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granpulpo
Published on 06/28/05 at 10:45
Basic, proven ...
mono block hh ride whith a pity clap noize
UTILIZATION
Simple and effective.
very good step sequencer that allows the parameters enrgistrer sounds for each step ..
very nice use of the! (Młoda subtly to follow the bass for example).
syncro dyn.
[b]SOUNDS[/b]
The foot is great, less dynamic than those of 808-909 rpm (this can catch up in compression), but much more flexible, we can fawn's foot that will really stick to the piece.
the snare is particulire, for my part I used the lot to pass another snare sound because it has a tight pitch and white noise and prcis effective and well-dosed.
hh less effective than 909 but very interresting when pitch very high or very low ..
the ride is a killer
[b]OVERALL OPINION[/b]
MRIT dtour the foot, its flexibility allows to go further than other TR, one can get an up-to-measure for each title, in pure analog: see anything (at all) with soft ( at least 2 conversions less!).
made the foot a bit expensive, but there is everywhere very quickly (a killer for the feet of hip-hop)
mono block hh ride whith a pity clap noize
UTILIZATION
Simple and effective.
very good step sequencer that allows the parameters enrgistrer sounds for each step ..
very nice use of the! (Młoda subtly to follow the bass for example).
syncro dyn.
[b]SOUNDS[/b]
The foot is great, less dynamic than those of 808-909 rpm (this can catch up in compression), but much more flexible, we can fawn's foot that will really stick to the piece.
the snare is particulire, for my part I used the lot to pass another snare sound because it has a tight pitch and white noise and prcis effective and well-dosed.
hh less effective than 909 but very interresting when pitch very high or very low ..
the ride is a killer
[b]OVERALL OPINION[/b]
MRIT dtour the foot, its flexibility allows to go further than other TR, one can get an up-to-measure for each title, in pure analog: see anything (at all) with soft ( at least 2 conversions less!).
made the foot a bit expensive, but there is everywhere very quickly (a killer for the feet of hip-hop)