Tech. sheet
- Manufacturer: nUX
- Model: MG-300 MK2
- Category: Multi-Effects for Electric Guitar
- Other names:mg300mk2, mg 300 mk 2, mg300 mk2, mg 300mk2, mg 300 mkii, mg300mkii, mg300 mkii, mg 300mkii
- Sampling frequency: 48 kHz
- Digital-to-analog conversion: 32-bit
- Frequency response: 20 Hz - 20 kHz
- Dynamic range: 106 dB
- Inputs and outputs :
- 1/4" mono jack input
- 1/4" mm TRS stereo jack output
- 1/8-inch (3.5 mm) mini-jack auxiliary input
- 1/8-inch TRRS mini-jack headphone output
- USB-C port (audio interface, firmware update)
- Effects and modeling :
- 44 built-in effects
- 25 modeled amps
- 36 impulse responses (IR)
- Possibility of importing your own IR (24 slots)
- Looper:
- Recording up to 60 seconds in stereo, 120 seconds in mono
- Rhythm box :
- 10 styles with seven variations each (rock, blues, metal, etc.)
- Tempo adjustable from 40 BPM to 240 BPM
Videos
Q&A
1. What are the main improvements of the MG-300 MKII compared to the first version?
The MG-300 MKII brings several new features, including reduced latency, the addition of Scenes to change sounds without clipping, the ability to reorganize effects blocks and greater robustness of the chassis and footswitches.
2. Have the ergonomics of the MG-300 MKII been improved?
Not really. The interface remains unintuitive, and editing presets without using the Quick Tone software is complicated. On the other hand, the flexibility of the footswitches and the addition of new features partly compensate for this shortcoming.
3. Can the MG-300 MKII be used as an audio interface?
Yes, thanks to its USB-C port, it can be used as an audio interface for recording and editing sounds on a computer.
4. How good are the amp and effects models?
The Fender amp models are very good, as are some of the high-gain sounds (Bogner, Soldano). On the other hand, the Vox and Hiwatt models seem more artificial.
5. Is the expression pedal assignable to multiple parameters?
Yes, it can be configured to control effects such as wah, volume, modulation, delay and reverb.
Audio excerpts
-
00:0001:15

-
00:0000:50

-
00:0000:52


