All user reviews for the Hartke A100

Amp transistor channel
active and passive input puissace 100w
limiter rglage bass and treble plus a 6-band qualiseur

UTILIZATION

The sound is fairly easy to obtain
I know not well I have this amp jou over a few hours to a concert I was prtait of hardware.

SOUNDS

I jou a btb 505 ibanez sound is not bad I'm used to the trs, since I have a Hartke B20 and a vX3500. This amp is not bad but it is far from 'gnial be the sound does not transcend me the bass seems a little imprcise I prfere largely HA3500 nanmoint in this game is a good price there is the power amp the cone Aluminium finally some quality one.

OVERALL OPINION

As I say I know the sound and that it Hartke n'tait not the best I think it's better connaisse.je economoiser a little more to buy a HA3500 head with a 115 or 410 of blafle The series will be much sound vx meilleur.enfin for small scholarship I think it is related quality indniable price as in all Hartke gnral.

The Hartke A100 amplifier is a transistor with an output of 100 watts. it contains one between passive and active with rglages between high and low frequencies and a 7-band graphic qualizer.

UTILIZATION

As for sound it is quite easy to get but if they have a fairly good command of qualizer. Trs which is annoying for the beginners EVEN now when I find not what I j I am the head who smokes and gives me more desire to play ... lol.sinon the sound is not bad when you found what you want .... Regarding the manual I did not read or even ever seen ...

SOUNDS

It is perfectly Designed for my style of music that is rock and funk. I use it with a low dimension switch consists of a micro bridge jazz and a precision micro-level set. slappeurs for the sound is not too bad although some slammin regrtts sounds that are abscents on this amp ...

OVERALL OPINION

I use it for five months before I was playing on a fender 15 watts. (Vla the Difference!: P) if not for the quality over price, I think it's a good deal when you see the prices the fender or peavey! I would do without this choice hsiter.

Combo low, transistor, 100W, between passive-active, qualizeur 7bandes, rglages bass treble, direct output (for transplanting in the sound systems), can connect the effects

UTILIZATION

It's only been two months since I bought this amp but I'm dj fan! The use is not extremely difficult. The sound is not hard to obtain. If you have difficulty obtaining ask advice o the store you bought it. In principle, qualizer rgl is fawn that ca make a V or a kind of square root. When the manual I have command because it n'tait not come with the amp.

SOUNDS

This amp is made to any style of music I play (rock). APRS but it also gots dpend. He has such a more round than the peavey.

OVERALL OPINION

I use this amp for two months and I think it is perfectly suited to rock. It is enjoyable to use. If I had to buy another amp, I will take the same or another of gammme Hartke

Any transistor amplifier 100W
Aluminum Cone 15 "
Front: 2 input jack (active / passive), CD input, headphone jack in
Behind: an XLR out and effects loop (send / return)
Otherwise the settings for it to knob trebble bass and the frequency extremes and a 7-band equalizer for fine-tuned, a limiter and a volume knob.
Nothing to say it's complete.

UTILIZATION

The grip is relatively simple, the equalizer requires some practice but it achieves the desired sound.
I use it in my not very strong (the sound is sorely lacking in bass presence and a low volume but by pushing the bass to the max knob, and then the sound is terrible pa) and repeated with a drummer who types a bit much, the power is sufficient as long as we stay in small volumes (garage), after it quickly becomes limited.
Otherwise I appreciate its compact, it can be placed upright or listed.
However this form becomes a handicap when it should be carried 18kg because of the gear is worn at arm's length, it must also provide reasonably safe for the Case.

SOUNDS

For this price the sound is good, I play different style from punk to metal and I find I need the (rather sharp metal for a big sound and very heavy and full of bass for the other). The aluminum cone gives a special sound that pleases or not, I personally use a lot of distortion and I find k'elle make better than a paper cone.
That said I think this amp lacks personality, the sound is good but it lacks the little thing that does it all.
But for the price we must pa dream either!

OVERALL OPINION

I use this amp for 3 months and I appreciate his power that is enough for now, I also like the ability setting using the equalizer, and the aluminum cone for distortion.
I blame him when even his lack of personality (his Hartke).
I was playing before a Rocktron 30W and I bought this amp for more power and adjustable. I hesitated a Fender Rumbble 100, and I Panché for it, no regrets. I find the price / quality ratio was excellent while I do it again this choice without the price it is hesité.Pour nickel

Bass combo 100 watts transistor
output mixer, headphone output and CD input

UTILIZATION

Easy and precise.
The equalizer allows you to fine tune bass and treble, after already sided with the potentiometers.
This results in a possibility of different sounds quite broad.
English manual but frankly not necessary.

SOUNDS

I play this amp with a low entry-level active Thomann, and void.
We can get hot and dry sounds, round, short of my ears neophyte is fully met by this amp.
I compare this amp with an ibanez Store 100 SW and fender rumble 100, 3 I liked but I must admit that the Hartke does have a different sound from the other two, probably because (or through) the aluminum cone.
So we like it or not but it is different.

OVERALL OPINION

I use it for a week, and frankly I'm not disappointed to have preferred the Fender Rumble 100. The ability to tilt is a little more because it helps to have a live so easy and have on hand for the settings when you are sitting on the couch!
The functionality of the limit is very friendly, especially when beginning, because in my case (after 10 years of guitar, bass 15 days!), Because I try my hand and slap my especially bourrines trend on strings can be offset by limiting!
In short I am glad of this purchase and especially when one considers the price because I was lucky to find a shop in lille for 359 euros.
So at this price you can not find fault, not really!

A transistor-amplifier
-100 Watts
Entry-passive and active
-7-band graphic equalizer has a knob for bass, one for the treble, one for volume, and one for the limit.

UTILIZATION

Configuration very simple.
Wide range of sounds, just deal with the equalizer and it works.
No manual is sold.

SOUNDS

I play metal and it is good enough, however, fishing is very slightly in the midrange.
I play with a ibanez srx505et it goes very well and the effects (distortion, chorus, flanger) make it very well especially the distortion.
We just get all of his styles and his hp aluminum I think this amp is very suitable for slap.

OVERALL OPINION

I use it for two years and I confess to have had no problem since.
I tried other amps qques and for the price no one has ariive ankle (especially not gallien).
The price / quality ratio is really eexcellent and I would do it again if I choose the same budget.

All dj t says 100W with aluminum cne between active / passive, headphone jack, CD release, qualiser 7 bands, and most importantly, tilt amp! 'Limit' nice when you want to rally the neighbors - well qualiser complte 3 buttons rglage Bass / Mid / Treble, but I am often in a position flat, actually.

UTILIZATION

Very simple configuration, and user manual not helpful (and besides, I never had !)...
Trs wide range of sounds, is doing well in all styles of play, regardless of the quality of the bass, and type (active / passive).
Excellent concert in a club, when we transplanted the amp on a table via an XLR jack with the slope in the ears as a return, even a little volume lv.

SOUNDS

I will change only if I have to spend a system that has head / body or if I smack between the fingers ...

OVERALL OPINION

I have since late 2005, bought OCCAZ but in a state almost new.
The slope is irrefutably a major addition.
In terms of size, weight it does, and it takes place are also reasonable trs.
He was accused because of the sound mtallique cne aluminum, but personally, I like the sound cleans and arpond done everything I need.
Also, I get no problem getting sound too serious, then, is nickel.
Excellent choice, given the versatility, a rate more than adequate, given the competition.

Transistors. 100 W. between jack. exit "DI". equalizeur. no effect

UTILIZATION

Yes
yes
yes

SOUNDS

Yes.
Fender Jazz Bass
the medium or Blues Rock

OVERALL OPINION

I use it professionally for a year or two, in 3 groups of 3 DIFFERENT styles, Cajun, Rock and Blues 70's. trs versatile amp, power is sufficient
in almost every case where we do not take it back in the sound system (bar, restaurant etc. .. .. .. scnes small). 2 points "ngatifs" however: 1. XLR output (fake ID) apparently falls and rises above the "gain" enough female teachers when we are back live on the console. has happened to me two times, I repent from the sound of an SM57 from HP is more sr. 2. sound "s'crase" often when we go in Slap! So I'm looking for another amp, which has not these inconvnients. I was told of a igh Hatke, combo too (handy for transport) half transistor MOITI lamp, and "n'crase not sound. VX 2115 or VX 2155? if someone m'intresse know .. its opinion.

Dj t say everything in the previous ones opinion. Nothing in this report ct except that 100 watts is a bit short.

During recording of a demo in the studio has XLR connectors shows particulirement agaante and ultimately unusable ... There are kinds of ups and downs of winning in addition to the breath ...
Some problem of breath also, trslgers in the effects loop.

UTILIZATION

The manual is clear, no problem. The handling is quick and graphic equalizer can be very useful to work well the sound.

SOUNDS

I jou on this amp with an active bass and a Yamaha RBX760A Fender Jazz Bass (Dimarzio pickups). It's the hair that dmmage. Are readily sounds DIFFERENT, plutt versatile amp, but the aluminum cnes make a more "dry" cold as cnes classics. So, it's good for the slap, the sonoritsptantes etc.. You can play with any, but if you want a nice rponse full of warmth, you have to go his way. Difficult to get a sound that "growl" with this amp. Note also the imprcision on low frequencies, which gnait me, personally, strongly.

OVERALL OPINION

I do not Rasht this amp because of that it's cold enough dlivre. I find it missing potato, what dmmage. If you play in the studio with two guitarists (who possdent more amps lamps) a voice, a drummer ... forget it, this amp is not level. At least you can follow at the pitch, but with great difficulty and without comfort, the sound dtriment Bavera.
I sold this amp to one that can restore acqurir Fidler over the sound spectrum of a bass with more punch. I tried an Eden Nemesis N12S (175 watts into 4ohms) and I do not compare, there's no photo, Eden outweighs the DEFINITIONS better sound and power.

Transistor amp, 100 w, Hp aluminum inlet with active / passive, a CD input, volume control, bass, treble, equalizer 7-band, limiter, headphone out and back loop effects , DI output and fuse accessible.

UTILIZATION

Manual not very clear to me (no English: D) but it is not really useful.
Effective settings (it rotates, it acts), its easy to find but just focusing on the equalizer anyway.
Amp light enough for my taste (23 kg according to the manual), tilted back so convenient (except for transport by car)

SOUNDS

This amp sounds great but is not really adapted to the metal, it lacks power quickly.
I use to start with a Peavey Milestone III passive, no problem. on the other hand with my Ibanez SRX 355 active, the receiver quickly show its limitations. Ie it saturates easily with so bad. The grave is not sufficiently well defined for my taste especially with a 5 string.
on the other hand in terms of acute, so there are no problems, the sound becomes very clear and sharp metal with the bass knob at the bottom.

OVERALL OPINION

It's been almost a year I use it, I will soon change it to a head and body.
I had taken as the amp "provisional" before taking bigger.
This is a good amp but not too much to fit 5-string, or metal.
The light is 100 watts to repeat especially with a drummer and a guitarist with a head and body.
I do not think I would do this choice, the amp is not powerful enough to use that I ais. But that's not a bad amp overall.

This is a bass combo that reaches an output of 100w.
With a tip of manufacturers: the inclined plane Relva more sound.
Not too emcombrant for a 100w.
No lightweight either (need to walk a few miles back with what otherwise might make you suffer the next day: p).
Output active and passive (handy because I have a rotten low passive ).
Capt. aluminum, ideal for sounds slammin.
I heard that it made the sound a bit cold and it lacked punch, it's been a year or so I use it and I do not share the opinion of any of these criticisms.
It possde 4 knobs: Volume, Bass, Treble, Limiter.
It also has an outlet for the headphone output and effects loop.
A report quality unbeatable price for me.

UTILIZATION

Trs simple to use, just connect, Obviously if you want to refine your sound should spend some time on the qualiseur (because yes there is a qualiseur!) But is more your exact than satisfactory!
I have not needed to use the manual, the amp itself as clear enough to find everything myself.

SOUNDS

I play rock, mtal, funk and I can easily find my way with this amp, it just takes me to change my low: p (ATK-300 command and must happen in a few days! Yeaaaaah: D)
I also play with a Korg effects (ax-3b) and the sound is just perfect.
Of course when I boost the knobs of the amp has a background I graying but I play in a pice Boosts too (NONS, computer, several lamps, Tv, etc.)..
One can easily spend a fat and round in his clear and slamming.
Obviously good with my bass now (Stagg BC-300) I can tell you exactly the sound you get but for now I am happy trs, even with this low rotten.

OVERALL OPINION

I use it for about a year and I'm glad trs.
I love the limiter which gives a slap beautiful when well rgl.
The qualiseur is a big plus point not ngliger.
I had a small amp provisionally pending the biggest, the comparison is obviously not. But I test some of bass amps from Musicstore and I find it unbeatable for its price.
Yes I would do it if I choose possdais the same amount of money.
Obviously we can move towards more advanced brands but the price is right now more advanced too!
Anyway I recommend it!

As for the caratristiques everything is said by many homeowners who have given notice below.
I like the EQ, CD input, the limiter, the inclined output XLR, and the number of knobs Reduces reasonable. No effect and it Intgr trs well as a.

UTILIZATION

Rglages could not be more simple. The sounds are easy to find (the dry net big sound hard). The manual is useless except to learn that we must not let him eat by the infant and put the finger in the socket ....

For rglage with an active bass, The variety of sounds is trs tense. With a passive, you have to play with the EQ very simple and effective.

SOUNDS

I play mostly at the moment of rock - blues seventies, lez zep, Kravitz, ZZ Top, etc ... I find little prs all sounds I want. Basses used: 72 Jazz bass, Precision active Frettless Washburn or amplified acoustic bass.
I never tire of the sounds Varis. And power is good, playing in clubs 100. The only time limit j'tais, That was in the open air in front of 200,300 people. Bottom knobs, the sound n'tait top .... not just when even normal!

OVERALL OPINION

I've had a year and has replaced my FenderBassman 70 of 1968 which is a dead donkey and carry around less than half the performance of the Hartke. J'ailme much versatility, its own, its size, and of course its unbeatable price-perf.
When I use it on scne, my partners that I find a better sound than the big Krueger or Ampeg new one has in-good-studio to rehearse.
Maybe because I know him better ... but I tend to share their opinions. So much so that I plan to buy a plug in deuxime parallle for scnes greater.
Finally, playing bass on this amp vintage 300 has nothing incohrent!

PS in the meantime, I bought an amp deuxime exactly the same, that I plug into a slave on the rear output, so only the first rglages serve both.
So, we can play to more people, with the lower volume and a cleaner sound. My musicians are complaining it's too hard. Like that, is modulated according to the size of the scenes. When will a troisime?

Everything was written & rewritten I only mention the three things that made me switch to this model:
- The auxiliary, I connect my computer. to hop combo & I train, I take ...
- The inclined I still enjoyed on stage recently (backspace)
- Equalizer that allows me to tweak the sound right for me low as the songs I play.

UTILIZATION

Plug and play almost ... while it is already at 0 ... With the set up is still in a tone and very easily, 3 "gives her a satisfactory A90%, I find it very instinctive.
The manual succinct but sufficient does not served me (check the role of connections on the rear panel).
Without pushing it too cracked a slap clear & the sound remains faithful to the volume to 3 / 4 (beyond I do not know because he was connected to a sound system). Fingers is the happiness it reacts well & can qualify attacks (sometimes too much to the average volume). J with a pick can not judge too much because I played too little to give an objective opinion.

SOUNDS

It is perfect for blues, rock & jazz or naked with my old roadster 2, I have a wide range of sounds and always sticking to the music played.
Jazzbass with my fretless is a bit less varied: the association aluminum cone & flat nets limit myself mainly to the electric bass (unless I spend time to dig the equalizer) or that I am using a the amps on the Zoom (such as super bass or acoustic). Even with two basses plugged at the same time & 2, 3 adjustments to rebalance the powers it did!

OVERALL OPINION

I have 2 years & 1 / 2 and frankly after testing a 100 Rumble, a Galen backline a Peavey TKO 112 & 115 a Berhinger 1800, I have never regretted my purchase (thank you Pascal & Alain Guitar Maniac Nice for their valuable advice).
I made a small financial outlay at the time of purchase & I got what suited me best (except perhaps the limit too much staged for my taste but hey I use very little ) ...
Now I am trying to add a 2x10 with horn acute for better use of its net fretless & dishes (I hesitate to take a Hydrive 210 because I like the versatility Hartke).

100watt amp transistor, setting simple, bass, drive, volume and limited. 7-band eq, headphone jack, MP3 connection & CD and effects loop.
Very comprehensive for a small transistor.

UTILIZATION

Using super simple, not even need the manual, you branch your bass, you adjust the EQ, bass and the drive and you're done. It quickly gets a good sound but has a certain condition which I will explain below.

SOUNDS

My style is rock and metal. I also like playing the blues or jazz but not so much my thing. This amp is perfect for my style in any case. I will not go to say he is hyper polivalent but there are ways to play sounds on bcp.

I use it with an Ibanez btb 405 and a fender jazz bass 5 string. Quickly get the sound I want, ie, medium fat with very sharp.

The big problem is that this amp is very powerful, too powerful even. And thus the membrane is very strong. As you live in an apartment like me and can not make too much noise it's crap. And the amp does not show his qualities at 100%. We really pushed the top so that it begins to show what he is and yes it sounds very good.

It is 100 watt but for a concert of 150 people is more than enough. It may be also why the opinion diverges somewhat lower level of its sound quality.

OVERALL OPINION

I use depuit two years but I think changed for a less powerful A 70.
What I like most about him is his simplicity and the fact that it is monstrous powerful for a small transistor.

With experience I will ever be the choice if I lived in a place where you can make more noise.