All user reviews for the Behringer X32 Standard

Nice tool, conceived for professionals.
I have only good things to say about it.
Except that I found yesterday someone who had the S16 and a X32 compact...
And I noticed that my problem wasn't isolated:
Male XLR connectors can get stuck in the console!
It's shocking: I had never had that with any other console.

The solution? I got a metal saw blade and, since it's a bit curved, I was able to saw off the male XLR until the input was free. Then think about leaving a mini connector so that nothing ever gets stuck again, and don't forget to cut the peg. And that's it. I don't even want to imagine if Behringer has to recall its 40000 consoles for such a stupid problem.

UTILIZATION

Great design and usability.
No manual, but there's really no need for one.

To access the functions, simply press view.

SOUNDS

Everything's great, converters, dynamics, filters, effects, soundcard, all good.

OVERALL OPINION

I've used it live for 6 months. It's excellent and has everything to become a standard.

You can find the features almost everywhere. It's not worth it to list them here again.

Noteworthy: Since it's digital you can connect the console to "external devices" via CAT5 cables. Behringer has introduced an array of accessories to extend the I/Os, let the musician manage his mix directly and soon (in September 2014?) the ability to stream audio directly to digital loudspeakers (Turbosound, UK).

(Balanced) XLR connectors almost exclusively. Buy a bunch of cables with the mixer, they will come in handy!

Midas has launched a console with a very similar user interface, but it works at 96KHz, unlike the x32, which works at 48KHz, and with the corresponding price and support for professionals.

UTILIZATION

The manual leaves a lot to be desired, but the forums and the wiki available allow you to solve any situation.

It's pretty intuitive to set up (easier than the Yamaha AW4416 that I used to have) and all functions have one-push access via the View buttons, which take you to the parameter pages in one click. It's pretty well thought-out.

SOUNDS

The A/D and D/A are up to market standards. No remarks in this regard. The Midas preamps are good, without too much noise.

I think the preamps are more transparent than those on the Yamaha AW4416, which render a warmer sound. You can find the same sound with a couple of tweaks here and there.

Good overall dynamics. Gate and compressor on each input, bus, output, etc. You can switch the dynamics pre- and post-processing.

Good filters. The parametric EQs are effective. The possibility to manage directly the outputs on the console, like with a matrix, and using a 24db Butterworth filter is a great plus to filter the outputs towards the subs and line arrays.

OVERALL OPINION

I'm very happy with it. A real step-up in relation to the Yamaha AW4416, which was getting outdated.
The X32 allows you to record the mix directly on a USB stick, as well as record/play back 32 channels on a PC via a USB/ASIO interface, and it works great!
The USB stick allows you to save your setup, which is very useful when you do the same venue again or to recall the parameters of a mix without starting from scratch. It has utilities that allow you to set it up offline on a PC, which is nice.

I bought the console and a flight case with casters (it's approximately 90lbs altogether) and plexiglass protection cover (Decksaver) for less than $3250). Excellent value for money.

Nothing to add here!!

UTILIZATION

I think this is its main strength: In concert, everything can be accessed quickly and intuitively, there's no need for a manual (which is only available as PDF).
You can access the dynamics section quickly, the EQ benefits from a very practical analyzer, an "assign" block lets you freely configure 12 pots and 24 buttons (distributed in 3 banks) to the parameters of your choice, intuitive "bus sends" and "DCA" sections, comfortable scene management and fast FX management.
The list is long, just to say that it's a pleasure to mix with the X 32.

SOUNDS

Regarding sound, it's hard to say, it may have some issues in the high end, but I'm really satisfied with the overall sound (post-EQ).

OVERALL OPINION

I've used it for 2 months (in concert and studio) and have no complaints.
Yes, I have used lots of other models in the same price range as the X 32 and also at much higher price points. If I had to choose between he LS9 and the x 32, I'd take the x 32 (despite preferring the yamaha preamps).
The hardest thing for me was to trust its reliability, I hope it was a good choice.
It's also not easy to convince bands to use this mixer, but every single one of them has been satisfied and even seduced by it. I have to explain many new bands that I do FOH for that Behringer has released a good product, etc., etc., which is a negative point (to talk to someone and say: "My mixer? A Behringer!" is not easy)

In my opinion, this mixer is for concerts, but it is also quite useful as a soundcard. You can do multitrack concert recordings without a sweat, the send-return connections with the DAW are relatively comfortable, recording on a USB is practical for rehearsals, I'm thrilled with the possibility to mix on a tablet (it's awesome ), both to control the monitors and to mix when the console is hidden in a dark and dirty corner of the venue (it spares me having to go back and forth from the center of the venue to the console and then again to the center of the venue and back to the console.
It features a practical built-in talkback mic on 2 assignable channels, the delay and reverb effects are good (but be careful not to change certain parameters live because it's not very smooth), the 31-band EQs are a bit weak, in my opinion, but the EQs on the channels are very good, plus, it also features an oscilloscope and noise gate.

Unbeatable value for money IMHO, I never would've thought I'd get such a console at this price.

32x entries
16x outputs
8x stereo effects returns
6x bus matrix with insert
6x Mute Groups
8x DCA groups
Parametric EQ by channel
Adjustable delay on all channels
Virtual effect rack with 8 slots effects
Integrated USB Recorder
Remote control via USB or Ethernet
AES / EBU digital
MIDI implementation

UTILIZATION

Very easy to use,
we need the manual for advanced functions

SOUNDS

the above nothing wrong, at the same time it comes to design Midas, except once or background noise is heard, reboot the deleted

OVERALL OPINION

This console is a marvel for the price at which it is sold.
The positives?
- Quality preamps
- Quality of built-in effects
- Ease of use: almost no need manual (better, moreover, because it comes with a Quick Start Guide 4 pages!)
- Features: 32 channels / 16 omni outs / 6 to / 8 stereo effects ... etc ...
Detailed specifications easily find the Behringer site.
The color 7 inch screen is legible we very quickly to super fast access menus with function keys beside each control area.
The "send on faders" function to view the send to a bus or from a channel levels is very convenient.

Remote control from a computer or an iPad (Android version expected) is useful for setting a return to his return. And as the table includes an ethernet port, no need for a computer "master" at the table, a simple router enough!

Negative points?
Ben must seek to find, however, that mainly lack, for me, the insert entries, we have for each channel on most tables I would say. In fact, it requires the use for it, and y'en 6 ... we quickly after ... although the 16 output bus (12 available) to help offset this concern.
And any technical problem from the one he had to change as a fader and we screen HS.

Is rack?
NO

How many lanes, bus attendant, departures, returns ...)?
What is the type of connectors (RCA, Jack, XLR ...)?
32in - 16out (XLR) + 6in - 6OUT In jack (stereo RCA symmetrical with 2 doubles on in and out) + 2 XLR out - 2 Jack Stereo Symmetrical (exit to listen Monitor)

The parametric equalizer is it?
4 band parametric on input (low cut and more) and 6 bands on output (insert can equal 31 bands on outputs)


The effects section is it integrated?
4 slice effect fully configurable.

For digital consoles: What is the accuracy of the sampling (bits / kHz)?
44.1 or 48 kHz

Automation is supported?
yes

What type of sync are supported?
no external sync

UTILIZATION

The general configuration is it simple?
very intuitive

The usual functions are they easily accessible?
direct access to the usual function, and ease of access to the most accurate function

The manual is clear and sufficient?
the manual is very basic, behringer Whereas it is for everyone to find his way to work with this console. but the manual is more than enough for live use of the beast in moin 1h.

SOUNDS

The A / D converters and D / A are transparent?
CONVERTER the Midas are very good bill, the sound is really clear and easy to rework.

The effects and filters are effective?
efficase very simple to miseen work, and very full when we enter the most accurate parameter.

The dynamics are respected?
Yes

OVERALL OPINION

How long have you use it?
1 year

What is the particular feature you like best and least?
the remote control via iPad is convenient
the moin is the lack of color choices and logo on the display of slices.

Have you tried many other models before buying it?
Soundcraft Xi, Presonus StudioLive, Yamaha LS9 ...

How would you rate the quality / price?
nothing to say. this is a very complete console cheap.

With experience, you do again this choice?
yes

General advice:
I, unwanted my X32 for 1 year now, I've never had a single bug. I happened to have a crash recording via usb stick (but reboutage console without problem on my mixes frontage) of a usb key of poor quality.
reminds me more of the old firmware too, I'm currently on version 2.0 Beta (we have more control over the ipad for now, but the shift will come).
a RTA was added, very convenient. in safe mode, I visualize the frequency on Selected slice, very useful.
the little gate be set at the opening of a specific frequency and choice.
diffent techson we work on for the first time last month, and they were all surprised and conquered by the console and made a little lost on the ergonomic grip and at the beginning, but his did not last longtemp.

I think everything was already said.

UTILIZATION

I use a touchscreen PC and it's up to adjust returns directly from the scene.
The view button is a major advantage of this console as the send fader is used in both directions.

SOUNDS

This is a console that sounds like an analog. I find the less cold on a Yamaha sound.

The default is only 31 months to strip not attenuate enough.

OVERALL OPINION

A perfect console for the grace to live screens on each track and view button. A consol with great power thanks to a remote control. A very good value price for me. I beuge is seen only once and it came from the PC.

Unfortunately, do not expect to make home with this console.

The console is very attractive in many ways: connectivity, ergonomics, routing options ... Missing some things like the ability to make real subgroups (not DCA) in order to insert a stick or equalo above.

UTILIZATION

No official French manual. We found a not too bad but very incomplete a super nice guy who is stuck.

In use, however, ergonomics and menus are quite nice and quick access via the View are very practical Live. The configuration of the layers is bein thought. He will miss a small LCD screen at the EQ to allow viewing without changing the setting eyes on the screen.

The problem is the repeated crashes, white noise at 0dB Output Master, cut all the physical inputs, have to reboot the console in full concert, digital creaking gain knobs ... I forget again, but the list is already too long to use a little serious or professional.

I said that these crashes were observed after updating the firmware, and for frequent use for more than 3 weeks.

SOUNDS

Nothing to say level converters, reverbs sound fine, and compressors work well.
The EQ is really feeble I find, I do not intend to + /-15dB correction announced. to check, I do not have time to measure price.
Same for the 31 EQ bands are also limited. Too bad not being able to insert linker several FX overall.

OVERALL OPINION

I use it for 1 month. And she leaves pronto presto-where it came from. After two dates or console showed many shortcomings, I can not consider work peacefully with such tools, no matter how tempting.
My LS9 certainly seems vieillote can, but it has never left me in 5 years of service ... And since I put a iPad wifi, use a little less tedious.

If we speak of coùt suddenly ... and therefore the ratio Q / P. .. The console will break everything if it actually worked, it is not the case. So no, I will not repeat that choice, and I will continue to be banned as possible Behringer equipment I meet.

I also had a bad experience with BF2000, I returned the product 3 times until you have one that works.

It lacks nothing in terms of connections.

UTILIZATION

Configuration and very easy to use.

SOUNDS

The effects are largely up to the live.

OVERALL OPINION

It calls me an opinion?
I just got back from tour. We spend two months at the lug from city to city.
I was only one thing to say: Congratulations!
Console reliable, robust, easy, effective. She has not always had the simple life and it was really a crash test to take the console on this tour. She got out in perfectly here. (There was just to crash and reboot automatically when I wanted to make use of the recorder USB. Suffisais to know. I do not try again).

pity that the sampling frequency is not more variable than that ...

UTILIZATION

User Friendly ... A bit too bright ... it seems (at the brightness and color) a bit of a DJ table with function "Merry Christmas!"

SOUNDS

Not quite thoroughly tested to meet them.

OVERALL OPINION

Overall this is a great table in relation to its price.

It must be said that the pre-amp Midas it does it well ... I have weighed in studio with a Venice F32 and frankly it throws.
The EQ Klark Technics is very effective, but I could not compare with other EQ ...

Level converters is good, I've owned a Presonus StudioLive 24 and they remain in the same line of work.
One negative point! Limited sampling frequency 44.1 or 48kHz ...

Attention to motorized faders! not the most reliable and accurate ... sometimes some bug (they begin to rise alone 0_o ')

Control via the iPad or iPhone is very complete.

After we like it or not like ... compared with 01V96 it still remains "User Friendly"

See the site behringer (there will be too much to say!)

UTILIZATION

English manual and too brief

Routing quite confusing at first especially for the bus to assign channels to physical outputs.

The driver for the USB port (I have not tried the FW port) is easy to install on my PC

The usual functions are they easily accessible?
Yes! Hyper console easy to use (at least for those who have used digital)

SOUNDS

For live use, this console sounds incredibly good. All those who heard him were amazed rang.

on the other hand studio, it is less convincing. I noticed a sleazy coloration. Otherwise, there is a good punchy sound, but a little dull, so not recommended for those seeking a sound crystal. In fact, it is very close to the sound of a good old analog. Like it or not amime!
In any case, it is quite the opposite of yams.
EQ do their job
The effect is especially means proper studio but live.

Good momentum.

OVERALL OPINION

How long have you use it?
4 months

Have you tried many other models before buying it?
Yes, all entry-level Yamaha MG, Mackie CFX 20 Soundcraft LX7 II for analog and Yamaha 01X Studio

Plus:
- Sound (warm and punchy)
- Feature (found almost everything we are looking for a console)
- Stability of the driver
- Ergonomics

The least:
- Fragile after a few out, I already have 2 buttons that start to drop.
- Assigning the output a bit confusing
- The LINE IN function for studio too restrictive: swapping in in Analog Card in (DAW worm of the console) can not be done in increments of 8.

Unbeatable quality / price.

With experience, you do again this choice?
To see the time!

I put 07/10 strength.

32 in - 16 out stand alone (ie without running stage box we can buy later)
phantom power supply per
XLR connections all except six returns (or 8? dunno more) of the external ... 2 headphone outputs, two stereo outputs monitors (sym AND unbalanced, luxury)

digital / full motorized fader relatively well
41 or 48 khz
super versatile routing (pounds bus galore AAA + + Matrix)
I gets off the reverb compared to Yamaha (M7CL or LS9) clearer and brighter to wish it out of the tin from Yamaha!


THE MEGA + it has a sound card "built in" 32in/32out for - among other things - with a lap top to record live and do VIRTUAL SOUND CHEK (before this option only on tables that Vallent of tens of thousands euros) super simple way! You roads your recorded tracks to every, one is digital and you show mixes the "way live" on the console ... Huuuuge ...


UTILIZATION

Getting Started: 22 seconds to know that digital tables
Supports multiple i-pad and i-phone (via a standard wireless router not included) where yamaha not tolerated by a console!

Almost useless manual ... anyway there's not half the functions referenced ... go to the manufacturers forums! them very useful!

Arriving on Thursday, Friday in the studio with ... Live on Saturday ... go go go! it works ... to 7x cheaper than CL5 (config ° to nearly € 20,000 for the number of votes, and 8in/8out stand alone ... ouch because RIO - Yamaha box internship requirements are not ... our X32!)

Super ergonomic work
More "console tape" grace the screens led by voice, but hey, I think the colors choisirs for these screens a bit "girly" see downright kitsch ... but effective way to navigate his small ...

SOUNDS

Midas preamp that make taf ... do not expect to pure American killing either it should not be their high end (sic)

Klark converter Technics ... transparent? yes

Dynamics and transparency are there ... EQ and much more effective than the M7CL, by far! (Not hard)
Briefly, it works what!

Nice reverb ... really, for this price, it's amazing though!

A default setting of the gates ... blah blah

A great plus: the number of EQ band 4 + a low and hight cut! yes, 6 bands true increments fully parametric ... awesome


OVERALL OPINION

acquired 3 months ago, already almost damped!

FAILURE compared to traditional yamaha: not possible here to assign A physical input to another slice, it must be done in groups of 8 slices ... good, need to think before what ... I used to do that when a portion of the multicore is dead, it is easy to reassign digitally Yamaha. There, it will clearly miss if "panic on the patch and is in a rush"

Another defect is that the gates are so-so less ... Now, Me, I'm using it as little as possible of the gates, so it's not a problem ... metaleux friends, think still to this concern.

A final flaw is that it is (for now) not to make a multitrack recording POST treatment (eq / dyn / fader / etc.) Mulitipiste rec is the only "PRE everything" ... can not choose ... damage to my taste, but it is true that it also avoids anneries rec The right / left on USB memory (please wave) is "post" if it is assigned as a source the right / left the master ... it compensates.

The top, so this is the "mix out the box" that allows the famous virtual sound check and mix lives ... um, like live on the console, but after and quiet at home ... remaining in the digital domain! Then, export the left right, a small master, and hop a live 2h mixed "live" in less than 3 hours ...

Shame not to "chained together" inserts for the same bus if I want to put on my master fx 2 (UNEQ stereo and a compressor for example) is not currently poss ... to see if it evolves. I hope! But hey, memory is not poss not on M7CL (which I invite you to review the price too! Ah ah)

BUT ALL this is NOTHING near the quality / functionality / price ratio and, uh, this X32 SOUND! For me, it is a revolution in the way I manage my investments. Given the rapid depreciation due to its low cost, I'm already pretty sure to buy one in 3 years ... and so on, just to stay "lifetime" warranty, since it seems the weak point would be (will be) the reliability ... I expect to see then!

Firmeware updated often ... and some rumors about the "remote" option of your favorite audio sequencer software that rise from 8 to voice control -> all console control surface! to see ... it would be great (because the remote although functional option is quite limited for my taste)

BRIEF A PURCHASE I would do 10x

Behringer hits hard, and just changing range ... and résoluement target .. finished stews copy makie who went Lollipop after 10 uses and do not sonniaent caramel!
I have always claimed: do not buy this brand product ... I always proclaims, EXCEPT for their X32 range and all their affiliates solutions (rack, or stage boxes, system personal feedback I'm looking forward to testing etc..) I am amazed.

I tried to be as objective as possible, my advice is only my opinion.

32 inputs with XLR gate, comp, insert pre / post eq, 48v, low-cut, 4-band parametric EQ, delay.

6 entries jack trs. inputs 5/6 lined cinch. (recommended for external or insert return fx, cd, etc ...)

AES50 2 port (48 channels each)

1 USB port (for playback and record file *. Wav)

1 USB or firewire on slot 32 in / out recording.

1 talkback

MIDI IN / OUT

16 starts xlr (LCR can be master, mono, back scenes, fx shipments external matrices, direct out ...) with same parameters as inputs except gate. Parametric EQ band 6

6 departures jack trs outputs 5/6 lined cinch. (Recommended for external insert but can receive any signal from the console)

Ethernet output system demonitoring personel p16 behringer

AES / EBU output assigned to the master LR default.

1 control room output on XLR and very

USB or firewire output 1 32 channels (the same as the entry way ...)

Pre configuration Mixbus (16) pre eq / post eq / fader pre / post fader / subgroup (reassignment per pair)

8 DCA

6 matrices (with same parameters available for Mixbus)

8 stereo or 16 mono fx insert on a Particular slices on the bus, the master ... fx return on dedicated slices (without eq or comp) but reassignable slices on inputs 1 to 32 zm corrections

based on remote control 8 faders for DAW bank page for additional functions (play stop, bank up etc. ..)

4 encoders assignable parameters bcp console + sending MIDI
8 push buttons and toogle (ditto)
on all three banks.

44.1 and 48 kHz.

UTILIZATION

The manual dusted the beast, but a lot of things to discover by be-even. (And good-even be surprised too!) But have more details would not be a luxury either.

Press "View" sections on each to get a visual on the screen. very fast access.

It has its own logic, so that the general configuration is simple and hard to judge when you have spent 10 years on all Yamaha. Some things seem logical, some not, but we made it.

Remote function: then I am very disappointed. When I realized I had to find myself printing to a BCF2000 + +. 8 faders + key combinations to achieve his purposes for reading bank of faders .... Fortunately the panel dedicated to "users keys" is effective on 3 banks, 4 encoders 8 push / toogle. Dedicated control for console or sending MIDI control. Too bad we can not customize the names of the MIDI parameter, for example the screen showing CC16001 ... then it would be so good with "Send PCM" in pink ...

Today, the game has twelve o'clock serves me control the sends in Nuendo + pre / post + On / Off more flexible than the Mackie Control

Otherwise pages for shortcuts and functions of the console, dedicated panel is great!
But the above still work regarding MIDI. The console communicates with xcontrol almost in its entirety, it must be possible to be able to make a great console MIDI control interface in a future update.




SOUNDS

convertos and preamp particularly cared for, not "cold" even rather warm, but lacks a bit of "couil * es" or "punchy" but very very light. Lack can be a bit of air (3.5-4kHz) but maybe I'm too used to what I've heard so far in digital (or I'm going deaf from me ... c ' idea is)

But the signal is respected! CA SONNE and is astonished.

compression. A little hard to use on the first voice, I found that ca compress fast enough, but it depends on the sources and sound you are looking for. However, the compression becomes softer mode bcp "RMS" with a Knee to 4/5, and there is quite nice.
At the time, I read that some complained about the lack of function ... esser and firmware 1.10 add fx ... but there are (at the expense of compression though) can be act on the compressor frequency range (dynamic equalization) or other filters can side chain with another slice. Today it is 1.12.

Gate: Finally a gate that does not make me regret selling my 4 DS201 was for me .... arrff nostalgia. It is always very complicated gates, we often hear the solo source and is often disappointed ... the snare opens tom2, pff .. but the strength of this gate is like the compressor is the choice of a frequency range where the gate will act (which existed on the DS201) so battardes finished openings.

FX: eq dual 31 band stereo and mono (2 different models) we say 1 eq "classic" and "linear" without phase) effective! controllable mode "eq fader is"

the reverbs: by "1.2, eee eee heee tsiii ..." I found the reverb tails not very nice ... but in a mix ca happens, especially when it is not my voice. I think we need a little work. Otherwise, not metallic, chaleureuseuse, but the diffuse scattering parameter not enough for my taste.

I have not tested the rest. very tempted to test the Waves comp and flat PCM70 way. (I could easily compare it with the original that I always in the pocket)

Overall, this is very correct.

The EQ per: low-cut, 4-band parametric. 2 mode "classic" and "vintage" one more surgery, the other softer. the extremes can be low frequency shelf. Version 6 bands on the Bus.

It did the job well, without having to push 12 +


OVERALL OPINION

I would like to:
-----> Optional insert card would be welcome
-----> A failure to insert the firewire / usb on slices.

The + beyond what I have already said:
-----> Update the firmware ultra serious
----> Able to say "I'm 16 eq31 bands if you want ... '
---> Here it sounds better than any yamaha output to date
----> Xcontrol for PC / MAC / Linux
----> XIControl Ipad to control the console from the tray, refer to spend the evening in the middle of the public, or at the bar and drink cups ....


The -:
----> Should say "pre / post pairs on the bus guy"
----> Asio driver 1 but not 2, so no direct monitoring products steinberg
---> Midi implementation is still very mild so far.
----> No scene "initial data"
----> No time settable in "go" on stage
----> Tap delay function not effective on very short time, see NAZE
-----> Cut the reverb in a change in length of parameter "time" (a check all the same)

Some effects not find the height?? Do not change your work habits or those of people you greet a pcm 80, one of M5000-two and presto!

Supply problems?? Pretend with DiGiCo, do not buy the console without an inverter. It remains very fragile these small computers, in FranceThe outage will be fatal for the current work, we will return to the last backup. (Crash tested)

Failure faders and screen? It also happens greatest.

Warranty 3 years - and for the price ....
and attention that comes with heavy artillery derivatives x32, soon ....

and forgiveness for the mistakes ...

The Behringer X32 Digital Mixer is a 32 channel digital mixer that has 6 matrix buses. There are 16 outputs XLR (analog) and 2 phones connectors, with an added bonus of a talkback function built into it. this unit is great for a medium sized personal studio. You can even download an iPad app that will allow you to mix remotely without a host PC. This app is also free which is great because most apps like this cost money.

UTILIZATION

Setting it up is very simple, but understanding it could take a little time. It can be a bit overwhelming at first because the set up of it is different than a lot of other major mixers that I have used in the past. It does come with a manual that will help you with anything you need help with and Behringer also has excellent phone support that will walk you through something if you need help.

SOUNDS

The 7 inch color display is a great bonus on this unit, it would be nice to have a bigger built in screen considering the price of this unit. There are built in EQs and Processors on the X32, so you can get rid of some of the extra luggage that you might be toting around and just have the X32.

OVERALL OPINION

While using this mixer you will immediately notice that you are getting no latency from the inputs and outputs. You will have everything you need to have a solid and fluid workflow with this mixer. It even has 25 motorized faders and separate compressing for each channel. Working with this unit has become very easy over time. After I finally got the swing of it I was able to work quickly and do some very good mixing and recording with it. I do not recommend getting this unless you need this many inputs and outputs. Otherwise it will be a waste of money because it is not cheap.

Is rack?
No (90 cm wide, 20 to 22.5 cm high .. twenty Kg)
How many lanes, bus attendant, departures, returns ...)?
32-channel, 16 bus, 6 in (16 omni out)
What is the type of connectors (RCA, Jack, XLR ...)?
XLR inputs only
The parametric equalizer is it?
4-band parametric on each slice, plus 4 stereo 31-band equalizer assignable
An effects section is it integrated? For digital consoles ...:
Effects section with 4 to 8 effects Stereo (by use of equalizers) Good quality

UTILIZATION

The general configuration is it simple?
Very easy to navigate
The usual functions are they easily accessible?
Very easy to navigate
The manual is clear and sufficient? ...
For the moment, the manual down to 5 pages of a quick start guide! And curiously, there comes very well without it! Although the discovery functions like press two buttons for selecting the 5 and 6 for ... makes waiting for a true manual a bit painful.

SOUNDS

The A / D converters and D / A are transparent?
They seem good quality, designed by Midas, and very good by the standards of all testers net.
The effects and filters are effective?
In good order.

OVERALL OPINION

How long have you been using?
12 days
What is so special that you like most and least?
This impressive ease of use
Did you try many other models before buying it?
All digital I could approach!
How do you rate the quality / price?
Unbeatable.
With experience, you do again this choice? ..
Well, for the moment, my experience is very short, but I would do this choice without hesitation.