I used this unit on and off since the early nineties when I bought it up until recently when I broke it. I love the versatility and the cool sounds, as I was able to get overdrive, chorus and octaver out of it. I guess it can be considered one of the first multi-effects pedals. The only thing I didn't like was the clipping of the input. This was a great deal at the time at a price of $99, so I didn't try anything else, especially with it's unique combination of available effects. With all the pros to this unit (variety of effects, stereo capability) I would buy it again, hopefully for half the price, with technology having advanced in the past two decades. Even my current multi-effects pedal does not have an octave effect that compares to the effect on this unit.

I used this amp for a couple years before I sold it recently. I really didn't need it anymore. ONce again, because it's a practice amp, you can't complain about the tone coming out of this little guy. The reason I had to sell it is because it just didn't have enough power to keep up at rehearsal. This came in a package with an electric guitar, so I dind't have to try any other models before getting this one. Seeing as it came with the package, I can't complain about the value, especially since it served its purpose. The guitar served its purpose as well, so I can't complain about the choice I made to get this amp.

I've only had this unit for a couple of weeks. The virtual effects have some pretty cool settings. Unfortunately, that is where the pros stop. As I said, the latency is bad enough that I would not keep this unit and it's going back to Musician's Friend fairly soon. To top it off, the software kills your sustain, so as soon as you pluck a string, the sound starts to cut out to non-existence almost immediately. When you go to record it on your own recording software, the output comes out completely dry, i.e. none of the effects transfer on to your recording software. And even if you don't mind a track being clean, you can't save the track in a format that you can export to anyone else unless they also have a jamlab interface unit ! Then, the feature that I like best about this unit, which is the drum loop capability, can't be recorded onto my recording software either ! I guess I got what I paid for, which was only $30. Because of the nature of the product, I was not able to test drive alternate models. So I bought a line 6 toneport, which I hope turns out better, and this unit is going back to the store.

I have had this unit for about 2 months. I like the fact that you can go direct to the house. Unfortunately, you have to go direct with a microphone, so technically, you're not going direct anyway. I do like having an xlr and 1/4 output, so I really have a stereo capability there, so I can add yet another amp to my rig. (Forget bi-amping or even tri-amping, I want to quad-amp!) Also having "stereo" inputs allows me to put my electric through the 1/4 inch input, and a microphone for my acoustic guitar through the xlr input, without having to switch around instruments, inputs, cables, etc. It's great for microphones, but this is NOT a guitar preamp. (Obviously!) This is the only model I tried because it was the specific model I needed for my needs. For $39, I don't regret my choice at all, because it has its uses

I've been using this pedal for a couple months more than a year. Once I figured how to get some cool sounds out of this unit, there really isn't anything I don't like about it. I especially like the stereo outputs for bi-amping. This was lent to me, so I didn't try anything else besides it. I would hazard to guess that unless I get an expensive rack-mountable delay unit, nothing compares to this amazing pedal. I wouldn't spend as much money as it costs to get this thing new. I would have to get it used. And if my friend didn't lend it to me, I probably would buy it, because I don't know what I'd do without it. The stereo capability alone makes it worth having and keeping.

I have been using this unit since the beginning of this year. I think it is an essential part of your pedal chain, and even though I could survive without it, I'd rather not go without it. It just improves your tone and presence so much more. I've looked at so many distortion pedals as a volume boost, when all I had to do was look at this and I've got not only a volume booster, but a clean volume booster as well. I looked at the boss eq, but it was too expensive for me. I looked at dod and digitech, and they were too cheap looking. With this unit, I get the perfect blend of quality sound and construction as well as great monetary value. Until I can afford a good rack unit equalizer, this will do the trick just fine.

I've had this pedal for about 3 and a half years. I love playing Metallica style, Evanescence, basically any kind of power chord riffs with this thing. Unfortunately, it is not good for soloing, even though it has a soloing preset. And using this thing at praise and worship? Forget about it! The only time I've used it on stage at church is when we played Bring me to Life by Evanescence. I figure that will be the extent of my use of this pedal in a church setting. I tried many DOD and digitech models before buying this one, but this one won at the time because I was specifically looking for something that could play the heavy riffs of a song I wrote. Unfortunately, I apparently did not take into consideration the soloing capabilities of this unit. If I did, I very well might have ended up with something different. It's not too bad of a $50 spent, and at least the 2nd mixer output gives me the option of adding another amp to my rig in stereo.