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Greig « Strong to the scene »
Published on 02/28/11 at 05:09Cardioid dynamic microphone, designed for singing on stage.
Antipop integrated, robust construction.
Options: on / off switch (SM58)
Type: Dynamic (moving coil)
Frequency Response: 50 to 15,000 Hz
Unidirectional (cardioid), rotationally Symmetrical about microphone axis, uniform frequency With
Sensitivity (at 1,000 Hz Open Circuit Voltage)
XLR
-54.5 DBV / Pa (1.85 mV)
OVERALL OPINION
I use it on stage for a long time, whether mine or anyone (highly prevalent in studios and at least on small scenes.). It is well known for its robustness and CAPACT to limit the feedback, because of its very medium response was to blame el elsewhere that I would. I had a Beyer dynamic, which I found far better in terms of fidelity.
M'enfin for rock, pop, it makes the job.
Antipop integrated, robust construction.
Options: on / off switch (SM58)
Type: Dynamic (moving coil)
Frequency Response: 50 to 15,000 Hz
Unidirectional (cardioid), rotationally Symmetrical about microphone axis, uniform frequency With
Sensitivity (at 1,000 Hz Open Circuit Voltage)
XLR
-54.5 DBV / Pa (1.85 mV)
OVERALL OPINION
I use it on stage for a long time, whether mine or anyone (highly prevalent in studios and at least on small scenes.). It is well known for its robustness and CAPACT to limit the feedback, because of its very medium response was to blame el elsewhere that I would. I had a Beyer dynamic, which I found far better in terms of fidelity.
M'enfin for rock, pop, it makes the job.