Seymour Duncan SA-6 Mag Mic

Installed on my Guild D25 last year.
So my guitar has become the "number one" when I play amplified.
Goodbye ES piezo and other of my Taylor which are not worth what I want on stage.
I bought it blind, after reading several comments on the product. This is the micro that John Butler and Ben Harper use.
If you want a large potato and a touch of finesse, it's the microphone, especially if you use effects.
General volume control, unless this is a fault of mine, is complicated and is always set at bottom.
However, the addition of the cardioid microphone integrated can compress the sound and give a larger rendering of the guitar. I think in this case it should be used on a good scratch to take advantage of this additional report.
The adjustable pads used to correct for differences in volume across the strings is very important and so clever.
I compared it with the LR Baggs is the model that comes closest to the micro annex less.
I'll buy another.

Having a beautiful guitar luthier Franck Aries, I looked for 2 years worth a sensor of this instrument: I have a Blue Mountain among other stick Schertler and Fishman. Nothing worked! No way to find the grain of my instrument.De addition, t he never can balance the sound of each string

I use the Mag Mic for the past two years on scne good (I had to do more than a hundred concerts in Locations DIFFERENT) or home to make models and it is clear as a function of the fire god. No more creaking or other micro piezzos easel when attacking the strings (I am a little in the gypsy). Adjusting the volume of each string is a breeze.

The electret microphone hangs little and is always open at least half: means all the finesse of the game (fingers mdiators, glisss etc. ...). No need to add reverb or that sort of thing to hide the MISR. I find perfectly sound rponse of my instrument.

This microphone works great on an acoustic amp (an EAR) as a light amp (a Fender Twin) which gives sound surprising trs. The mix of the two gives a warm sound and power sound.

It is not necessary to modify the instrument and two wheels CONTRL (volume and mix of gnral electret microphone) are directly accessible on the microphone.

I see only two point ngatifs the microphone:
- It tends to capture (trs modrment) Electromagnetic environmental disturbances that sometimes a slight buzz gnre (but nothing unbearable)
- Wheel CONTRL volume is a little on the path of mdiator and is frquent to abut on it, which can rotate up and suddenly the volume. In my case, it is always the max so it does not drgle

I also get a guitar on a low-end. It works amazingly. For info, look at the vidos of John Butler. It uses only the microphone (on a 12-string!). This is standard. The microphone 222 euos Thomann is cheaper than many pickups totally ineffective ....

Voil