTILIZATION


Features:

120 watts (RMS) into 16, 8, or 4 ohms (switchable)
5 x 12AX7 preamp tubes and 4 x 6L6GC power amp tubes
High- and low-gain inputs
2-channel preamp that's switchable on the front panel or via footswitch
Rhythm channel: pre-/post-gain, bright and crunch switches
Lead channel: pre-/post-gain
Channels share 3-band EQ
Presence and resonance controls
Switchable post-EQ effects loop
Preamp output
Footswitch included

SOUNDS

I used all kinds of guitars with this thing to make it sound good such as Strats, Tele, LP's, Wolfgang and even a Rickenbacker. Nothing could make this thing sound natural. This amp needs to be played with a humbucker pickup guitar such as a Gibson Les Paul or a Gibson Explorer. It needs that rock guitar for the gain style this amp produces. You can play any guitar single coil or humbucker but I think it sounds the best with the proper high gunner pickup.


OVERALL OPINION

At new these amps come in at around $999 online and most brick and mortar guitar stores. This is a great price for this amp. You can get a lot for this kind of money but you sure can get a stellar sounding Peavey amp.

I would recommend this amp to anyone needing to stay within a tight budget and needs a proper sounding metal or hard rock amp. This is a great amp for anyone needing a solid amp for any gigging or garage playing musician.

This amp comes from the tone of the 5150 amps that Peavey did years ago with Eddie Van Halen. This is basically the exact same amp but with a few minor tweak from over the years. This amp is a beast of an amp. You can get some serious tone and balls with this amp.

This amp is a very forgiving amp but still has the tightness to use low tunings for modern music. The 6l6's compliment the tone for this amp as well which gives it more of a low end thump than you would get from El34's. This amp shares the same EQing for the rhythm and lead channels which the + has each their own EQ's.

Some of the bands that rock this amp are 3 Doors Down, Ted Nugent, Atreyu, Steve Morse, In Flames, Arch Enemy, Visqueen, God Forbid, HIMSA, Darkest Hour, Sworn Enemy, Unearth, and Spades and Blades.


Peavey 6505 2-channel Tube Amplifier Head Features at a Glance:

120 watts (RMS) into 16, 8, or 4 ohms (switchable)
5 x 12AX7 preamp tubes and 4 x 6L6GC power amp tubes
High- and low-gain inputs
2-channel preamp that's switchable on the front panel or via footswitch
Rhythm channel: pre-/post-gain, bright and crunch switches
Lead channel: pre-/post-gain
Channels share 3-band EQ
Presence and resonance controls
Switchable post-EQ effects loop
Preamp output
Footswitch included


UTILIZATION

Details
Type Tube
Number of Channels 2
Power 120W
No Effects
No Reverb
EQ Low, Mid, High
No Amp Modeling
Number of Tubes 9
Preamp Tubes 5 x 12AX7
Power Tubes 4 x 6L6GC
Inputs 2 x Instrument
Outputs 2 x Speaker
Footswitch I/O
Effects Loop
Height 10"
Width 26.63"
Depth 11.75"
Weight 48.3 lbs.

SOUNDS

This amp needs to be played with a humbucker pickup guitar such as a Gibson Les Paul or a Gibson Explorer. It needs that rock guitar for the gain style this amp produces. You can play any guitar single coil or humbucker but I think it sounds the best with the proper high gunner pickup.

The resonance and presence controls really enable this amp to do what you want with the the bottom end of the tone. The two controls are the key to this amp in my opinion.

OVERALL OPINION

At new these amps come in at around $1000 which is a freaking steal of a price. You can get a lot for this kind of money but you sure can get a stellar sounding Peavey amp. I would recommend this amp to anyone needing to stay within a tight budget and needs a proper sounding metal or hard rock amp.

Tube amp (120 watt bah c'eest genial as its not like they do everyone)

Front a little cheap but its still good aesthetics.

an equalizer for all channels but ...

UTILIZATION

No more 10 seconds to understand what each has knob.

The sound is not directly need to search for hours to find a sound

powerful distortion, but watch out for its clear you'll have to look

a little longer because this amp is more powerful distortion-based

than on its clear but still get beautiful clear sound.

SOUNDS

My style of music its just varit go from blues to hardcore to heavy ... So

I need a versatile amp clean sound so great when it looks a bit like that

just go from clean to Knocking on Heaven's Door has a sound CRUCH deguelasse

fat ... bah how to grunge of Nirvana, the Dysto then ... what else to say

big huge distortion Dysto we say more ...

OVERALL OPINION

I tried it in a store with his cab in the same series with all types of

guitar (fender jaguar, I was afraid squier squier with a =), jackson dkmgt,

gibson ...)

Bah to all you say ... I am disappointed ...

But he is not kidding I genial of the tune I had left the payroll

take a cab harley benton puvoir to have this head I'm close ...

If the tunes you jumped ... =)