SR Technology JAM150 Plus

A very good amp electroacoustic, which is very easy to move, but in fact all the same 150 W, with two among jack / XLR, another jack (Hi / Low), a between RCA, RCA output (for recording), a stro loop to insert effects and XLR output (which allows the amp to DI office while having a return on sc no, very precious advantage). It is also equipped with two HP: a woofer and a tweeter, like a real speaker. And finally, 4 reverb and delay effects Alesis numriques ... This amp is really ideal for acoustic multi-instrumentalists. I use it on stage in rpt, recording and never went of.

USE

The use is more qu'enfantine, and rendering tools could not be more pure and faithful. BUT the small size of the amp and layout of HP (1 woofer and tweeter 1), even if they give a very good rendering of the acoustic sound, make the amp possde a low level of exit. Yes, this amp is 150W, but sometimes it's hard to hear them. Also, the machine will act very well back on stage (since it has a line out XLR output), but we must push for the sound.

SONORITS

This amp is perfect for use as I do: I'm electric and acoustic guitarist, banjo player and lutenist and rglages allow me REALLY get very hot and faithful sonorits rendering sound of each instrument. I recommend this amp any acoustic instrumentalist or even guitarists looking for a very crystal clear sound, which is my case.

NOTICE GLOBAL

I discovered this amp in November 2007 and I thank my seller of the music store. I tried an EAR and Marshall model before this amp and I always blamed their lack of fidelity to the original sound of the instruments. The SR Technology immediately respond knew my request. Only small BMOL: to play outdoors, small size prevents you from having a sound all rparti, plug it into a sound system and keep it in return.

A very good amp electroacoustic, which is very easy to move, but in fact all the same 150 W, with two among jack / XLR, another jack (Hi / Low), a between RCA, RCA output (for recording), a stro loop to insert effects and XLR output (which allows the amp to DI office while having a return on sc no, very precious advantage). It is also equipped with two HP: a woofer and a tweeter, like a real speaker. And finally, 4 reverb and delay effects Alesis numriques ... This amp is really ideal for acoustic multi-instrumentalists. I use it on stage in rpt, recording and never went of.

USE

The use is more qu'enfantine, and rendering tools could not be more pure and faithful. BUT the small size of the amp and layout of HP (1 woofer and tweeter 1), even if they give a very good rendering of the acoustic sound, make the amp possde a low level of exit. Yes, this amp is 150W, but sometimes it's hard to hear them. Also, the machine will act very well back on stage (since it has a line out XLR output), but we must push for the sound.


SONORITS

This amp is perfect for use as I do: I'm electric and acoustic guitarist, banjo player and lutenist and rglages allow me REALLY get very hot and faithful sonorits rendering sound of each instrument. I recommend this amp any acoustic instrumentalist or even guitarists looking for a clear sound fairly neutral, the color of the original refltant sonorits microphones.


NOTICE GLOBAL

I discovered this amp in November 2007 and I thank my seller of the music store. I tried an EAR and Marshall model before this amp and I always blamed their lack of fidelity to the original sound of the instruments. The SR Technology immediately respond knew my request. Only small BMOL: to play outdoors, small size prevents you from having a sound all rparti, plug it into a sound system and keep it in return.

Everything said about the characteristics t in the other post.
Complete because it is actually a lment PA, active speaker with a console integrates part.
SR foremost rput for its sound systems.
A beautiful quality of fabriquation with a cozy fi look of wood and small size.
Rating: 8/10

USE

The config is simple and the same manual is not helpful.
Rating: 9/10

SONORITS

Test with a Takamine ltd 2001 and a Yairi electro.
The sound obtained with basic rglages is very good.
Silent, color, one is surprised by her balance and finesse. The bass is tight and dynamics, prsents mediums without pits or bumps, treble purposes and not aggressive. This really is the sound of the guitar retrouv and respect.
The possibilities are rduites but the key is to amplify the instrument without dterioration.
Less powerful, it will soon be drowned in a group that plays hard.
Rating: 9/10

NOTICE GLOBAL

Many know the problem pos by amplification of a electro guitar. I for my part in 2 years tried many amps (Aer, Rolland, SWR California, Fender, etc ..) and finally chose a sound system with table and powered speakers.
The best way to get to the sound I was looking for.
So if it JAM 150 seems a satisfactory solution, it remains expensive.
It may be necessary to consider going to the PA system or with a 2nd chamber SR to have a stereo effect and more presence, but for the total price of 1400 euros we start finding and sound systems systems most comprehensive and powerful, with a real spare console, and finished less sensitive to shock and dplacements.
Rating: 7/10

SR Technology JAM 150 Plus the more wood is a transistor amplifier dedicated to acoustic guitar, with more like:
- An RCA input (or cinche) to an external drive,
- As well as two XLR input jack or a microphone (with phantom power)
- RCA output with adjustable level (regardless of overall volume) and an XLR line level output.
the amp has a speaker two voices (one tweeter and woofer) to report also a small switch on the back that disables the earth (very useful for problems hum)
for more details on these features, I suggest you go to the manufacturer's website.
basically we have a real small sound laptop.

UTILIZATION

use and the settings are the same as a small mixer input level, equalization, trimming effect level for each. the controls are effective and their action is real. the amp has multiple effects, delay or reverb, switchable pulse with a single button push, it is regrettable's ignition, the receiver is always positioned on the first effect (delay), so if you use eg reverb three and a micro power outage occurs in concert, you end up with the delay instead of reverb that you selected (rather annoying).

SOUNDS

I've tested this amp with two types of guitar:
- A multiac godin nylon (it's a treat) the piezo guitar is softened and the sound of the guitar is the depth and chaleur.c is the perfect couple! (I owned a AER compact 60 that sounded good at low volumes but which turned into a nightmare for higher volume)
- A Hagstrom HJ800 (half electric box), I was hoping to play jazz, and although it does not work, despite the many settings, the amp behaves like a sound, it lacks the medium of a combo electric guitar.

I also connects a microphone singing (BETA58), is faithfully transcribed voice is very nice, I perform smoothly guitar and vocals with a configuration could not be more simple!

OVERALL OPINION

I use this amp for three years now, and I do not regret my purchase for amplified nylon rope and voice is excellent!
PS: The wood finish is very nice and "class", attention, it is also more sensitive to scratches, provide carrying case that goes.