Fatar / Studiologic SL-1100

Ergonomic Keyboard 88-key hammer (mcanique "hammer"), sensitive to "aftertouch"

Liquid crystal display three characters green numro preset and change the parameter.
- 32 internal presets. These internal programs that can be saved and loaded by Systm exclusive.
- 2 out Midi in parallle.
- One in South
- CONTRL 2 wheels (pitch and modulation), which can be enables or disables for each area of ​​the keyboard.
- CONTRL Glissire of programmable for changing CONTRL Midi.
- Input jack for optional pedals of CONTRL (volume and other functions).
- 4 programmable zones on the Entire width of the keyboard,
- Changing presets for external MIDI control.
- Change program in each area.
- Zones programmable for transmission on any midi channel.
- Posts boot volume for each zone.
- CONTRL VLOC sensitive to each zone with positive rponse ngative.
- "Aftertouch" totally contrlable by zones.
- Transposition programmable for each zone of the keyboard.
- Power supply: 9V DC 500m A (c center contact positive).
- Color: matte black.
- Dimensions (W x 1 H): 133cm x 12cm 135cm.
- Weight: 23 kg

- Sustain pedals book
- Optional volume pedals

UTILIZATION

Touch is INTERESTED, I compared with the Roland A90, which possde keyboard adjustable in strength, which is not the case of the SL-1100.
For cons I prfre touch of that

The SL-1100 has two modes: mode "performance" and mode "DIT". The rle of some keys and glissires of CONTRL can be DIFFERENT depending on how

During the recording sessions or live performances, the SL-110 will gnralement in "PERFORM". In this mode, the four buttons at the top left ("PRESET FUNCTION'') are a select of 32 presets.

To change the preset press one of these keys. There are 8 banks of 4 presets, to change banks. Use the cursor ("PRESET'') up to what the bank numro DSIR is displayed on the screen. The four keys" ZONE "dsactivent or activate certain sounds.

For example, sound can piano7 an active area for part of a song. Then, by pressing the "ZONE" 2, the piano is disabled and is replaced by another sound (instrument solo and could reach the same rsultat by changing the preset, but it is more effective change area to change sounds simple. When the unit is in "PERFORM" glissire the left-hand panel has a CONTRL rle of gnral Controller. The value of CONTRL Midi combines glissire is stored in the preset.

The manual is clear in 5 languages!
importer provides additional technical trs well done

OVERALL OPINION

I use this keyboard for 2 years, although it does not move on the studio
but it seems robust trs.

I prfre, touch ....
I feel the worst is the difficulty to pass the changes the PRGS volle, not practical in live ...

I also have a Yamaha not to touch heavy brass, bass and other ...

The series of non-hand Roland, seen anything more ....

The quality price ratio is normal, but it lacks in my opinion
supplmentaires of pots to do ....

"Over time, everything that goes to the same oaths" Hi Lo ...

Touch is really fantastic. In terms of connectivity, there is not enough as MIDI connections on the 2001 SL and not enough pots or other assignable. Also, it lacks some areas and more on the keyboard, still had his great ERRF 8.

UTILIZATION

Trs keyboard easy to use, especially when dj possde bases in the area of ​​the South. The four buttons that activate or dsactivent areas are very practical and I do not find keyboards as practical as this one. We could couple these buttons glissires of CONTRL that would allow us to better CONTRL volume areas.

OVERALL OPINION

I use this keyboard for 2 years from the default SL 2001 n'tait unreliable (the memory s'ffaaient when I dyed!). So I ended up with the SL 1100 impcable to it. If the SL 2100 silent today I resume without reliable hsitation. Thus, the SL 1100 is perfect for me, even if it is a fair bit on some points.