All user reviews for the Marshall 8412

Firstly sorry to respond so late, but many years ago that I was not connected to me!

On the baffle is usually included with the Valvestate. This is very good, cheap and not too bulky either. it is a way to actually use an amp on stage or repeat if we play a little stronger and we instead.
Certainly there are many more, but clearly, using common sense and good operator entire chain of gear we have, it just sounded serious, and it wears away and a wide range.
Although safe, it is generally preferable to have a mesa or whatever, but if we do not big rooms, it is not absolutely necessary.
In addition, given the low cost of the cabinet, you can always find one or two pairs of replacement HP to better fit his research, provided we know what we want.
Anyway he gave me great service on many stages of all sizes for serious metal that task, and always infallible, unlike some sound, some returns, and some sound engineer.

it is a good buy if you have your own personality and that no attempt to imitate all those you see in magazines ... and then who knows, maybe it will help finance a better speaker later.

Bye

I possde the cabinet for 15 years coupled with a marshall 8100 head
pay 2500 francs era
It is equipped Cellestis low-end
at the finish, the Tolex is strong, it is not bad, but quite heavy possde good grips.
sound level which is the most INTERESTED, the nest's not go there lack of brightness in the sound clear and lacks bass
it's a good speaker for beginners, but now I can see its limitations
I use the power amp of the head to connect all my prophesy comes in the 4x12.
I miss the brilliance and roundness of the bass
Now I would do more this election, for the same price it was a harley benton in v30
But to Get You Started it can be a good investment for those who have a small wallet

I no longer possesses the cabinet in recent years but it is easy for me to talk about it as my disappointment was great. I had only owned up when combos and I bought this cabinet with a head hughes and Kettner Warp 7 in the first place, and a peavey ultra plus (finally !!!!). lamps In my head there was marked "celestion" on paper, so perfect! Pure's cheap to send the watts! WELL NOT!
With the warp as it could go 7, but the major weakness of this cabinet is that it does not cash but not so low. I had to make them less than 5 and back up my SM57 to avoid "wrooommmm" to play and record my metal compounds which m. .. e!! Also the sound is mushy (maybe a feature of marshall? I do not know) not defined in the acute ...

The quality / price ratio? and well if it is determined that I could never have good sound to my ear and my compositions, I would not put 300 euros in it. I do not have that choice would do, even if I came back to my beginner level, I will stay on a combo and wait to pay me my current cabinet, randall with a Celestion Vintage 30, which are a credit to my super head lamp.

I use it for 8 months ..
I play it with the 8100 head Marshall Valvestate 8100 100 Watts ..

So I think when doing the blues / pop / rock, it is quite frankly .. I tried playing a little blues and frankly it makes good, you feel the subtleties of the game ..

However, I play in a heavy metal band with a lumberjack on drums and another guitarist who plays with I do not know what all head lamps Marshall ... and there, the cab really hard to follow, we feel, he trembles at the slightest touch of mediator ...

I recommend it for so disappointed! cce budget for this (I bought 230 euros with the head ...) is really a very good price / quality ratio (at the same time it's Marshall)

I just find one of OCCAZ home for 100 euros. The firm has 4 Celestion G12L Model T4307 of 140watts into 8Ω, the baffle is the first generation (Series 8412) and therefore made in England.

I plug in a head 5W Epiphone Hot Rods and before I have a Zoom pedal G9.2tt. I like this cab home is enough, power is good and it saturates faster than a 60 watt eminence that I, too, the distortion is staggering that we can to boost the input in this case with the photo that I have which is fine.
The cleans are very warm at Marshall. The sound of guitars perfectly respected, big sound with Telecaster / Les Paul, beautiful sounds with Gretsh and Strato. The cab is tilted upward while keeping the look right, which explains its depth, rendering and magnitude are correct and superior to a 2x12 even if it is not as open a recess cutaway 1960.

The G12L was a mid-range HP G12L (93dB, 35W, 8Ω), he was replaced by the Rocket 50 (95dB, 50W, 8Ω). With a more aggressive 25/50 watt head I think G12L mounted should be supported by Vintage 30.

Here it is worth a try, its compact size 60x60x40 is an advantage for smaller environments with respect to the large cab and it sounds great as long as it has an equalizer worthy of the name.

I have this speaker from 6-7 years, I can not really have it out of my set-up notwithstanding any other cabs (1960A, Framus, Hartke, berho) I nup, as it is very compact, it is very practical and not too heavy (I wear it alone without any worries and without dismissing the arm as a patient). It would be a return side of the mixer for now.

Overall, it makes a lot, especially for the price. It is much better at medium speed has full - speed at which it sometimes happens quickly saw its low wattage. I prefer a clean sound, it is less confusing, cleaner. on the other hand when there is a little too low, the, he loses a little crazy.

I have long used a bassman 50W front. The results were not bad, but especially not for ernie p and no need of hell.