All user reviews for the Yamaha LJX6C

Very good small jumbo, to go to the gypsy jazz ballad without flinching, good ability in picking also.
Two microphones: a piezo bridge and a neck sign, provide a cache to avoid feedback rosette stage, a preamp to mix the two pickups: Top! except for the feedback. Impeccable studio for recording.

UTILIZATION

The handle is nice, assé easy, but it is mostly a matter of taste. For example I hate the handle too round to my sense of Lespaul (true). With proper adjustment handle (box Luthier required) sounds more than adequate with easy access is obtained (mine has an easel reworked by the maker, so a very low action).

SOUNDS

This is not my best guitar I better example with micro Martin D28 Fishman Rare Earth, but it's a joke with its versatility and then it's not the same price.

OVERALL OPINION

I use it for 2 years, I had to try at least 20 models but I found this one secondhand, almost new, I was looking for a versatile acoustic electric to do as well as Blues, Rock as Manouche For these reasons it suits me. And it avoids shaking each output as my D28 is much less flashy.

The technical characteristics have already been mentioned. Beautiful production, very correct finish, no excess in the sober decoration and good taste. I especially like the balance of its forms. It is very comfortable to hold, not bulky for a jumbo.

UTILIZATION

The handle is ok but I've never found a good compromise string height / limit frieze. Therefore tend to frieze with a normal setting and a game a little stressed.

SOUNDS

The sound is very soft fine, but pure sound, it lacks character power and scope. Electro is perfect, the range of sound is very broad and flexible, balanced, low-pitched, good folk, it gives very strong given the 2 microphones and high performance pre-amplifier. (On Trace Eliott TA100R is perfect).

OVERALL OPINION

I use it for 5 years, I must prefer the acoustic qualities and the presence of a Seagull to have been a in the past, however, the electro compromise is excellent especially for a handmade instrument and super quality finishes

Guitar "handcrafted" in Taiwan, 20 frets, cutaway.

The table is solid spruce, the sides and back with rosewood handle 3 parts mahogany / rosewood, the fingerboard and the bridge of ebony.

The electronics consists of a piezo and a gooseneck microphone, all managed by a Yamaha preamp on which there is a level control gooseneck microphone, a 3 band eq with parametric mids (from 80 hz to 10 khz!) a master volume and a phase inverter for the gooseneck.

Body Depth: 100-125 mm
Nut width: 44 mm
Scale: 650 mm

A binding surrounds the body the neck and head.

From the Series 16 the L series guitars are all solid.

UTILIZATION

For me coming from electrical adaptation is done fairly well, not too big handle and comfortable, low action, then it's still a bit sore left hand.

Access to the cargo is 16th after san problem must feint a bit, but as said in the previous opinion is not there it sounds the best.

the guitar is balanced, the grip of the Jumbo shape is very nice (I'm a small frame and I was thinking of taking the Dreadnought model, after testing I did not hesitate one second, I feel 100 times the home on a jumbo!)

The tuners are very gentle and take very good agreement, and little more LOJN from negligible, mine came with a rigid box yammaha specially adapted to this form!

SOUNDS

This guitar has a very soft, very cozy, it's not a sound bite and takamine metal genre, then we're really in the sweetness.

The sound is fairly balanced, plenty of bass thanks to jumbo, and elel projects the sound really good (the better to hear someone play for noticing)

It may be a lack of brilliance chouilla but nothing serious.

I tried to compare a LL16, the sound is a little more balanced, but unfortunately no equivalent model in electro (going to 26 models, and the price ouch).

Once connected (via behringer preamp, guitar rig2 and monitor loudspeakers Prodipe home) we find the character of the guitar: very soft, cozy, by boosting the treble on the eq is recovered shine but never aggressive.

Corrections of eq are not drastic but sufficient and always musical, its only flaw is the too wide range of mediums (80hz to 10Khz) semi-parametric, it's hard to really diféfrencier fréquenes mediums and it really encroaches on the flower beds and acute severe corrections in short it is redundant.

Playing on the balance of the piezo and gooseneck is reached busted characters a little different, I mean a little: more dry and precise with piezo further and serious with the gooseneck.

Feedback attention to the micro (for this Yamaha provides a cache rosette, and yes it is neat!).

The phase inverter in addition to avoiding feedback when producing a small difference in sound reproduction, to exploit.

OVERALL OPINION

I have for nearly four months, this guitar is really nice: understated and very classy finish, it was a really nice tool in the hands, we ent at the outset that Yamaha has treated the details, rendered in a case rigid spécialemnt adapted to the guitar, with the key for the truss rod cover and escutcheon for the feedback.

You must love his very mild, if you want a guitar with a bite with many mediums, go your way.

I matured my choice before choosing this guitar, I thought at first but I take the LL16 model much at home and I like this practical side of the preamp, the more I will surely use it as a group.

I had the chance to try a bunch of models (LL 16 LJ6 LJX6C, a "small" martin, takamine ...) because I took my time, I made several mags and one in which I 'I bought was a package of model in stock and a nice seller who gave me the time to try many models.

The LL16 sounds nicer but without preamp, the other is a sguitares Auter character and it is more expensive.

The value for money is very good (just over 700 euros in a French mag).

I wanted a good acoustic instrument to start and I can say that I found what I sought.

The only regret I wish I had the equivalent of LJ16 by electro but electro smodèles Series L to spend LX6 LX26 ... not the same price.

Home | Musical Instruments | Guitars, Basses & Amps | Guitars Folk | LJ6

LJ6


Specific Information

Carefully select the matrial and know-how of our luthiers matres combined with modern production techniques allow us to offer exceptional instruments in this price range.

New dam
All guitars SERIES L bnficient of a new dam not sculpt that promotes its broad, warm and well centered. The models 36 and 26 adopt a dam "carrquot, which allows bars to ask more prs of the rose under the table, they both RELATED back to the bars with bars of wicker covers .. A solution that supports the transmission of rsonance ropes on the whole body for a more consistent and a better feel of the game

Large selection of shapes
You prfriez a dreadnought style guitar (LL), small (LS) or shape auditorium (LJ), you're spoiled for choice! Each of these body shapes is proposed in each CATEGORY price so that you can find the guitar exactly fits your game

Pan coupbr /> The pan shot type "vnitien" facilitates Access in acute rhaussant while the beauty of these guitars.

Mcaniques
The mcaniques "vintage" The series that quipent 26 reinforce the attractiveness of Aesthetics MODELS.

Easel
The bridges of all models of the new series L are larger and denser than those of MODELS antrieurs to promote the quality of vibration. Their design a t tudi so that the soft lines and curved does not gnent guitarist.

Channel reinforced 5 parts
The sleeves 5 parts (MODL 26 and 36) are carved from a laminated block that includes 2 slices of Padauk (trs hard wood used for marimba keys) sandwiched between three slices of mahogany. A design that allows for a handle extremely stable, well suited to the game of those who prfrent low string height. The models 16 and 6 use the same principle, with rosewood instead of padauk.

It's what's on the Yamaha website

UTILIZATION

The handle is a highway, trs prcis.
Access in acute nickel up to 17 box, but it sounds not the best!!
Exceptional ergonomics, ds the grip you feel good.
The acoustic sound is wonderful, trsdfini, the spectrum is wide trs, it draws huge sound, and ds is the branch of a live sound or recording, electronics '(with two microphones, a piezo over a gooseneck ds the rosette, while the LR Baggs) faithfully reproduces the acoustic sound.

SOUNDS

I play pop and I think heads the sounds I need.
Live branch on the table, no correction brings the sound of just rglages pramplis.
you can get a lot of noise playing more or less on the rglage gooseneck microphone both prsence (volume) and position (height over the microphone cord). The legalization trs works well especially with the additional of rglage paramtrique mdiums. In short, we come to find happiness and fiddling tt cel ca not take three hours. In addition there is a phase inverter for the gooseneck microphone that is as efficient trs.

OVERALL OPINION

I use this guitar for 2 months now, I played in on a APX and although I found it a lot, I really feel like a great tool in the hands, I love playing it, it vibrates, rpond it ..... It sounds and that's it!
I had to dpart a budget of 1300 euros, I tried about thirty guitars (Takamine Tan 10c, Guild Gad 50, Lag automnia, the Ibanez, the Corts, the fenders ...) and many friends , although it is not the most CHRE is for me one that sounds the best. A guitar trying to tt those seeking a scratch electroacoustic less than 1000 euros. I would do this choice APRS two months of use without hsiter!!