All user reviews for the Behringer Tube Ultragain MIC100

Pramp lamps (mdocre)
limiter (catastrophic)

UTILIZATION

Simple Config
Using simple trs
Manuel clear

SOUND QUALITY

Good sound quality mdiocre
Breath breath
No control of his voice as possible with this unit or equivalent instrument playskool Bontempi
No color unless you want to reproduce the sound quality of the 20s but with 150 times more wind

OVERALL OPINION

I bought it today and tomorrow in Ramna store esprant they will reimburse me or give me a have.
This stuff is not absolutely nothing, not even for beginners.
Without the damn breath, this device might be interesting

MIC100 prampli
no effect
XLR / jack
rack or rack-mount model I do not know

UTILIZATION

Simple configuration
easy editing
manual trs clear

SOUND QUALITY

Sounds of ignoble condenser microphone
it brings nothing

OVERALL OPINION

For 1 day
most: easy to understand, at least: frank c tros of shit you just blast anything to do with this thing disappointing how can they sell something like that I would not recommend to all
quality for the right price for us in the metropole dom a bit expensive
experience with such a stupid thing I ever do it again

Nothing to say, the connection is there, you can plug in a little as you want ... Jack + XLR
It's not rack ...
The weight of the carton with the purchase seems so ... We say nice, it must be the super quality ... in fact it is the transformer that weighs a ton ...

UTILIZATION

Manuel very short (I put 9 because of that), but ... How to turn 2-button ...

SOUND QUALITY

The lamp is in the unit heats well ... the housing! ... and that's it! this is useful for the warm hands when you make a decision in mid-winter in his dorm room cold (housing up to 35 ° C, which is not negligible) ...
I even tried to heat the animal for 1 hour before using, but it makes no difference ...
At the same time, we can not ask a machine of this price to color the sound or heat ...

It's very transparent, I have not the slightest breath until 3 / 4 of the race of knob gain entry (I think it's a problem set) must not push the input gain + 60dB eh? it seems obvious right?

OVERALL OPINION

I use it for a few days and I'm very happy: I was a phantom power to walk around with a Behringer B-5 to catch on MD, and is perfect ...
of the more well preamplified microphone, without adding breath (unless you have a heavy hand on the knob gain) ...
at that price, you have a very good entry-level product, with an excellent quality / price ratio ... Do not ask him the moon ...

See global opinion

UTILIZATION

See global opinion

SOUND QUALITY

See global opinion

OVERALL OPINION

I bought becaufe I would avoid going through an amp to record my guitar (coz: neighbors) ... I had not imagined such a disaster ... for a microphone, it does add that breath for a guitar in his clear, it's going, but then a distortion: do not even try!
pay 59 euros, I made the next day (against a fouttu have!)
this thing is zero, I see There's no usefulness of breath, ca crash, the sound is better with my Behringer UB802 pramp!
go your way, finally I see what you can not find him

See gnral

UTILIZATION

See gnral, but simpler you die

SOUND QUALITY

Well clearly the different views. I use it to bring the sound of my Oktava MK 319 in the box on my 20bit Gina. To me (but I am not an expert), no breath and no coloration. The sound is Fidler, less hot than when a bullet went through my CAT, but as it took for me to spare, this little thing is just fine for 36.5. There would be a big diffrence and breath based lamps embedded device. Rumor vrifier.

OVERALL OPINION

I've had a month and I am glad trs. I use it for voice-over or records for models and sounds spot on. It dpanne trs well, it's easy to use and my setup is nickel.

See more.

UTILIZATION

It is very (too) simple.

SOUND QUALITY

makes a great with my acoustic electric records directly to PC!
not a breath, the sound is coming out nikel ... there's nothing to say on it. compared with the same record type is not the pros, there is no difference (if not abused biensur gain as recess, has also amplified the epsilon innevitable of breath).
not tried for an electro-static.

OVERALL OPINION

I use it for 2 years.
It's cheap, simple and effective.
I compared with other model pro, biensur it is less complete but the sound is l.
Q / P Excellent (as often with behringer)
I do it again the same choice! I record again with the last 2 years, I do not intend to buy a more expensive mlodel. I am mindful note of the price!

Tube amp with a pad-20db, a 48v, phase reverse and a limiter, XLR or jack.

UTILIZATION

2 buttons to spin .. dosing should know that's all.

SOUND QUALITY

I ride the volume knob a quarter output, otherwise it is true that there is a little breath BEYOND ..
To remedy this I strongly advise you to change the 12AX7 MESA base against a lamp that costs 25, and you end up with a warmer sound and, above almost out of breath.

OVERALL OPINION

I use it for a year, I bought a phantom power supply for the base, and because, as almost everyone who bought the behringer, I did not have a lot of gold coins.
I use it for making hip-hop voice, it really good cash, the limiter is a parcontre avoid, it is not the point.
It is clear that the price should not be too hsiter is a good buy if you do not have too much money and want a record of quality parcontre as I have not above, if you can change the lamp, Do not hesitate, replace the Mesa by a lamp and you have a very nice surprise ..

Prampli lamp. Two inputs and two outputs (XLR and Jack). Two large knobs for the gain in and out. A reducer-20db - effectively a phantom power for condenser microphones - perfect inverseurr A phase and rev limiter ... too effective.

UTILIZATION

The manual is complete trs (yes) - The config is extremely simple - it's the same simplicity.

SOUND QUALITY

The sound is my taste too tuft - I noticed this little default on my voice and bass lines. In both cases I had to go through an EQ. I tried it also on my prampli RUMBLE 100 - that's how I bypass the amp and the combo prampli. A rich, bold, a little breath, lots of gain and a nice natural overdrive - in short the lamp Submitted silent. But again its a bunch too and do not let all frquences speak of ghosts.

OVERALL OPINION

I use it mainly for home studio model. It attacks an EMU-404. It fits perfectly on the LAN even if the gain is lgrement voices below. But look at the price! is a good choice, a choice economical and reasonable choice. I do it again this choice.

It is a tube preamp
it has a phase reverse, limiter and of course a phantom power supply.
can enter and exit XLR or jack.
as is a small box, it is not rack

UTILIZATION

Simpler, we can not, you plug and it works, it lacks an on / off button but hey you can not have it all.
I use it just for the phantom power supply and it served its purpose.
The manual is clear.

SOUND QUALITY

I have often heard that there was breath and well with this box, I do not even know what the word means breath: there is not the slightest breath coming out, even the sound of back of my sound card is gone!
So, I'm an angel, that stuff is perfect!
for coloring, I do not know because I never used my microphone no.

OVERALL OPINION

I've had four days.
the +, simplicity, and (for me) the quality of its output
the - for what I did, no -
this is my first model but is excellent value for money, to do over time.

So I do it again because this choice for the price, the result is!

This is a prampli lamp (12AX7) trs simple.
A gain knob, a volume knob and basta.
Some slecteurs: high impdance, fantme 48V power, phase reverse, limiter.
A saw-nitre basic constitution of 8 LEDs.
1 analog input jack or XLR 6.35 mm.
2 analog outputs can be used at the same time, 6.35 mm jack and XLR.
It is a compact and autonomous which is not intended to be mounted in a rack.

It's simple, intuitive, it works.

UTILIZATION

There is not really need a manual but it is more than enough.
The rglages are trs simple: just turn up the gain while monitoring a saturation possibly using leds green, orange and red (classic). The output volume is adapted according to the gear which is what derrire prampli.
Ultra-simple really.

A small regret: a saw-nitre latrale situ on the face and not on the face of suprieure Casing prfrable t have to be able to see the level of by far (I play several meters of prampli).

SOUND QUALITY

I did some quick tests on voice and acoustic guitar, using a condenser microphone: sound is trs Fidler, clean and warm plutt.

- Gain between 60% and 70%, 50% volume, I found the texture of my guitar with a nice range and roundness. The rhythmic trs go well, the sound is robust without being too heavy.

- Gain 75%, 50% volume: it was round and a lot of saturation in the low lgre on the voice. The blues of my guitar solos are superb.

In both cases, not a pet of breath. A real heat and grain. A lack of brightness is emphasized: the sound spectrum is somewhat diminished in agus, but it may be to my microphone.
For cons, the limiter tends stifle the sound, avoid.

OVERALL OPINION

I bought it today, even I have no regrets.
I use it to record acoustic instruments (guitar, violin) with the following configuration:

condenser microphone T-Bone SC400 => Tube Mic Ultragain 100 => PC Card => Cubase SX

In short, as "low-end" cheap but a report qualitprix unbeatable.

Rsultat: I get a real acoustic sound, with heat, some prsence and grain, Fidler and clean (no breath, no cracking). Without touching the EQ and effects, it is good. Not at the same level as a professional studio, although sr.

The report qualitprix is ​​amazing, I do not understand some opinions prcdement destructive read: either there was a manufacturing default, the string sound is silent Designed wrong. But in my case, for recording acoustic instruments in my home studio, great!

I put next to the 10/10 prize: one should not expect Rolls for 60 ...

Versatile tube preamp (12AX7) for condenser microphone (there is a phantom power) and dynamic as also functions as direct box: ie of an XLR input to an output jack or XLR input jack of course.
knob a gain, an output.
No effect but a very useful limiter, 20dB pad, phase reverse.
A sound processing for I quote "give more heat to dull recordings sound cards"

UTILIZATION

Very simple: plug in, play niaah
Trees easy to adjust but the problem is not to lose its volume settings when the scale and imprecise (no real value markers on pots, count the lines is not practical ..).
The manual is useless so it's childish

SOUND QUALITY

I have not had time to push back the test but I was very pleased with what I could do for now (making a voice for a whole song and a few test recordings guitar): He brings a warmth to the voice that I liked! very happy! As for the guitar because the sound is richer and warmer, also clear.
Not breathing, background noise or hum!
Lack can be a bit of color (especially a grain)

OVERALL OPINION

The most: the quality / price ratio, the heat of her, the versatile side, simplicity
Cons: sempble me a little weak, All that's missing is the modeling of his little brother Mic 200 (but hey nothing beats its own settings for those plant ..), while the bulk remains less The same lack of ON / OFF button (it should pull the plug to turn.
But for now I am very happy with my achat.Rest still one last point, I think this preamp is rather intended for the home studio to the stage (not robust enough for my taste).

Hello!

Using Ultra-simple, perfect for the neophyte, as the pro.
The sound tube is always enjoyable. I change the lamp Sovtek 12AX7LPS (ECC83), (incidentally very correct) that this preamp original team, against a rare ECC803S TELEFUNKEN, the ca gives impetus and gain on the voice.

UTILIZATION

I made double use of this preamp:

1. Preamplifier for my B42 Melodium, but the problem input impedance of the preamp is 1 Mohm is far too high for Melodium which has an impedance of 50 ohms, if a pipe qq!? or I'll hack the entrance to the preamp with a set of resistance.

SOUND QUALITY

2. I use 78's acoustic before 1925, on a plate which KoolSound nicely with a Shure M78S, sound recordings before 1925 had no correction, as to who the RIAA was created for LPs in 1953, and 78 rpm records from 1925 to 1953 Electric had a correction, which differs according to the editors and years, a hundred different corrections!
So I associate the linear tube preamp + a + ADC equalizer studio denoiser (DNR)
It gives a convincing result!

OVERALL OPINION

If not for the price nothing to say! after all depends on the use made of it.

If you have ideas, I'm interested!
cordially

Amp transistors with a lamp in the signal used in sub-scheme (flat starved
/ Starved filament)
48V; pad; limit; phase

UTILIZATION

Simplicity itself. Gain knob, knob output. One dose of color.

I used the voice of most of the time (Neumann KMS 105 microphones, Audix OM7 various Behr, T.bone SC1100), but also bass, guitar, violin, piano, drums.

SOUND QUALITY

Ah ah ah, there it thickens. it's 3 or 4 years that I have the bug and now I have invested in a sixQ of Joemeek, I begin to understand the importance of this small Behr.

If you do not have a preamp and you have used to attack your sound card directly, this little box is a great step forward. It will allow you to adjust the level. That said attention: the color is very pronounced. I did not realize but there is always a small distortion not bad ... On the voice side it gives a rock that suited me well ...

... but the big problem is that the sound is not working: most of the cuts sound exaggerated and EQ tear the ears (see my component "upon my skin") in the acute ... When I got my slice JOEMEEK I had a big blow blues: my sounds were less sharp and less sharp than the Behr. In fact, everything seemed smoother, more accurate, which in my case was a problem. But I've rediscovered the joy of sound that can hack after the catch, and there are miraculous pluggins (Voxengo Lampthruster, Voxformer, harmoniEQ, Waves SSL4000 or even for those who have no morals).

OVERALL OPINION

Conclusion: less than € 50 this preamp very largely justified its purchase, one can draw a lot if we try a type, almost too colorful "lights". But if the precision is missing (this is not always the most troublesome in the filthy rock), it is mainly the lack of versatility is missing after a few months or years of use.

Anyway, thank you for this product Behr allowed me to record songs much fair game, to many scenes with a very very decent quality for 50 € ...