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4.0/5(1 reviews)
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voicetrackPublished on 06/02/05 at 08:55 (This content has been automatically translated from French)
Noon, 6 and multi-poly, 6 outputs + spares with a Stereo chorus.
Opportunity to divide into 6 mono synth with individual output.
COD 1 / vocals: tri / pulse PWM / sawtooth / noise and possibility to do everything at once.
VCF Curtis analog self resonant oscillator 24dB/oct modulated by the DCO.
3 ADSR (VCA / VCF / pitch COD)
LFO 1
A chorus with rate / Pepha on / off
multi timbral sequencer
Arpeggiator
dynamic keyboard! ! !
UTILIZATION
Some subtleties reacordage for automatic memorization, enpilemen sounds and the sequencer but how to use classic edition of the sounds is very simple and quite enjoyable ergonomics even if it was not all the buttons on hand,...…
Opportunity to divide into 6 mono synth with individual output.
COD 1 / vocals: tri / pulse PWM / sawtooth / noise and possibility to do everything at once.
VCF Curtis analog self resonant oscillator 24dB/oct modulated by the DCO.
3 ADSR (VCA / VCF / pitch COD)
LFO 1
A chorus with rate / Pepha on / off
multi timbral sequencer
Arpeggiator
dynamic keyboard! ! !
UTILIZATION
Some subtleties reacordage for automatic memorization, enpilemen sounds and the sequencer but how to use classic edition of the sounds is very simple and quite enjoyable ergonomics even if it was not all the buttons on hand,...…
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Noon, 6 and multi-poly, 6 outputs + spares with a Stereo chorus.
Opportunity to divide into 6 mono synth with individual output.
COD 1 / vocals: tri / pulse PWM / sawtooth / noise and possibility to do everything at once.
VCF Curtis analog self resonant oscillator 24dB/oct modulated by the DCO.
3 ADSR (VCA / VCF / pitch COD)
LFO 1
A chorus with rate / Pepha on / off
multi timbral sequencer
Arpeggiator
dynamic keyboard! ! !
UTILIZATION
Some subtleties reacordage for automatic memorization, enpilemen sounds and the sequencer but how to use classic edition of the sounds is very simple and quite enjoyable ergonomics even if it was not all the buttons on hand, the system functions by croisemen vertical / horizontal is pretty cool.
SOUNDS
Not a big potato and breath on the output Stereo.
is not atack of Prophet 5 but the sound is super enjoyable and vraimen moeleux with a beautiful roundness in the bass.
can produce sounds eppais and purposes, very good in the ground and very beautiful in use mono (although finer and softer than many many big analog mono!). Exelente for the New Age atmosphere, a solo with a sawtooth mono sepoudr an lfo on the pitch of a bass that rotates with the arpeggiator on the voice of all the cot with one or two delay and off you go ...
also good for the FX with its modulation cut-off by the DCO, the self-oscillating, the pitch for the independent ADSR etc ...
OVERALL OPINION
I have since at least 1995 I think. Not enough momentum and a bit of breath out of a grain but strognral super enjoyable. I love this machine, even its look is simpa, in addition, it is narrower than a standard keyboard while his gardan 5 octaves.
Exelente for Acid loops and webs or very deep bass or synth solo in monophonic mode (the other voices can serve other things during that time).
The dynamic response of the keyboard is a bit confusing and not respond very enjoyable but the keyboard is a good dynamic.
This is not a Prophet-600 with a oscilo let alone a Prophet-5, but a great machine for someone who n'aurrai no analogue in complete good set and a Juno 6 or Matrix because of its Multitrack is quite round and fat.
the sound is likely completemen acid but different from a SH-101 or Juno106
Opportunity to divide into 6 mono synth with individual output.
COD 1 / vocals: tri / pulse PWM / sawtooth / noise and possibility to do everything at once.
VCF Curtis analog self resonant oscillator 24dB/oct modulated by the DCO.
3 ADSR (VCA / VCF / pitch COD)
LFO 1
A chorus with rate / Pepha on / off
multi timbral sequencer
Arpeggiator
dynamic keyboard! ! !
UTILIZATION
Some subtleties reacordage for automatic memorization, enpilemen sounds and the sequencer but how to use classic edition of the sounds is very simple and quite enjoyable ergonomics even if it was not all the buttons on hand, the system functions by croisemen vertical / horizontal is pretty cool.
SOUNDS
Not a big potato and breath on the output Stereo.
is not atack of Prophet 5 but the sound is super enjoyable and vraimen moeleux with a beautiful roundness in the bass.
can produce sounds eppais and purposes, very good in the ground and very beautiful in use mono (although finer and softer than many many big analog mono!). Exelente for the New Age atmosphere, a solo with a sawtooth mono sepoudr an lfo on the pitch of a bass that rotates with the arpeggiator on the voice of all the cot with one or two delay and off you go ...
also good for the FX with its modulation cut-off by the DCO, the self-oscillating, the pitch for the independent ADSR etc ...
OVERALL OPINION
I have since at least 1995 I think. Not enough momentum and a bit of breath out of a grain but strognral super enjoyable. I love this machine, even its look is simpa, in addition, it is narrower than a standard keyboard while his gardan 5 octaves.
Exelente for Acid loops and webs or very deep bass or synth solo in monophonic mode (the other voices can serve other things during that time).
The dynamic response of the keyboard is a bit confusing and not respond very enjoyable but the keyboard is a good dynamic.
This is not a Prophet-600 with a oscilo let alone a Prophet-5, but a great machine for someone who n'aurrai no analogue in complete good set and a Juno 6 or Matrix because of its Multitrack is quite round and fat.
the sound is likely completemen acid but different from a SH-101 or Juno106
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Tech. sheet
- Manufacturer: Sequential Circuits
- Model: Multitrack
- Category: Analog Synths
- Added in our database on: 08/27/2008
We have no technical specifications for this product
but your help will be much welcomed
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Manuals and other files
Other categories in Synthesizers/Racks/Modules
Other names: multitrack, multi trak, multitrak
